Manuscript on paper of an unidentified treatise, incomplete, on the Cardinal Virtues; material taken mostly from Valerius Maximus, with additional material from Augustine, the Bible, Cicero, Seneca, Macrobius, Aristotle, and Vegetius
Description:
In Italian., Watermarks: similar to Briquet Coutelas 5157, 5159., Script: Written by a single scribe in humanistic cursive script with notarial features, above top line., 28 pen and watercolor initials, heavily influenced by Greek models, 24- to 10-line (with larger initials at the main divisions for Justice on f. 1r, Prudence on f. 8r, Temperance on f. 14r, and Strength on f. 25r), in green, red or pale purple on paper ground, with intricate designs of scrolling and intertwining vines, pale yellow with touches of unburnished gold, terminating in spiky leaves. Berries, pale purple, red or green with geometric pen designs attached to the vines. Folio 1r, ends of initial S terminating in dragon heads; ff. 14r and 25r, unidentified arms (or, 2 or 3 bars nebuly purpure), incorporated into the initial. Sketches, in lead, visible beneath most initials. Headings in red. Majuscules touched with yellow., and Binding: 19th-20th centuries, Italy. Paste-paper case binding in yellow, green and red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Cardinal virtues, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of several treatises on orthography, including works by Sextus Pompeius Festus, Guarino da Verona, and Gasparino Barzizza
Description:
In Italian., Script: copied by two scribes: the first part copied by a scribe called Stephanus in Humanistica Semitextualis Libraria; according to Barbero this scribe is perhaps identifiable with Stefano Guarnieri; the last part is by a scribe writing a script halfway between Humanistica Textualis Libraria and Cursiva Libraria. The opening majuscules of paragraphs protrude into the margin., Red stroking of majuscules on pp. 1-11, 22-31, 44-51, 64-73, 88-93 only. There is ample space for headings and initials (with guide letters), but they have not been executed, except headings in Gothica Textualis on pp. 46, 49, 51, 66, 71, 92; plain red Gothic initials (4 lines) on pp. 46 , 49, 51, 66, 71, 92; a few initials have been entered at a later date., Manuscript on paper of 1) Sextus Pompeius Festus (2nd century), De verborum significatione, epitome by Paulus Diaconus (8th Century). 2) Guarinus Veronensis (Guarino da Verona, 1374-1460), De vocabulorum observatione (Lexicon Servianum). 3) Gasparinus Barzizius Pergamensis (Gasparino Barzizza, c. 1360-1431), De orthographia (alphabetical part; see article 4). 4) Gasparinus Barzizius, De orthographia (systematic part), incomplete., and Binding: parchment wrappers with turned edges.
Manuscript on paper of Treatises on Rhetoric and Epistulae including texts by Francesco Filelfo, Apollonius Dyscolus (?), and Trypho
Description:
In Greek and Latin., Watermarks: similar to Briquet Ciseaux 3668, Briquet Monts 11882, and unidentified grapes., Script: Written by one scribe in small, very even Greek minuscule. Letters with name of Filelfo on flyleaves at front and back are written in well-formed italic., Headpiece, 1-line initials and headings in faded reddish-brown., Water stains in the upper right corner of many folios; some loss of text., and Binding: Twentieth century. Block printed paste paper case.
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of Petrarch, Trionfi (ff. 1r-47r), and Dati, Sfera (48r-76r).
Description:
In Latin., Script: copied by two hands both writing Humanistica Cursiva: A, ff. 1r-47r (art. 1); B, ff. 48r-76r (art. 2), in a smaller handwriting., Decoration: In art. 1, space reserved for, but unfilled with, headings between all trionfi; but each trionfo opens with a 3-line blue plain capital. Space similarly reserved for, but unfilled with, headings in art. 2; but also 2- or 3-line blue capitals., and Binding: contemporary, blind-tolled calfskin over wooden boards, sewn on three double thongs. Both covers decorated with a frame and lozenge design. The remains of two brass clasps extant on the front cover.
Manuscript on paper of Hieronymus Stridonensis (St. Jerome, 347-420), 1) Epistula 79 (Ad Salvinam). 2) Epistula 123 (Ad Geruchiam).
Description:
In Latin., Script: Copied by one hand in Humanistica Textualis Libraria., Art. 1 opens with a 4-line Gothic flourished initial in blue with red penwork extending in the inner margin; art. 2 opens with a 4-line Gothic plain initial in red., and Binding: Twentieth century (?). Half binding was removed and the codex restored and rebound in 2000 by the Northeast Document Conservation Center. The new binding is grey cloth over heavy pasteboard. On the spine a new black leather title label with gold-tooled inscription "SANCTI JERONIMI EPISTOLAE MS 788". Among the flyleaves, the two following f. 50 are earlier than the others, which are yellowish machine-made paper belonging to the discarded binding. A modern hand wrote on the last front flyleaf r the title "Sancti Ieronimi epistolae ad Salvinam et Ageruchiam".
Manuscript fragment on parchment, from an unidentified chronicle of Venetian history
Description:
In Latin., Script: gothica textualis., Decoration: not present. Spaces for capitals and rubrics left blank., and Bifolia later used as archival wrappers.
Manuscript on paper, composed in two parts, of 1) Unidentified grammatical text. 2) Vita virgiliana. 3) Preface to Servius' In Vergilii Aeneidos libros Commentarius. 4) Leonicenus Omnibonus (ca. 1412-ca.1480), De arte metrica. 5) Ps.-Lentulus, Epistola de conditione Domini nostri Iesu Christi
Description:
In Latin., Watermarks: Part I: similar to Briquet Oiseau 12128 and 12130. Part II: similar in general design to Harlfinger Balance 31., Script: Part I (ff. 1-30): Written by a single scribe in humanistic cursive, below top line. Part II (ff. 31-80): Arts. 2-4 in humanistic cursive, below top line; art. 5 in a more formal humanistic bookhand., Part I: Plain intials (1-line), headings, initial strokes, and marginalia in red. Part II: Arts. 2-4: plain initials, headings, and initial strokes in red., and Binding: Fifteenth century, Italy. Two pairs of tunnels in the edges of the boards, and the supports laced into one or the other of them to channels in the outside and nailed. Partly resewn. Boards sharply bevelled, with the fore-edge bevel broken off the upper board. Quarter vellum binding, a later addition. Title in ink on lower board, partially visible under ultra-violet light: "Vita Vergilii [another word illegible]/ Documenta". Later title in ink on spine: "Varia man. scr./ vetera" and what appears to be a monogram or shelf-mark with letters I, F, O, T, H in ink on vellum addition.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Biography, Christian literature, Latin (Medieval and modern), Latin language, Grammar, Manuscripts, Medieval, and Scholia
Manuscript on paper of Jacopo Salimbeni's Viaggio de quatro chavalieri andarono cercando il mondo, an account of travel to the East
Description:
In Italian., Script: copied by one hand in Gothica Semihybrida Currens (Mercantesca)., Manuscript on paper of Jacopo Salimbeni's Viaggio de quatro chavalieri andarono cercando il mondo, an account of travel to the East undertaken 1416 May 1, starting from Venice. The language of this manuscript is influenced by the Venetian dialect. The first sixty folios are missing., and Binding: 20th century quarter binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Salimbeni, Jacopo, d. ca. 1427.
Subject (Topic):
Italian literature, Manuscripts, Medieval, and Voyages around the world
