Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Four lines of verse below title: "Returned at eve, unnumbered queries wait him," ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by Hunt & Pyall, 18 Tavistock Strt., Covent Garden
Two images. On the left, two drunk characters comment on 'people' not going home sober. On the right, a young boy is about to be beaten with a walking stick by an elder man whose clothing catches fire from the boy's misdirected torch
Description:
Title from text (dialogue) above each image., Fragment of a horizontal border from an unidentified print from the series: Borders for rooms. Designed by Woodward, etched by Rowlandson and published by Ackermann in 1799-1800. See British Museum Catalogue, nos. 9488-9492., Lewis Walpole Library: First image only, mounted together with three other images from other Borders plates., and Numbered on top '155' in contemporary hand.
Two images. On the left, two drunk characters comment on 'people' not going home sober. On the right, a young boy is about to be beaten with a walking stick by an elder man whose clothing catches fire from the boy's misdirected torch
Description:
Title from text (dialogue) above each image., Fragment of a horizontal border from an unidentified print from the series: Borders for rooms. Designed by Woodward, etched by Rowlandson and published by Ackermann in 1799-1800. See British Museum Catalogue, nos. 9488-9492., Lewis Walpole Library: First image only, mounted together with three other images from other Borders plates., 1 print : etching on wove paper, hand-colored ; sheet 10 x 9 cm., and Mounted to 27 x 22 cm, together with two other images from other Bordes plates.
Two images. On the left, two drunk characters comment on 'people' not going home sober. On the right, a young boy is about to be beaten with a walking stick by an elder man whose clothing catches fire from the boy's misdirected torch
Description:
Title from text (dialogue) above each image., Fragment of a horizontal border from an unidentified print from the series: Borders for rooms. Designed by Woodward, etched by Rowlandson and published by Ackermann in 1799-1800. See British Museum Catalogue, nos. 9488-9492., Lewis Walpole Library: First image only, mounted together with three other images from other Borders plates., and Mounted to 27 x 22 cm, with other images from Borders plates.
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and Watermark: JWhatman.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and 1 print : etching on wove paper, hand-colored ; sheet 29 x 40 cm.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
Six designs on one plate arranged in two rows, with borders in which the inscriptions are engraved. Johnny is a smartly dressed young man. There is a landscape background in Nos. 1 and 3 (in which Johnny wears a top-hat and top-boots). In Nos. 2, 4, 5 a boarded floor indicates an interior. [1] With folded arms and bowed head he approaches from behind a hideous and grinning negress who holds a tobacco-pipe. Above: Smitten with the charms of Mimbo Wampo a sable Venus, daughter of Wampo Wampo, King of the Silver Sand Hills in Congo. [2] Bare-legged he sits in a chair, his bare foot held by the negress who sits on the ground at his feet. Above: Delicately declaring his Love to the aimable Mimbo Wampo, while she is picking his Cheqoes. "You lub me Massa" eh! eh!? [3] Johnny and an old negro wearing only breeches face each other. Beside the latter is a large jar inscribed Feathers, Grave Dirt, Egg Shells, &c. Above: Consulting Old Mumbo Jumbo the Oby Man, how to get possession of the charming Mimbo Wampo. "Lets me alone for dat Massa." [4] He kneels at the feet of the negress taking her hand; she sits on a stool smoking a pipe. Four comparatively handsome women stand in a row watching, two are black, two are white but negroid. Above: Mr Newcome happy, Mimbo made Queen of the Harem. [5] He embraces Mimbo; two other negresses stand behind her, one holding two pale-skinned black-haired infants, the other with a third infant held on her head in a tray. Two other children stand by their mother. Above: Mr Newcome taking leave of his Ladies & Pickaneenees, previous to his departure from Frying Pan Island to graze a little in his Native land. [6] Portrait heads of the children, numbered I to 9, arranged in three rows. Above: A few of the Hopeful young Newcomes. Below the whole design: J. Lucretia Diana Newcome, a delicate Girl very much like her Mother; only that she has a great antipathy to a pipe, and cannot bear the smell of Rum. 2 Penelope Mimbo Newcome. 3 Quaco Dash Newcome prodigiously like his father. 4 Cuffy Cato Newcome. 5. Caesar Cudjoe Newcome. 6 Helena Quashebah Newcome. 7 Aristides Juba Newcome. 8 Hector Sammy Newcome, a child of great spirit, can already Damnme Liberty and Equality and promises fair to be the Toussaint [see No. 10090] of his country. 9 Hannibal Pompey Wampo Newcome
Description:
Title engraved above image., Companion print: West India luxury!!, and Watermark: J Whatman Turkey Mill. Countermark: 1825.
Publisher:
Published April 1808 by William Holland, Cockspur Street, London
"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., Watermark: J. Whatman., and The ladies are identified in ink on the back of the print: Ldy. Cecilia Johnson, Mrs. Hobart, Ldy. Archer, Ldy. Edgcumbe.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
"Two couples in evening dress dance in a carpeted room with curtained windows, the promenade being a figure in a dance, apparently a waltz."--British Museum online catalogue
Description:
Title from caption below image., Reissue. Publication year from British Museum catalogue., Monogram comprised of an elaborate double 'X' precedes Cruikshank's signature., and Publication year erased from sheet.
Title from caption below image., Date of publication from secondary imprint statement., Earlier imprint statement legible despite strikethrough: Published by S.W. Fores, 50 Piccadilly, London, Augt. 11, 1817., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman 1816., and Printseller's stamp in lower right corner: Price 1.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
