Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', and Watermark: Strasburg bend.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', Watermark: J Whatman., and 1 print on wove or laid paper : etching, hand-colored ; plate mark 27 x 42.7 cm., on sheet 30 x 48 cm., matted to 47 x 63 cm.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
Title from caption below image., Date of publication from unverified data from local card catalog record., Reissue. Originally published 1825 by Thomas McLean., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Reference to whiskey -- Scots -- Male costume: Scottish -- Taverns., and Print numbered in ms. near top edge of sheet: 120.
Publisher:
Pubd. by Pyall & Hunt, 18 Tavistock Strt., Covent Garden
Title from item., Sheet trimmed within plate mark at top., Printseller's announcement following publication statement: Folios of caricatures lent., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Vehicles: coaches -- Coaches: muddy -- Domestic service: coachman -- Footmen -- Young women -- Male dress, 1800 -- Street scenes: Bond Street.
New Irish jaunting car, Tandem, or, Billy in his sulky, and Billy in his sulky
Description:
Title from item., Sheet trimmed within plate mark on sides and bottom., Printseller's announcement following publication statement: Folios of caracatures [sic] lent., and Temporary local subject terms: Unions: reference to the Union of Ireland and Great Britain -- Resolutions: reference to Irish resolutions, 1798 -- Unions: reference to Irish objections to the union -- Slogans: voice of the people -- Vehicles: sulky -- Signs: singposts -- Bulls -- Paddy Bull (Symbolic character) -- Whips.
"Two lovers embrace within a small shed inscribed 'Strong Box' supported on a pole; a tailor with huge shears is about to cut the pole, saying, "I'll upset the basket". The open doors of the shed are 'Modesty' and 'Chastity'. Behind is sketched an equestrian statue with a railing, indicating a London square. On the right is a room, flanked on the left by a high folding screen on which are bills with the titles of chap-books or songs relating to tailors, the uppermost being 'The Brighton Taylor' (see BMSat 6942, &c). In the room five men with horns sprouting from their heads approach a (?) lawyer sitting at a writing-table, who says, "Say & seal, I say said & sealed". One stands on a three-legged stool, two legs of which have been replaced by moneybags, each inscribed '£2,500'. He says: "Joys that none but a married man can know - would that there was a Taylor here to measure them, but it would cost five thousand - " [Other inscriptions have not been transcribed.] An old man with a crutch looks round the screen at the lovers, saying, "D------d good Trade Ill go & get married too."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Adultery -- Cuckolds -- Divorce: crim con damages -- Trades: tailors -- Lawyers -- Barbers -- London square., Watermark: J Whatman 1794., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Divorce, Adultery, Barbers, Couples, Hugging, Lawyers, and Tailors
An African woman known as 'Sartje' or the Hottentot Venus stands, left, in profile, a smoking pipe in her mouth and tall staff in her right hand. She has an enormous posterior and stands nude except for a pair of garters around her calves, a thin girdle round her waist, a beaded headdress and beaded necklace. Grenville stands behind her but looks back over his shoulder at her. Dressed in formal court dress, he too is depicted with an enormous posterior. Grenville says: Well I never expected Broad Bottoms from Africa! but one should never dispair! Mind Sherry dont let your Fireey nose touch the Venus for if theres any conbustibls about her we shall be blown up!!" In his pocket is a paper inscribed Chaselor [sic]. Between them, half-kneeling, Sheridan measures her bottom using a compass and answers: I shall be carefull your Lordship! but such a spanker it beats your Lordship's hollow."
Description:
Title from item/, Artist and imprint information based on a close copy with same title and same dialogue with misspellings. Cf. British Museum catalogue, no. 11578., Sheet trimmed within plate mark., Watermark: J Whatman Turkey Mill., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Walker Cornhill?
Subject (Name):
Baartman, Sarah, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Court of Chancery
Subject (Topic):
Officials and employees, Khoikhoi (African people), Africans, and England
Title from item., Printmaker identified by British Museum catalogue., Publisher's advertisement following imprint: NB Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Reference to the London Corresponding Society's meetings near Copenhagen House in Islington, October-November 1795 -- Reference to the Convention Bill -- Crowns: royal crown -- Bonnet rouge., and Watermark: J Whatman.
Publisher:
Pub. No. 20, 1795, by S.W. Fores, N. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
A parody on Book 8, lines 487-9 of John Milton's Paradise lost. A lean, spectacled man stands by a bed as he welcomes a drunken trollope who staggers into the room holding a glass and a bottle labelled Geneva (gin). He exclaims, parodying Milton, "On she came-such ad I saw her in my dream, Geneva was in all her steps --Geneva in her hand and every gesture-reeling ripe for fun!" Outside on the landing, a pretty young woman looks on with amusement
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered '33' in upper left corner., "Price one shilling col[oure]d.", Quotation from Milton's Paradise Lost, below title: On she came-such ad I saw her in my dream, grace was in all her steps-Heaven in her eye in every gesture-dignity and love., Cf. No. 11142, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of variant state., Temporary local subject terms: Spectacles., and Watermark: J Whatman.
"A half length portrait in an oval of the Duke of Cumberland in profile to the left, scarcely caricatured, but with a half-closed eye which gives an expression of arrogance. He wears a hat whose curving brim shades his eyes and rests on his high coat-collar. His chin is swathed in a stock, and an eye-glass hangs from a ribbon."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Male dress: neck-cloth -- Hats -- Quizzing glasses., and Mounted to 39 x 28 cm.
Publisher:
Publish'd July 30th, 1799, by H. Humphrey, No. 27 St. James's Street, London
