"Cavalry in battle; a mounted soldier shooting a man off his horse in foreground, a fallen horse and rider at his feet; battle raging in background, a tower to the right, and in distance on left a bridge."--British Museum online catalogue
Description:
Title devised by cataloger., Signed with printmaker's initials in lower right corner of design. Tentatively attributed to Lieut.-Col. Charles Hamilton Smith in the British Museum online catalogue., Date range for publication from the British Museum online catalogue, registration no.: 1874,0711.1029., and Printed on J. Whatman paper watermarked '1810'.
A collection of five botanical drawings, one with two hummingbirds (Lampornis calosoma) and twenty botanical prints (some proof state) by James Sowerby
Description:
Title devised by cataloger. and Housed in two solander boxes, with drawings in Box 1 and prints no.1-9. Box 2 contains prints nos. 12-17 and two unnumbered prints.
A lady in quasi-military dress rides a sorry horse on the road to Coxheath. She is followed by her husband, dressed as a militia officer for auxilliary forces that frequently encamped on Cox Heath. A dog trots panting at the side of the group
Alternative Title:
Sir Horatio Mann returning from Linton to Barham Court having lost his way, is escorted by a farmer's wife returning from Maidstone market
Description:
Title devised by cataloger based on title of published print based on this drawing., Date based on publication date of James Bretherton's etching., A pen and ink copy of an etching after Bunbury., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, British, Militias, and Dogs
Drawing of six figures identified in pencil by former owner
Description:
Titles supplied by cataloger., Formerly attributed to George Vertue. See Christie's sale catalog., Originally drawn by John Rous. Horace Walpole had the drawings traced and then engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of SH, 1774, among the rare books of prints and drawings in the library.
Volume 1, opposite page 102. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Description:
Collective title devised by cataloger., Each drawing has the title of Sheridan's play "The Rivals" written in ink above, as well as the depicted actor's name, the name of the character portrayed, the theater name, and the performance date written in ink below., Statement of responsibility "by W. Loftie" added in pencil for each drawing, in lower right corner of sheet., Date from partially trimmed watermark on sheet of upper right drawing: 1794 [J. W]hatman., and Mounted together opposite page 102 (leaf numbered '154' in pencil) in volume 1 of an extra-illustrated copy of Thomas Moore's Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., Dodd, James William, 1740?-1796, Farren, Elizabeth, 1762-1829, Kemble, John Philip, 1757-1823, and Johnstone, John Henry, 1749-1828
Watercolor drawing depicting a large ungulate, probably a wildebeest (gnu). Drawing could have been made from a captive or preserved specimen
Description:
Title from local catalog card; title based on descriptive note in Richard Bull's hand on a separate sheet (7.8 x 18.7 cm) that accompanies the drawing: This animal, very rarely to be met with, was taken in the year 1774 in land in Africa, latitude 25 or 26 degrees. It was about the size of a large bullock., Unsigned; artist not identified., Place of production based on the country of residence of Richard Bull, who owned and likely assembled the album in which this drawing was found., Date of production based on the year mentioned in the descriptive note for the animal's capture or killing., Formerly laid in at page 59 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Watermark: J. Whatman., Matted with manuscript note to 49 x 37 cm., and Original case shelved separately.
Watercolor drawing depicting a large ungulate, probably a wildebeest (gnu). Drawing could have been made from a captive or preserved specimen
Description:
Title from local catalog card; title based on descriptive note in Richard Bull's hand on a separate sheet (7.8 x 18.7 cm) that accompanies the drawing: This animal, very rarely to be met with, was taken in the year 1774 in land in Africa, latitude 25 or 26 degrees. It was about the size of a large bullock., Unsigned; artist not identified., Place of production based on the country of residence of Richard Bull, who owned and likely assembled the album in which this drawing was found., Date of production based on the year mentioned in the descriptive note for the animal's capture or killing., Formerly laid in at page 59 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Watermark: J. Whatman., Matted with manuscript note to 49 x 37 cm., and Original case shelved separately.
"Two men stand in the pillory on a small platform (left); over their heads is a cask, inscribed 'Small Beer', erected on a pole. Over the head of one left is Judas, indicating Sir Cecil Wray, over the other 'J.. k-s..n' indicating John Jackson, steward of the Duke of Newcastle and a prominent supporter of Wray, see British Museum Satires No. 6492. A large key hangs from the corner of the pillory, the emblem of the back-stairs by which Pitt and his supporters were supposed to have obtained office, cf. British Museum Satires No. 6564. Behind (right) walks a procession of maidservants who look scornfully at the victims; one carries a flag inscribed 'Tax on Maid Servants'; others, a broom, a mop, and a shovel. Immediately behind the platform the heads of a crowd, a row of staves marking the constables who stand in front, are suggested. Fox (right) stands in the foreground haranguing the crowd; he holds a Union flag inscribed 'The Rights of the Commons'. Behind him is a mob of men waving their hats, among whom Sam House is conspicuous. The scene is by the hustings in Covent Garden, the portico of the church (right) being lighdy sketched behind Fox."--British Museum online catalogue
Alternative Title:
Rights of the commons
Description:
Title from British Museum catalogue., Text on flag within image: The rights of the commons., Reissue, with new imprint statement that is antedated. See British Museum online catalogue, registration no.: 1851,0901.144., Date of publication based on earlier state with the imprint "Publish'd as the act directs, May 7, 1784." See British Museum catalogue., Temporary local subject terms: Hustings -- Taxes: Tax on maidservants -- Brooms -- Mops -- Shovels -- Hats -- Election flags -- Election slogans: 'The rights of the Commons' -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Pillories -- 'Small beer' -- Key of the Back Stairs -- Allusion to secret influence -- John Jackson, Duke of Newcastle's steward., and Watermark in center of sheet.
Publisher:
Publish'd as the act directs, June 26th, 1783, by H. Humphreys, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, House, Samuel, -1785, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Servants, and Political elections
