"A companion print to British Museum Satires No. 6979. A bust portrait of Queen Charlotte, directed to the left, taking a pinch of snuff. She wears a jewelled oriental turban; her hair is studded with jewels, and jewels cover her neck and ornament her dress. A large ear-ring is conspicuous. In the upper left corner of the print, under the words 'The Pun', is a large heart-shaped jewel surmounted with a crown; it stands, embedded in diamonds, in a box inscribed 'Bulse'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Companion print to: Cheyt Sing in his Eastern dress., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Half-length portrait in an oval frame, a young woman turned slightly left, facing front, wears a black veil over head and shoulders. She wears a pearl earring and necklace of several strands of beads (pearls?).
Alternative Title:
Venetian lady in the Sindall dress
Description:
Title from item. and Scratched-letter state of: A Venetian lady in the Sindall dress.
Publisher:
Publish'd 30 of July 1776, by J. Boydell, engraver in Cheapside, London
A muzzled bear sits up, as if begging, on a fat woman who lies on her back. She says: "Gemini! what a Weight! my poor dear Mr Dripping was quite a Feather to him". She wears a ribbon with a miniature portrait of a man around her neck; her hat lies on the ground beside her. The bear's keeper (right) raises his club, saying, "Down Bruin! I'll teach you to ride the high Horse". A dog (right) springs towards the bear. A man (left) runs off, saying, "D------m me I'll be off! . . . [etc.]".
Description:
Title etched below image. and Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue.
Publisher:
Published Decbr. 20th, 1801, by S. Howitt, Panton Street
Subject (Topic):
Animal attacks, Bears, Dogs, Jewelry, Miniatures (Paintings), and Obesity
French politeness not a match for English assurance
Description:
Title from caption below image., First state with date. Cf. State with date burnished from plate in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4573 ., and Temporary local subject terms: Male costume: French evening attire -- Orders: the Garter -- Orders: unidentified French medal on ribbon -- Female dress: large hoops -- Female dress: embroidered evening gown -- Female costume: chatelaine.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
publish'd as the act directs, A.D. 1769.
Call Number:
769.00.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
In an oval frame, a half-length portrait of woman with a black veil over her head looks left. In her right hand she holds a mask; around her neck is cross. She wears pearl earrings, pearls in her hair, and a strand hangs from the jeweled rose at her breast
Alternative Title:
Fair nun unmasked
Description:
Title engraved below image., Printmaker identified in Chaloner Smith who based his description on the 1780 copy published by Sayer., Sheet trimmed to plate mark., Plate numbered '8' in lower left corner., Two lines of verse below title: On her white breast a sparkling cross she wore ... Pope., Reversed copy of this print was published in 1780., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female costume: masquerade dress -- Allusion to 'The Fair Nun' -- Literature: quotation from The rape of the lock, canto ii.7, by Alexander Pope, 1688-1744., and Watermark.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Accessories (Clothing & dress), Dancers, Jewelry, Masks, and Masquerades
A fashionably dressed woman sits (left) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor
Alternative Title:
Convenience of modern dress
Description:
Title etched below image.
Publisher:
Pubd. Feby. 15th, 1796, by H. Humphrey, New Bond Street
Subject (Topic):
Breast feeding, Carriages & coaches, Clothing & dress, Coach drivers, Hats, Infants, Jewelry, Interiors, Mothers, Parlors, Rugs, and Servants
A fashionably dressed woman sits (right) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor
Alternative Title:
Convenience of modern dress
Description:
Title etched below image., Date from contemporary ms. note., After Gillray., Unsigned copy in reverse of No. 8897 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Watermark: C. Taylor., and Mss. notation in lower margin, dated '1797' in black ink.
Publisher:
publisher not identified
Subject (Topic):
Breast feeding, Carriages & coaches, Clothing & dress, Coach drivers, Hats, Infants, Jewelry, Interiors, Mothers, Parlors, Rugs, and Servants
Two young women involved in an affectionate conversation watch a pair of doves perched on top of an open cage
Description:
Title from item., Publication date from an unverified card catalog record., Plate numbered '203' in lower left corner., and Temporary local subject terms: Doves -- Bird cages -- Female dress, 1770 -- Pearl necklace.
Publisher:
Printed for Carington Bowles, Map & Printseller at No. 69 in St. Pauls Church Yard, London
A couple holding hands lean toward each other as they gaze into one another's eyes with affection
Description:
Title written in pencil beneath image., Signed by the artist in lower right., Date from: Padbury, D. View of Dightons., Numbered "406" in ink in lower left., and For a related mezzotint, published by Bowles & Carver, see no. 8920 in the Catalogue of prints and drawings in the British Museum, v. 7.
Two fashionably dressed young women dose on a sofa in a sitting room with wallpapered walls and a rug on the floor. A young man stands behind the sofa and quietly tickles the check of the young woman on the right. The friendship between the two women is illustrated by the long ribbon tied on one of each of their wrists; around their necks, each, too, wears a pendant with miniature portrait of the other. An open book between them on the sofa is titled "The Fair Seducer." An oval mirror hangs on the wall between two windows behind the young man
Alternative Title:
Weary after a walk
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '200' in lower right corner., From the Laurie & Whittle series of Drolls., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 8th September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Friendship, Jewelry, Mirrors, Seduction, Sofas, Sleeping, Wallpapers, and Women
