A copy of the second print in William Hogarth's series "Four Times of the Day": Set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 147., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"View of the front of the abbey from across a lawn with trees, the building castellated, with spirelets, dominated by the octagonal tower in the centre, the huge doors shut."--British Museum online catalogue
Alternative Title:
Northwest view of Fonthill Abbey, Wiltshire
Description:
Title from text below image. and Watermark: J. Whatman.
Publisher:
Printed by N. Chater & Co. & published by J. Buckler, Bermondsey, Surrey
"Caricature of elderly nursemaids treating the Cabinet as babies."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on right and left sides., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 39 x 58 cm., Mounted on leaf 41 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Bp. Howley," "Londondery [sic]," "Eldon," "Wellington," "Leech [sic]," and "Liverpool" identified in ink below image; date "Jan. 1821" written in lower right corner.
Publisher:
Pubd. Jany. 1821 by J. Johnston, 98 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
"Interior view of the Old Bailey, on Newgate Street, London; court in session."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: No. 58., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 212., and Watermark: J. Whatman 1801.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals., and 1 print : etching, hand-colored ; plate mark 313 x 274 mm, on sheet 425 x 296 mm.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., and Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
