Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female Costume: Fur wrap -- Male Costume, 1802., and Watermark: J Whatman 1794.
Publisher:
Pub. Janry. 20, 1802 by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Clothing & dress, Fur garments, Muffs, and Staffs (Sticks)
"A provincial Assembly Room, with dancers in violent action in the background, in country dance or cotillion. In the foreground is an ugly foppish and conceited fellow standing with raised coat-tails and his back to the fire. He holds cocked hat and cane, and grimaces and bows towards a pretty young woman, one foot on a fragment of her dress. She walks away from him to the left., taking her chair with her. Another pretty girl sits against the wall (r.) holding a closed fan. The dancers are bucolic and ugly. The walls are decorated with candle-sconces; a clock on the chimney-piece points to 1.25."--British Museum online catalogue
Description:
Title etched below image., Printmaker from Wright., Print signed using Brownlow North's device: A compass pointing north., and Watermark: J. Whatman 1829.
Publisher:
Publish'd November 20th, 1804, by H. Humphrey, No. 27 St. James's Street
Subject (Topic):
Ballrooms, Clocks & watches, Dancers, Fireplaces, and Sconces
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., Watermark: J Whatman., and Plate number burnished from plate.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., 1 print on laid paper : etching, stipple, & roulette ; sheet 29 x 37.5 cm, Watermark: J Whatman., and Sheet trimmed within plate mark.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image. and Watermark: J Whatman 1805. check
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image., Leaf 14 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 29.7 x 19.7 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"The room of an impecunious family. The father, probably an actor, writer, or artist, sits on a three-legged stool, with a little girl on each knee, one flourishes a whip and tugs at his shirt frill, the other pulls his pigtail. A younger child rides astride his leg, and a little boy tugs at his coat-tail; both flourish whips. An infant in a wicker cradle screams. The man turns up his eyes in melancholy resignation. His stockings are ungartered, and his dress suffers from the too-active children. Behind is an open fire, with a kettle beside it. The mother, neatly dressed, cooks, holding a frying-pan on a grid attached to the grate. A small round table (right) is laid for a scanty meal. From a line across the room hangs neatly folded washing. The chimneypiece is covered with medicine-bottles, &c, among which is a bust of a man. Above is an unframed picture of Diogenes in his tub. On the wall are also a small (broken) mirror, and a print of a man bent under a towering pile of sacks. On the boarded floor is an open book: a picture of a sow with many sucking-pigs faces: All the pretty little ones and their Dam Oh! Oh! Oh."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pictures amplify subject., and Watermark: J Whatman 1821.
A group of dogs of various breeds sit around a table playing cards or rouletttes. A cat playing with a box in the lower left is frightened by one dog who leaps at it from its chair. Another dog on a cushion (right) looks at the hand of one dog at the table
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1827.
Publisher:
Printed and published by J. Didsbury, 22 Southampton Street, Strand
Subject (Topic):
Animals in human situations, Card games, Cats, and Dogs
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bird shooting -- Hunters -- Guns: muskets -- Male dress: hunter's dress -- Dogs: spaniels., and Watermark: J Whatman.
Publisher:
Pub. July 4th 1795, by S.W. Fores, corner Sackville Street, Piccadilly
"Broadside on the execution of Louis XVI; with a hand-coloured aquatint pasted to a list printed in four black-bordered columns, the (printed) title as above. Fortune, blindfolded, with winged feet, pushes her wheel on the summit of the globe, which emerges from clouds and is decorated by three large fleur-de-lis. She runs in profile to the right, her draperies floating behind her. On the lower left circumference of the wheel, about to move upwards, are a crown and a cross; on its summit are two papers inscribed 'Tallien' and 'Merlin'. On the right, and beginning to descend, is a bonnet-rouge. On the lower right circumference, about to be crushed, are papers inscribed 'Collot d'Herbois' and (almost at the lowest point) 'Barrere'. Each column is again divided into four, headed: 'Names', 'Departments', 'When arrested', 'Fate'. Beneath this long list are two shorter ones: 'A List of those, who, without having Voted for the King's Murder, have made themselves eminent in the French Revolution, and have been recompensed', i.e. have been guillotined or have committed suicide. This is followed by a list of 'French Republican Generals, who have received a reward for their services, during the French Revolution'. Most have been guillotined, others have died by suicide or otherwise, some have merely been arrested. 'Dumourier' appears as 'Deserter'."--British Museum online catalogue
Description:
Price below imprint: Price Three Shillings., With an engraved and coloured symbolic illustration pasted at the head., Watermark: J. Whatman 1794., and For further information, consult library staff.
Publisher:
Printed for the author, by H. Reynell, No. 21, Piccadilly, and sold by S.W. Fores, No. 3, Piccadilly, near the Hay-Market
