Manuscript on parchment of 1) Moamin, Treatise on Falconry, parts 1-3. 2) Treatise of Dancus rex. 3) Treatise of Guillelmus falconarius. Artt. 4-5: Anonymous treatises on horses. 6) Moamin, part 4, on dogs
Alternative Title:
Moamin
Description:
In Latin., Script: Written in a small round gothic bookhand by two scribes. Scribe 1) ff. 1r-37v, 67v-75v; Scribe 2) ff. 39r-67r., One 6-line initial, red and blue, filled with red and blue penwork in a floral pattern. 4-, 2-, and 1-line pen initials, red, with long trailing serifs and blue calligraphic flourishes. 2- and 1-line initials outside text column. On f. 1r, arms of the duchy of Austria (crudely executed; later addition?):, or, two eagles palewise displayed and crowned sable (Hungary): impaled with barry of 6 gules and argent; supported by griffins passant gules; the whole set between thick pink bands. Line-fillers red undulating lines. Rubrics throughout., and Binding: Sixteenth century. Sewn on three supports, the two outer ones leather, the central one tawed skin, laid and nailed in channels in wooden boards. Plain wound primary endbands sewn on a tawed core at the head and a leather one at the tail, laid in grooves and nailed, with a secondary embroidery added. The square spine is lined with vellum between supports. Covered in dark red goatskin, blind-tooled, with four brass catches on the lower board. Leather cracking along joints, clasps wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Animal culture, Dogs, Falconry, Horses, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of several treatises on orthography, including works by Sextus Pompeius Festus, Guarino da Verona, and Gasparino Barzizza
Description:
In Italian., Script: copied by two scribes: the first part copied by a scribe called Stephanus in Humanistica Semitextualis Libraria; according to Barbero this scribe is perhaps identifiable with Stefano Guarnieri; the last part is by a scribe writing a script halfway between Humanistica Textualis Libraria and Cursiva Libraria. The opening majuscules of paragraphs protrude into the margin., Red stroking of majuscules on pp. 1-11, 22-31, 44-51, 64-73, 88-93 only. There is ample space for headings and initials (with guide letters), but they have not been executed, except headings in Gothica Textualis on pp. 46, 49, 51, 66, 71, 92; plain red Gothic initials (4 lines) on pp. 46 , 49, 51, 66, 71, 92; a few initials have been entered at a later date., Manuscript on paper of 1) Sextus Pompeius Festus (2nd century), De verborum significatione, epitome by Paulus Diaconus (8th Century). 2) Guarinus Veronensis (Guarino da Verona, 1374-1460), De vocabulorum observatione (Lexicon Servianum). 3) Gasparinus Barzizius Pergamensis (Gasparino Barzizza, c. 1360-1431), De orthographia (alphabetical part; see article 4). 4) Gasparinus Barzizius, De orthographia (systematic part), incomplete., and Binding: parchment wrappers with turned edges.
Manuscript on paper of Treatises on Rhetoric and Epistulae including texts by Francesco Filelfo, Apollonius Dyscolus (?), and Trypho
Description:
In Greek and Latin., Watermarks: similar to Briquet Ciseaux 3668, Briquet Monts 11882, and unidentified grapes., Script: Written by one scribe in small, very even Greek minuscule. Letters with name of Filelfo on flyleaves at front and back are written in well-formed italic., Headpiece, 1-line initials and headings in faded reddish-brown., Water stains in the upper right corner of many folios; some loss of text., and Binding: Twentieth century. Block printed paste paper case.
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of Petrarch, Trionfi (ff. 1r-47r), and Dati, Sfera (48r-76r).
Description:
In Latin., Script: copied by two hands both writing Humanistica Cursiva: A, ff. 1r-47r (art. 1); B, ff. 48r-76r (art. 2), in a smaller handwriting., Decoration: In art. 1, space reserved for, but unfilled with, headings between all trionfi; but each trionfo opens with a 3-line blue plain capital. Space similarly reserved for, but unfilled with, headings in art. 2; but also 2- or 3-line blue capitals., and Binding: contemporary, blind-tolled calfskin over wooden boards, sewn on three double thongs. Both covers decorated with a frame and lozenge design. The remains of two brass clasps extant on the front cover.
Manuscript on paper of Hieronymus Stridonensis (St. Jerome, 347-420), 1) Epistula 79 (Ad Salvinam). 2) Epistula 123 (Ad Geruchiam).
Description:
In Latin., Script: Copied by one hand in Humanistica Textualis Libraria., Art. 1 opens with a 4-line Gothic flourished initial in blue with red penwork extending in the inner margin; art. 2 opens with a 4-line Gothic plain initial in red., and Binding: Twentieth century (?). Half binding was removed and the codex restored and rebound in 2000 by the Northeast Document Conservation Center. The new binding is grey cloth over heavy pasteboard. On the spine a new black leather title label with gold-tooled inscription "SANCTI JERONIMI EPISTOLAE MS 788". Among the flyleaves, the two following f. 50 are earlier than the others, which are yellowish machine-made paper belonging to the discarded binding. A modern hand wrote on the last front flyleaf r the title "Sancti Ieronimi epistolae ad Salvinam et Ageruchiam".
Manuscript on parchment and paper of treatises on vice and virtue
Description:
In Latin., The manuscript includes: 1) Bindus de Senis (d. 1390), Aureum Bibliae repertorium sive Aurea Biblia. 2) Alphabetical table of the themes treated in art. 1, referring to the chapter numbers. The latter are not always correct, as appears from the final chapters. Ascribed to Petrus de Utino (d. 1368) by Stegmüller 6939. 3) Concordantia Prophetarum cum Symbolo Apostolico: the Apostles' Creed as supposed to be jointly composed by the twelve Apostles, each article being preceded by an appropriate utterance by one of the twelve prophets. 4) Table of the chapters of an alphabetically arranged treatise on the virtues and vices, referring to the foliation of the manuscript in which it occurred. 5) Treatise on virtues and vices in alphabetical order. 6) Biblical quotations upon the twelve defences protecting the spiritual city. 7) Index of the chapters of art. 5, referring to the original foliation of this part of the manuscript. 8) Commentary on the text of the Memento of the Deceased and of the Living in Mass., Script: copied by seven scribes. Hand A copied ff. 1r-20v (quires I-III) in Gothica Textualis Libraria; Hand B (Durandus Caponis) copied ff. 21r-121v in Gothica Cursiva Libraria/Currens; Hand C copied f. 122r-v (art. 3) in large angular Gothica Cursiva Formata close to Fractura; Hand D (Raymundus de Beyrinis) copied ff. 122v-123r (art. 4) in bold Gothica Cursiva Libraria; Hand E copied ff. 125r-133r (first section of art. 5) in a wide Gothica Semihybrida Libraria; Hand F copied ff. 133v-145r (last section of art. 5 and artt. 6-7) in Gothica Cursiva Libraria; Hand G copied ff. 146r-147r (art. 8) in the same type of script, but Libraria/Currens. Running headlines in rapid script., and Binding: leather binding s. XV/XVI over wooden boards; both covers blind-tooled with frames of fillets and rolls, the central panel decorated with small rosettes (half of the front cover is missing). Spine with three raised bands. Remnants of two clasps attached to the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Vice, and Virtue
Title from caption below image., Date based on other prints in series., and Text below title: Preso da un quadro in tela. app[...]o il sudo Sigre. Abe. Mario Vincenzio Carlini.
