Manuscript on paper of Iohannes de Sacrobosco (1000-1210), Tractatus de sphaera
Description:
In Latin., Watermark: two crossed arrows, similar to Briquet 6269-6275, especially to Briquet 6271 (attested 1462). The whole group and its variants are attested in Northeastern Italy 1448-1495., Script: copied by one hand in Humanistica Cursiva Libraria/Currens, widely spaced. The first letter after an initial is in Capitalis., 2-line plain initials alternately in red and blue at the beginning of the subdivisions of the text. They are placed almost entirely in the margin and are missing ff. 17v, 28r and 33r. Guide letters, written in the space reserved for the initials, are equally often missing. On f. 1r the Prologue opens with a 4-line foliate initial in red, green and blue with two flowers on a gold background and floral extensions in the inner margin, in Lombard style; in the lower margin of the same page a painted double-headed imperial eagle in black, its two heads with a golden crown and on its chest an oval shield with the coat of arms or, three bends azure., and Binding: original Italian, undecorated blue-stained leather over beech boards. Sewn on three double leather thongs. Remnants of three clasps attached to the front board (one at the upper, one at the lower and one at the right-hand side); thin brass engraved catches on the rear cover, decorated with a floweret and the Gothic majuscule “S”. The parchment pastedowns are now detached from the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astronomy, Medieval, Geometry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper and parchment of Seneca's Tragedies
Description:
In Latin., Script: copied by three hands. A copied the parchment f. 1r-v in a large Southern Gothica Semitextualis Libraria/Formata; B copied ff. 2r-177r, 180r4-183v and 185r-216v in a handwriting hesitating between Southern Gothica Semitextualis Libraria close to Cancelleresca and Hybrida Libraria; C copied ff. 177v-180r3, 184r, 217r-247v in Southern Gothica Semitextualis Libraria. The majuscules at the opening of the verses are set apart and are carefully executed in various styles; in the main hand B the shape of "S" is conspicuous. The unevenly spread interlinear and marginal gloss is in tiny script by various contemporary hands., and Binding: S. XV northern European binding: red leather over wooden boards, both covers blind-tooled with frames and St. Andrew's crosses traced in double fillets.
Manuscript on paper of a copy of the correspondence of Cardinal Ludovico Madruzzo and his nephew, Cardinal Carlo Gaudenzio
Description:
In Latin., Script: copied by a single hand writing Humanistic Cursive., Copies of the correspondence of Cardinal Ludovico Madruzzo, prince-bishop of Trent 1567-1600, and his nephew, Cardinal Carlo Gaudenzio, prince-bishop of Trent 1600-1629., and Binding: original binding: yellow parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gaudenzio, Carlo. and Madruzzo, Ludovico, 1532-1600.
Manuscript on goatskin parchment of 1) St Basil of Ancyra, De vera integritate virginitatis. Translated into Latin by Ambrogio Traversari between 1423-1424; 2) St John Chrysostom, Adversus oppugnatores vitae monasticae. Translated into Latin by Ambrogio Traversari in 1420
Description:
In Latin., Script: Copied by one scribe, writing in Humanistica Semitextualis with a few Gothic features., Pale red rubrics. Text undecorated, with the following exceptions: plain 2-4-line initials (Capitalis) in red or blue on pp. 1, 152, 155, 188; 5-line white vinestem initial integrated in a three-margins-left border in the same style on p. 3; the initial and border have been attributed by Albinia C. de la Mare to Giovanni d'Antonio Varnucci (1416-1457)., and Binding: 19th-20th centuries; brown morocco over cardboard. Both covers are blind-tooled with frames of fillets and four different flower tools. Five raised bands are on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monastic and religious life
Manuscript on paper (sturdy) of what is probably the first version of the treatise, finished ca. 1476-77. The order of contents is as follows: fortresses; temples, churches and theaters; columns and other architectural details; plans for palaces; aqueducts; measuring and surveying; instruments of war
Description:
In Italian., Watermarks: anchor and star similar to Briquet Ancre 478, Bergamo 1502., Script: Written in italic script by a single scribe who left blank spaces for illuminated initials., Outer and lower margins of almost every page filled with architectural or mechanical sketches drawn either directly on the leaves (ff. 1r-5v) or on small strips of paper pasted onto the margins of the leaves (ff. 6r-57v), in brown ink, sometimes with green or pink washes. The drawings illustrate every section of the text; many have explanatory inscriptions., and Binding: Eighteenth century. Red edges. Mottled, brown calf, streaked on the turn-ins. Blind-tooled, with a gold-tooled spine.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Name):
Martini, Francesco di Giorgio, 1439-1502.
Subject (Topic):
Architecture, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Military art and science
Manuscript of a travel diary which opens with the writer already in Rome on December 11, 1765, documents his sojourn in Italy, and concludes with a journey to Vienna, Berlin, and finally Potsdam one year later. The unidentified author describes the art and architecture of several Italian cities, the studios of artists and art dealers in Rome, and military sites, garrisons, and installations in Venice, Toulon and Austria, as well as the docks and warships of Naples
Description:
Bookplate: Ver Hayden de Lancey of the Middle Temple and Grey's Inn., Flyleaf note: "Diary of a stay in Rome 1764/64 and a journey from Rome to Berlin via Naples Marseilles - Genoa - Milan - Parma -Bologna , Venice and Vienna. by a member of the de Lancey family" , possibly in the hand of Baron Ver Hayden de Lancey., and Binding: original limp vellum with flap; remains of wax seal with coat of arms on flap and back cover.
Subject (Geographic):
Europe, Italy, and Naples (Italy)
Subject (Topic):
Military art and science, Travelers' writings, English, Travel diaries, Description and travel, and History
Manuscript of a diary by an unidentified Englishman documenting his trip from Liverpool to the major cities of Italy. Subjects include his opinions of many works of Italian Renaissance art (carefully identified by title and artist), his traveling companions, local customs and religious practices, and scenery
Description:
Binding: contemporary leather ("blank book").
Subject (Geographic):
Europe and Italy
Subject (Topic):
Renaissance art, Italian, Travelers, Travel journals, Travelers' writings, English, and Description and travel
Manuscript on paper of an unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine, the Bible, Cicero, Seneca, Macrobius, Aristotle, and Vegetius
Description:
In Italian., Watermarks: similar to Briquet Coutelas 5157, 5159., Script: Written by a single scribe in humanistic cursive script with notarial features, above top line., 28 pen and watercolor initials, heavily influenced by Greek models, 24- to 10-line (with larger initials at the main divisions for Justice on f. 1r, Prudence on f. 8r, Temperance on f. 14r, and Strength on f. 25r), in green, red or pale purple on paper ground, with intricate designs of scrolling and intertwining vines, pale yellow with touches of unburnished gold, terminating in spiky leaves. Berries, pale purple, red or green with geometric pen designs attached to the vines. Folio 1r, ends of initial S terminating in dragon heads; ff. 14r and 25r, unidentified arms (or, 2 or 3 bars nebuly purpure), incorporated into the initial. Sketches, in lead, visible beneath most initials. Headings in red. Majuscules touched with yellow., and Binding: 19th-20th centuries, Italy. Paste-paper case binding in yellow, green and red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Cardinal virtues, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
