Manuscript on parchment (goatskin) of Ps.-Cicero, Rhetorica ad Herennium
Description:
In Latin., Script: Copied by one hand in small Southern Gothica Textualis Libraria (Rotunda) in two sizes., Headings in red. Paragraph marks in red or blue. Plain initials (mostly 2-line) in red. Flourished initials of various sizes in blue with red penwork (a few have deviant colours). Each of the four books opens with a large flourished initial; the one at the beginning of Book II is a littera duplex (7 lines), the one at the beginning of Book I, of the same type, is more elaborate (14 lines). Both initials are followed by a line in fancy majuscules alternating with penwork., Numerous wormholes in the covers and first and last leaves. Some irregular edges and corners., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Cicero.
Subject (Topic):
Latin literature, Manuscripts, Medieval, and Rhetoric
Manuscript on paper (coarse, remains of deckle edges) of 1) Unidentified Italian epitome of the Ps.-Ciceronian Rhetorica ad Herennium. 2) Unidentified and anonymous treatise on memory
Description:
In Italian., Watermarks, along upper edge: unidentified mountain and hunting horn., Script: Written in gothic bookhand by a single scribe, above top line., Spaces left for initials remain unfilled, except on f. 25r where there are three poorly executed initials in red; guide letters for decorator. Paragraph marks and initial strokes, in red., and Binding: Nineteenth century, Italy (?). Half bound in vellum with a gold-tooled spine and Spanish marbled sides. Ribbon bookmark.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Cicero.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, Memory, and Rhetoric
Manuscript on parchment (palimpsest throughout, from many different manuscripts, 15th century, primarily documents that were previously folded and a large service book with musical notation) of Ps.-Cicero, Rhetorica ad Herennium
Description:
In Latin., Script: Written by a single scribe in fere-humanistic script with numerous abbreviations., Red initial, 5-line, with purple penwork flourishing that extends down inner margin, marks beginning of text, f. 3r. Plain red initial, 3-line, f. 3v. Spaces with guide letters are unfilled for remainder of codex. Initial letter for each sentence stroked with red, ff. 3r-4r only., and Binding: Nineteenth century, England. Bound by Charles Lewis (London, 1807-36) in brown diced calf with a gold-tooled title: "Ciceronis Rhetorica MS in Membr". Edges gilt.
Manuscript on paper of Antoninus Pontus (Antonino Ponti from Cosenza, ca. 1600-1650), Rhomitypion. An allegorical treatise in three parts on the past and present state of Rome and Italy, topography, cosmography, geography, etc. Includes a dream vision of heaven and a dialogue between the author and Cato the Censor. Ends with a panegyric in praise of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza (1511-1527), the author's patron. The manuscript is apparently unique and probably an autograph fair copy
Description:
In Latin., Script: Copied by one hand in a slightly uneven upright Humanistica Cursiva Formata. Headings and explicit-incipit formulas in capitals., On f. 2v, painted coat of arms of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza, surmounted by a cross and placed in a floral wreath, above two distychs. At the head of each part a 6-line silver initial (Capitalis), outlined with black ink, on a square red or blue background with silver foliate decoration. A small purple initial in the space for a 4-line initial on f. 4r., At many places the paper is damaged and the reading impaired by the acidity of the ink., and Binding: Original presentation binding: light brown leather over pasteboard. Spine with three raised bands, gauffered and gilt edges. Both covers are decorated with two frames of blind-tooled quadruple fillets surrounding rich gold-tooled frames with in the centre on the front cover the coat of arms of the dedicatee (with six-spoked wheel), on the rear cover a large rosette. Remainders of two pairs of ties.
Subject (Geographic):
Connecticut, New Haven., and Rome (Italy)
Subject (Name):
Ponti, Antonino.
Subject (Topic):
Allegory, Illumination of books and manuscripts, Medieval, Laudatory poetry, Latin, Manuscripts, Medieval, Visions, and Description and travel
Manuscript on paper in 2 volumes of a rhyme concordance (rimario) to the vernacular poetical works of Francesco Petrarca (1304-1374), arranged in an approximate alphabetical order
Description:
In Italian., Script: copied by one scribe in rapid Gothico-Humanistica Cursiva., Watermark: Anchor within a circle, Briquet 586-589., and Binding: 16th century. Venetian de luxe bindings, brown morocco over pasteboard. The covers are bordered with blind-tooled and gold-tooled fillets; gold-tooled corner pieces and in the center gold-tooled coat of arms with two lilies of the Fugger family. On the front cover of vol. 1 are the gold-tooled vowels "A" and "E", on the front cover of vol. 2 the vowels "I", "O" and "V", referring to the content of both volumes. Gold- and blind-tooled spine with three raised bands. Red and green headbands. Gilt and gauffered edges. Marks of four pairs of ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Concordances, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of Flavius Blondus (Flavio Biondo, 1396-1463), Roma instaurata
Description:
In Latin., Script: Copied by a single hand writing a rapid Humanistica Semitextualis Libraria. The first line of the Prologue and the first word or second letter of the three Books are written in Capitalis., Rather carelessly written headings in purplish red ink, added posteriously at the beginning of the Prologue and of each Book, not corresponding to the instructions for the rubricator written in the margins by the scribe (no such instruction is visible on f. 3r). White vinestem initial (5 lines) and border in the same style in the upper and inner margins at the head of the Prologue (f. 3r). The Books open with 2-3-line plain initials (Capitalis) in blue; a similar 2-line initial was planned (and executed) at the beginning of what would be chapter 3 (“Ambitum”, f. 4v), but this practice was afterwards abandoned. Guide letters for the initials in the margin., and Binding: ca. 1500, Italy. Brown goatskin over wooden boards, both covers blind-tooled with frame and centre-piece, the latter in the shape of a cross composed of small rhomboid stamps showing some remnants of gold. Remnants of one clasp attached to the front cover, with a brass catch fixed with three nails to the rear cover.
Subject (Geographic):
Connecticut, New Haven., and Rome.
Subject (Name):
Biondo Flavio, 1392-1463.
Subject (Topic):
Latin literature, Medieval and modern and Manuscripts, Medieval
