Manuscript on parchment and paper of the Alfonsine Tables, a scientific work on astronomy, executed on parchment and decorated, but unfinished, to which paper leaves have been added at a not much later date, and the text completed, probably by a scholar
Description:
In Latin., Watermarks: 1) ladder in a circle with star at top, two varieties, similar to Briquet 5920; 2) eagle displayed within a circle, similar to Briquet 203., Script: Four scribes have written the manuscript: (1) the professional, humanistic hand of the parchment section; (2) the rapid, partly illegible cursive hand of the paper leaves; (3) a late humanistic hand which has supplied "radices" in red and brown inks in the lower margins of ff. 33-38; (4) a hand that filled in the numerals on the whole of f. 63r and a part of f. 36v, distinguishable by his numeral "7"., In the parchment section, headlines and part of the writing in red (the sixth place in each table is outlined in yellow glair, except in the table on f. 57r, where the ninth, fifteenth, and twenty-first places are outlined in blues). Longitudinal spaces between columns of the tables in the parchment section, ff. 38v-42v, 53r, and 61r-70v, have been decorated with arabesque patterns of vines, leaves, and flowers in great variety and usually in differing combinations of glair and blue, but the work has been left unfinished toward the end of the section. No illustration., and Binding: Modern. Blue morocco, gilt, matching slipcase of straight-grained blue morocco, by R. Wallis, original gilt edges.
Manuscript on paper of 1) Life of Terence. 2) Terence, Andria. 3) Terence, Eunuchus. 4) Terence, Heautontimoroumenos. Artt. 5-24: Cicero, Epistolae. 25) Commentary, partly in Italian, on the first letter of Cicero to Lentulus Spinther (some loss due to trimming).
Description:
In Latin., Unidentified watermarks buried in gutter include horn, mermaid in a circle; two distinct birds in circles similar to Briquet Oiseau 12203 and 12220., Script: Written by multiple scribes in various styles of round humanistic and gothic scripts. One hand supplied most of the glosses on Terence and Cicero and the texts on ff. 143r-145v in italic., Crude initials mark beginning of each section; rubrics throughout; many letters stroked in red., and Binding: Seventeenth century. Limp vellum case with title lettered in ink down the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Terence.
Subject (Topic):
Latin drama (Comedy), Latin letters, and Manuscripts, Medieval
Manuscript on paper and parchment containing texts on St. Jerome
Description:
In Italian., Script: copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial. The lower margin of f. 62 torn off., The manuscript contains: 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing., and Binding: quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: "Vita / di S. / Girola." On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription "JO." written in black ink. Possibly the binding once belonged to another manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on parchment (thin, good quality) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Written for King Matthias Corvinus of Hungary (1458-90), perhaps by Italians at his palace of Buda
Description:
In Latin., Script: Written by a single scribe in a well formed humanistic script., Twelve initials, 7- to 2-line, at beginning of each book (2 at the beginning of the Annales), gold edged in black, with white vine ornament, against a panelled ground of blue, green and mauve, with white dots, outlined with one or two thin white and one black line; ivy, drawn or pen, with triangular gold leaves or dots, projecting from corners into margins. On f. 1r, the initial includes a putto in the vinework; in the lower margin, coat of arms of Corvinus, type A (quarterly, first and fourth barry of 8 gules and argent [Hungary]; second and third gules, a lion rampant and queue-fourche argent [Bohemia]; an inescutcheon azur with raven sable holding an annulet or, with bordure or [Hunyadi family]. Workmanship of fair quality; style Northern Italian (?)., and Binding: Fifteenth century. Sewn on three tawed, slit straps laid in channels in beech boards. The straps are pegged and the channels filled in with plaster as are the endband grooves and the edge channels cut out for the clasps. The primary endband is plain, wound, and sewn on a tawed core and the secondary is beaded and colored. The core is laid in a groove and pegged. The square spine is given a slightly round shape by the bevelling of the boards and is lined with a tawed skin. Covered in dark, brick-red goatskin with a cusped shield azur, charged with a crow sable (Hunyadi family), in the center of each board; blind-tooled rope work, punch dots and other ornamentation gilt, gold-tooled or painted. "Cornelius Tacitus" is tooled along the head of the lower cover and is also written down the fore-edge with black ink. There are four fastenings, the brass catches on the lower board, with three of them covered over with added leather. The clasps are the same color as the cover and are reinforced with parchment. They are pegged in channels at the edges of the board, underneath the cover. The clasps and a little leather of the spine and the upper board are wanting.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Matthias I, King of Hungary, 1443-1490. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
In Latin., Watermarks, obscured by text: similar in type to Piccard Horn VI.110-29., Script: Written by several scribes in scripts ranging from calligraphic mercantesca to a more formal gothic bookhand., One garishly painted initial, 16-line, red and blue divided with penwork designs in both colors. Spaces left for decorative initials at beginning of remaining books are unfilled. For ff. 1r-13r only: headings, paragraph marks, underlining of passages glossed in marginalia and running headlines, all in red; for ff. 1r-16v: first letter of each verse touched with yellow., and Binding: Twentieth century, England. Quarter bound in alum tawed pigskin, blind-tooled, over oak boards. Title, in ink, on head edge: "Statij. thebaidos". Title on spine: "Statii Thebais/ MS. 1406".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Statius, P. Papinius (Publius Papinius)
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Seven against Thebes (Greek mythology)
Manuscript on parchment in two parts. Part I: Pseudo-Bede, Commentarius in Psalmos. Due to the loss of quires or leaves the following parts are missing: Ps. 23:1-31:6; Ps. 44:14-50:21; Ps. 88:48-95:10; Ps. 131:8-147:14. The contents of the first quire, which is equally lost, is unknown. Written at the Cistercian abbey of Morimondo. Part II: Unidentified definitions and theological and ethical discussions of Biblical terms and quotations without apparent order, on behalf of preachers
Description:
In Latin., Script: Part I (ff. 1-113): Written by various hands close to each other in small late Carolingian script, with sudden changes in the shade of ink and sometimes badly following the lines. The handwriting on ff. 77-84 (quire XI) and ff. 112-113 (quire XVI) has markedly different features. Part II (ff. 114-133): Written by a single hand in tiny Southern Gothica Textualis Currens, at different times and in many different ink shades. The scribe opens both quires with "Sancti Spiritus assit nobis gratia" in the upper margin., Part I: The very simple decoration is uneven and consists of plain Romanesque initials, 2 or 3 lines, in red ink; on f. 41r (Ps. 51) 5 lines; many initials are not executed or later coarsely added in black ink. Part II: Undecorated., and Binding: Fifteenth century. Brown sheepskin over heavy unbevelled wooden boards, blind-tooled with triple fillets. Spine with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bede. and Cistercians.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Preaching
Manuscript on paper of a huge collection of mostly short quotations, arranged under more than one hundred headings, with other texts
Description:
In Latin, partly in Italian., Script: mainly copied by one hand writing a small Gothico-Humanistica with single-compartment a; a few additions and marginal notes by a contemporary hand. Art. 3 is copied in an unusual linear Humanistica Textualis close to Cursiva, marked by numerous loops., Headings in red. Underlining in black of the authorities and works quoted. A few plain initials in red. In the margins pointing hands (sometimes with human faces in the calligraphic loops) and arrows which have the same function., The manuscript includes short treatises, exempla, verses and prayers. With two fragments 1) of a Latin theological treatise on parchment, ca. 1300. 2) of a Latin philosophical treatise, probably a commentary on Aristotle's De caelo et mundo., and Binding: 16th century. Brown leather over pasteboard, sewn on three split leather thongs. The covers are blind-tooled with triple fillets and a frame of juxtaposed quadrangular tools with botanical motif. Remnants of one clasp attached to the front cover, with an engraved brass catch on the rear cover. In the center of the front cover a small paper roundel with a contemporary woodcut of one of the Magi; on the rear cover a rectangular contemporary woodcut on paper representing the Flagellation. The spine is reinforced by a piece of paper, on which the original title in ink has been replaced by “Sententiẹ / sacrẹ / et prophanẹ / Manuscript** / Sẹculi XV” (16th century). On the front detached pastedown r: “Opuscula varia” (16th century). Front pastedown is a fragment of a theological treatise, ca. 1300; rear pastedown, fragment of a philosophical treatise, probably a commentary on Aristotle's De caelo et mundo, both on parchment and orginally from the same manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on parchment of theological and moral treatises
Description:
In Latin., Script: main text is copied by one hand writing Southern Gothica Textualis Formata. The additional artt. 5-9 and the notes are written in extremely small Gothica Cursiva Libraria, all probably by Dominicus de Seraphinis., The manuscript contains: 1) Gerardus de Prato OFM, Breviloquium in sententias. 2) Iacobus de Benevento OP (s. XIII2 , Ps.-Bonaventura), Viridarium consolationis. 3) Aldobrandinus de Tuscanella OP (1250-1300), Scala fidei, second recension. 4) Note on the ten virtues. 5) Quodlibet questions with answers based on Raymundus de Pennaforti (d. 1275). 6) Note on the real existence of Purgatory. 7) A legal note on the conditions on which toll must not be paid for the transportation of goods, quoting Henricus de Segusio (Hostiensis, d. 1271). 8) A note about the four senses of Scripture., The first page is badly soiled., Headings in red. Alternately red and blue paragraph marks. 2- and 3-line flourished initials alternately in red and blue with very developed penwork in the contrasting colours in the left margin or in the intercolumnar space; at both ends the penwork terminates in conspicuous corkscrew ornament. 3- and 4-line litterae duplices with a yet more elaborate execution of the same type of penwork on ff. 2r (beginning of art. 2), 35v (2, beginning of art. 3), 52v (beginning of art. 4). The additional artt. 5-9 are undecorated., and Binding: 19th century (?). Quarter binding, parchment (from a music manuscript with 4-line red staves?) and paper printed in a rose and white decorative pattern over cardboard. On the front cover, in s. XIX handwriting: "Trattato di morale e teologia"; on the spine, in 19th century handwriting: "M.S. / 1421". Blue sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian ethics, Christian literature, Latin, and Manuscripts, Medieval
Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
In Latin., Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617., Script: Written in humanistic script by a single scribe, above top line., One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., and Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gazaeus, Aeneas.
Subject (Topic):
Biography, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Monks
