"A satire on King Louis XV of France accusing him of treachery showing him sitting on a throne under a canopy, his crown is held over his head by Pride on his left, a peacock in front of her, and two-faced Treachery on his right, behind whom the devil flies waving a firebrand and a Jesuit stands holding up a candle and scroll lettered “Persecution”. The king wears a black mask and the costume of a Roman general, a cloth adorned with fleur-de-lis round his legs and his sandaled feet rest on two books lettered “T[reatie]s”, a paper with the same lettering lies beside these and an open book. An obsequious courtier, a chain round his ankle attached to a book, kneels at the king’s feet as the king hands him a yoke. On the king’s other side another elegant courtier, his ankle chained to a log, exclaims “Oh! Wh(a)t a great Monarch”, a scene of “The [St Bartholomew's Day] massacre of Paris” hangs on the curtain behind the king. To the left of the canopy is an obelisk bearing the image of a weeping “Europa” with her bull and above this a medallion of the “Cat & monkey”. Around the obelisk are a Spaniard holding a rosary and kneeling in prayer before a statue, a Genoese man and a Bavarian (identified in the verses below); at their feet are the words “Here we stand for ye Glory of France”. In the sky above the Eye of Providence looks down on a pair of scales in which the British lion outweighs the French fleur-de-lis. On the right demon is about to hang Justice as a Cardinal (Tencin?) holds up a cross; beside this a man wearing a wig wooden shoes sits astride a braying donkey waves his hat and cries “Vive le Roy”. At the bottom are three scenes: [at left] three men “Burning of Treaties” and the “Pr[agmati]c S[anctio]n”; ... ; [at right] scenes of executions, torture, a village burning and a monk leading a band of troops while another holding up a cross says “one K[in]g one R[e]l[igio]n”). "--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Funiral ticket for Lord Lovet and Funeral ticket for Lord Lovat
Description:
Title from item., Publisher identified from address., 'Price 6d.'--Following imprint., An earlier state of the plate was used by D. Fournier on Feb. 14, 1747 to illustrate a broadside entitled "The glory of France"; see no. 2849 in the Catalogue of prints and drawings in the British Museum, v. 3. In addition to the added title and altered imprint statement, this later state also differs in the replacement the previous image of a custom house and ships in the bottom center with a new image of Simon Lord Lovat in a chair, with women to the left of him and severed heads to the right., Temporary local subject terms: France: Louis XV masked and dressed as a Roman -- Burning of treaties -- Literature: Jean de la Fontaine, Fables, ii, 143: The monkey and the cat -- Hand of Justice -- Personifications: Persecution -- Pride as a peacock -- Winged Death -- Two-faced Deceipt -- Europa -- Pictures amplifying subject: massacre of Paris -- Beheaded heads -- Eye of Providence -- Torch-bearing demon -- Animals: ass -- Yoke -- Whip -- Torture rack -- Reference to Leaden Hall -- Reference to Westminster Hall -- Wooden shoes -- Emblems: lion -- Balance -- French crown -- Tickets: invitation to an execution., and Watermark: Strasburg lily with initials LVG below.
Publisher:
Publish'd in May's Buildings
Subject (Name):
Lovat, Simon Fraser, Lord, 1667?-1747, James, Prince of Wales, 1688-1766, and Louis XV, King of France, 1710-1774
Title from item., Publisher identified from address., Publisher's statement following imprint: whar [sic] is 100 differert [sic] sortmont [sic]., Eight lines of verse in four columns below image: Unto a neighb'ring castle by, to rest his body, and apply ..., and Temporary local subject terms: Litchfield -- Races: Litchfield races -- Elections: Westminster elections, 1747 -- Jacobites -- Elections: bribery -- Design: copied from Hogarth's Taste in high life -- Hunting -- Whittington Heath -- Horse whips -- Tents -- Mottoes: Pretender's motto -- Dancing masters: Mr. Toll -- Nicknames: Two Shilling Butcher for Sir Thomas Clarges -- Nicknames: Staffordshire Jacobite for Lord Gower -- Heston Humphrey.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bedford, John Russell, Duke of, 1710-1771, Gower, John Leveson Gower, Earl of, 1694-1754, Stafford, Granville Leveson-Gower, Marquess of, 1721-1803, Clarges, Thomas, Sir, 1688-1759, and Warren, Peter, Sir, 1703-1752
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Dr. Herring Lord Archbishop of Canterbury and Archbishop Herring
Description:
Title etched around image., C. Mosley after a painting by William Hogarth. See Catalogue of Engraved British portraits., Date from Catalogue of engraved British portraits., A portrait of the Archbishop at the head of an engraved speech., Sheet trimmed within plate mark., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and Formerly on page 122 in volume 2. Remove in 2012 by LWL conservator.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Name):
James, Prince of Wales, 1688-1766. and Herring, Thomas, 1693-1757
A satire on the financial crisis of 1720 ... Time draws back the curtain to reveal what appears to be a large painting showing a 'Roomse Schilderij', the deathbed of Pope Clement XI in March 1721. In front of the bed stand John Law and the Old Pretender, who has lost his wig and hat; they hold strings attached to the sails of a windmill on the canopy of the bed, beside which are the French cock, the Imperial eagle and the lion of the Netherlands. A thread encircles the waists of Law, the Pretender and Cardinal Alberoni who stands on the far side of the bed. At the head of the bed stands a group of cardinals holding up the papal tiara as the future Innocent XIII reaches for it; his medallion portrait hangs above, with an angel driving away a devil as the background. The Director being pushed forward by the satyrs is now identified as Robert Knight, cashier of the South Sea Company; coins fall from his pocket. The town in the distance is now 'Vryplaats'. The two vignettes at the bottom of the sheet have been changed, that on the left, which still has the same design is now identified as the son of the Pretender (born in 1720); that on the right, now showing a wheel of fortune with Pope Innocent at the top holding a scourge which he directs towards Law who falls down at the left, and destroying with a lightning bolt a paper representing the constitution as the Pretender ascends on the right; Cardinal Alberoni is at the bottom of the wheel. Engraved Dutch title, inscriptions, and verse in three columns which differs from those in the original state
Description:
Title from item., Title translation in British Museum catalogue: Bombario, O death, you were no friend to law when you shot down Pope Clement., State, with depiction of a chamber containing pope's deathbed in the right portion of the image., Publication date from British Museum catalogue., Three columns of verse in Dutch at bottom of image, titled: 't Cashot van Mr. Knigt zuidzee actie Kassier en de roomse schildery en medali., Plate 33 from: Het groote tafereel der dwaasheid ... , v. 1., Temporary local subject terms: Pictures amplifying subject -- Rome: allusion to "Romish picture" -- Architectural details: palace interior -- Freetown -- Popes -- Furniture: canopyed bed -- Papal deathbed -- Destruction of Constitution -- Crimes: South Sea -- France as crowing cock -- Rome as eagle -- England as lion -- Mississippi scheme -- Humbug -- Reference to Venetian trade -- Clergy -- Papacy: tiara and keys -- Father Time with hourglass -- Death as skeleton with sickle -- Portraits: Innocent XIII -- Satyrs with spears -- Capital punishment: gallows -- Bags of money -- Zanies -- Bladder: noisemaker -- Emblems: papal emblems -- Mottoes: S.P.Q.R. -- Schemes -- Symbols: wheel of fortune -- Symbols: tomb of death., and Watermark in the lower portion of sheet, countermark in the upper portion.
Publisher:
publisher not identified
Subject (Name):
Clement XI, Pope, 1649-1721, Innocent XIII, Pope, 1655-1724, James, Prince of Wales, 1688-1766, Alberoni, Guilio, Cardinal, 1664-1752, Knight, Robert, 1675-1744, and Law, John, 1671-1729
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Cardinals, Emblems, National emblems, and Windmills
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
Title from item., Second state of British Museum catalogue no. 2856., "Price 6d"--Lower right corner., and Temporary local subject terms: Independent Electors of Westminster -- Trades: butcher -- M. Trompée -- Nicknames: Count Newport -- Nicknames: Cout Neuf Puerto -- Navy: sailors -- Beverages: taplash -- Scots -- Buildings: Westminster Hall -- Elections: Westminster elections, June 1747 -- Demons: demon with halter and axe -- Emblems: constable's staff -- Clerks -- Outdoord scenes: New Palace Yard -- Lascar -- Nicknames: Trott Plaid (Henry Fielding) -- Rebels -- Jacobites..
Publisher:
publisher not identified
Subject (Name):
Stafford, Granville Leveson-Gower, Marquess of, 1721-1803, Morgan, David Thomas, ca. 1695-1746, James, Prince of Wales, 1688-1766, Fielding, Henry, 1707-1754, and Warren, Peter, Sir, 1703-1752
A portrait of the Pretender, shown three-quarters length to the waist and looking to the right, in an oval fraome. He is wearing robes, collar, abd jewel of the Garter; a lace cravat and full-bottomed wig. Statement of responsibility and chronogram engraved in the frame above and below
Description:
Title engraved in oval frame around portrait., Title translation in British Museum catalogue: James III Pretender of England &c. and Knight of St. James., Publication date from book in which this print was published., "S.A. Belle's portrait of the Pretender is well known"--British Museum catalogue., Sheet trimmed within plate mark., Chronogram inscribed on lower portion of the oval frame enclosing the portrait: TeMpore DVro fILIVs rege natV's habetVr ast non qVIbVsqVe [i.e. 1688]., Four lines of verse in French at the bottom of design: O! Prince infortuné, joüet de la fortune ..., Four ines of verse in Dutch below the design: Heeft u't fortuin de rug tot dus ver toegekeerd ..., Plate 21 from: Het groote tafereel der dwaasheid ... , v. 2., and Mounted to 42 x 27 cm., mounted again to 47 x 31 cm.
Publisher:
Chez le Sr. Belle, rue du Four Faubourg S. Germain attenant la porte de la Foire
"A broadside satirising the Jacobite Alderman William Benn, who was involved in a drunken fight with another alderman at a London City feast because the former had proposed to the health of the Young Pretender; with an etching showing in the foreground Benn on the ground, holding in his right hand a bottle, his wig is pulled off by a dog, on the right another alderman, attacking Benn with a raised bottle, in the background a group of people looking on; with engraved title and inscriptions, and with letterpress title and verses in three columns, and with two vertical and one horizontal segment of type ornament."--British Museum online catalogue
Alternative Title:
Wars broke out in the city
Description:
Caption title., Broadside illustrated with an etching at top of sheet (plate mark 20.3 x 33.1 cm)., First line: Draw near, ye sober citizens., and Temporary local subject terms: Animals: dog wearing a collar "Charls's [sic] Breed" and chains -- Drunken battle with wine bottles -- Bottles: wine bottles used as weapons -- Hospitals of Bethlem and Bridewell -- Gold chains -- City of London feast -- Ass's ears on William Benn -- Envelope -- Aldermen.
Publisher:
publisher not identified
Subject (Name):
James, Prince of Wales, 1688-1766. and Benn, William, 1702-1755
Subject (Topic):
Caricatures and cartoons, Jacobites, Dogs, and Wigs
"A broadside satirising the fall of James II; with an etching formerly attributed to de Hooghe. King James (1) lies in an ornate bed, wearing a Jesuit's cap encircled by a crown, vomiting a stream of reptiles with crowns, papal tiaras, cardinals' hats and Jesuit caps; further reptiles emerge from the foot of the bed where broken shackles lie on the floor.. In the centre stands the finely dressed Lord Mayor of London (2) holding his nose, a dog with a spiked collar at his side, and to the right Aldermen and Bishops (3). To the left, beside the bed, a double-faced physician (4) holds up a urinal in one hand while feeling the king's pulse with the other. The Lord Chancellor (5; George Jeffreys) stands on the other side of the bed, holding his nose and pointing to the doctor as the cause of the king's sickness. Mary of Modena (6) sits on the extreme right pointing across the room to the Prince of Wales. The Archbishop of Canterbury (7) stands behind her with the other bishops holding out his hand to receive a sealed package from a masked Jesuit (8). The Prince of Wales (9), holding an orb or ball and toy windmill is sitting in the lap of his nurse (10) who spoon-feeds him while she listens to a monk who gestures with his left hand as he speaks. Behind them Father Petre (11) receives a passport and is sent on his way together with Quakers and other sectaires (12) including Anabaptists surviving from the days of Cromwell. Through an archway in the background the sun rises on the Dutch fleet (13) setting sailing to bring relief to England. Engraved Latin title and Latin and Dutch inscriptions, and with Dutch letterpress verses, including legend, in three columns."--British Museum online catalogue
Description:
Title from caption below image., Three columns of letterpress text in Dutch below plate are the key to numbers in the image: 1. Den Konink had voor af door Jesuitsche vonden ..., Temporary local subject terms: Jesuits -- Law: Lord Chancellor -- London: Lord Mayor -- London: aldermen -- Quakers -- Protestants -- Medical: physician with Janus's head -- Navy: fleet of William III, Oct. 16, 1688 -- Pets: pug in a collar -- Symbols: evil, windmill -- Furniture: bed -- Chair., and Watermark.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718, James, Prince of Wales, 1688-1766, and Petre, Edward, 1631-1699
