"A large chamber-pot, cracked, stands (left) supported by the legs of Mrs. Jordan. The Duke of Clarence has thrust his head and shoulders within a fissure in the 'Jordan', singing a chanty, "Yeo! Yee! Yeo!" He is in back view and wears striped sailor's trousers; his naval coat with its star hangs on the wall (right)."--British Museum online catalogue
Alternative Title:
Crack'd Jordan and Cracked Jordan
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 21 of volume 8 of 12.
Publisher:
Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
"Portrait standing half-length to right and holding eyeglass, eyes to front, wearing elaborate costume with plumed hat; in the character of Hippolyta; state with title in open letters."--British Museum online catalogue
Description:
Title from caption below image., Dedication below title: "To her Grace the Dutchess of Devonshire, this print is most humbly dedicated by her Grace's most obedt. humble servt. John Jones.", and Description based on imperfect impression; sheet trimmed within plate mark with loss of text.
Publisher:
Publish'd as the Act directs March 1st. 1791, by J. Jones, No. 75 Great Portland Street
"Portrait of Mrs Jordan as Peggy in 'The Country Girl' after Romney, standing three-quarter length with her hands clasped together in front of a doorway and column; state after title changed, before engraver's name altered."--British Museum online catalogue
Description:
Title engraved below image. and Second state, with title altered from "Mrs. Jordan in the Character of the Romp". For the earlier state, see Yale Center for British Art accession no.: B1970.3.341.
Publisher:
Publish'd June 24th, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
Subject (Name):
Jordan, Dorothy, 1761-1816, and Garrick, David, 1717-1779.
"The stage, flanked by the stage-boxes, extends across the design, the base of which is the orchestra, where the new Ministry perform. George III has stepped on to the stage from the royal box (l.) and confronts Napoleon, who stands arrogantly upon clouds and points to an enormous scroll held up by Talleyrand. This stretches across the cloud to rest on the stage. The Emperor, in uniform, with spurred jackboots and wearing a large, feathered bicorne, holds a sword in his right. hand and says fiercely: "There's my Term's." The King, who wears uniform with a small cocked hat and buckled shoes, holds his sword against his shoulder. He inspects the scroll through his glass, saying: " - Very amusing Terms indeed! - and might do vastly well with some of the new-made little Gingerbread kings [see BMSat 10518] - but WE are not in the habits of giving up either "Ships, or Commerce, or Colonies", merely because little Boney is in a pet to have them!!!" The scroll is inscribed: 'TERMS OF PEACE - Acknowledge me as Emperor - "mantle your Fleet, - Reduce your Army - Abandon Malta & Gibraltar, - Renounce all Continental Connection - Your Colonies I will take at a Valuation, - Engage to pay to the Great-Nation for 7 Years annually £1.000.000. and Pace in my Hands as Hostages the Princess Charlotte of Wales, with Ten of ye late Administration whom I shall name.' Talleyrand kneels on one knee, displaying a deformed l. leg, on a cornupia which rests on the clouds that support Napoleon. He wears a long gown with a rosary (denoting the ex-Bishop of Autun); a pen is behind his ear. From the cornucopia papers, money-bags, and coin pour down on to the stage. The papers are: 'Address to the Papists'; 'Loan to the - ['Prince' implied, cf. BMSat 6945]; 'To the United Irishmen'; 'To the London Corresponding Society'; 'The Press'; 'The Argus'; 'For the Whig Club'; 'To the Army; 'To the Navy', 'To [the] Volunteers'. Money-bags are labelled: 'Maynooth [word illegible]', 'Horne Tooke', 'Morning Chronicle', '[Cobbett's] Weekly Register', 'Thelwall.' Immediately behind Talleyrand, and also on the Napoleonic clouds crouch Arthur O'Connor, looking down conspiratorially at Fox in the orchestra below. His words extend in a long label towards Fox: "Remember m Friend your Oath, - " Our Politicks are the same!"" He holds a paper: 'at Maidstone Not Guilty - N.B - my Confederate Quigley only, was Hanged there.' Behind Talleyrand and O'Connor three desiccated corpses wearing French Grenadier's uniform hold up three eagles to each of which a banner is attached: 'Army of England', 'Army of Ireland', 'Army of Scotland'. Their caps are decorated with an 'N' surmounted by a crown. Behind them bayonets recede in perspective, their holders hidden by the peace scroll. ..."--British Museum online catalogue
Alternative Title:
Flight from St. Cloud's "over the water to Charley"
Description:
Title etched below image. and Mounted on leaf 19 of volume 6 of 12.
Publisher:
Pubd. April 5th, 1806, by H. Humphrey, St. James Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Napoleon I, Emperor of the French, 1769-1821, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Pitt, William, 1759-1806, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Grattan, Henry, 1746-1820
"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
"Illustration to 'The Empire of the Nairs', pp. 175-9, referring to verses published in the 'Scourge', iii. 313-18, 456-61, 'The H- [Hertford] Dynasty, or the Empire of the Nairs', suggested by the romance of J.H. Lawrence, 'The Empire of the Nairs', 1811 (published in German in 1811, and afterwards in French), with an introduction seriously advocating the introduction of these customs into England. The Nairs (or Nayars) were a military caste of Malabar who practised polyandry. The plate is not elucidated. Lady Hertford reclines in an ornate bath, into which water gushes from the jaws of a monster which decorates the pedestal of a Venus. The bath is raised on a triple dais and backed by the pillars and canopy which frame the Venus forming the centre of the design. The Regent, in royal robes, ascends the steps of the dais, poised on his toes like a ballet-dancer, and places a crownlike marquis's coronet on the head of Lady Hertford who leans towards him, her enormous breasts appearing over the edge of the bath. She says: "I proclaim the Freedom of the Sex & the Supremacy of Love." Lord Hertford, who bestrides the pedestal, looks down delightedly from behind the statue of Venus. He has horns, and holds his Chamberlain's staff. The water pours from the bath through the nostrils of a bull's head with which it is ornamented, and falls in a triple cascade into a circular basin in the centre foreground. On each side of the statue of Venus and flanking the dais is a statue in a niche: 'Aspasia' (left) and 'Messalina' (right); both are disrobing. Near the fountain (right) a hideous hag, naked to the waist, crouches before a tall brazier in which she burns a 'Mantle of Modesty'. The building appears to be circular, an arc of the wall forming a background on each side of the centre-piece. On this are tablets inscribed respectively 'Hic Jacet Perdita' [Mary Robinson, the Prince's first mistress, see No. 5767, &c.]; 'Hic Jacet Armstead' [Mrs. Fox, who had been the Prince's mistress, cf. No. 10589]; 'Hic J[acet] Vauxhall Bess' [Elizabeth Billington, see British Museum Satires No. 9970; her mother sang at Vauxhall, see British Museum Satires No. 6853]. In the foreground on the extreme right a buxom young woman puts her arms round the Duke of Cumberland, saying, "I'll go to Cumberland"; he walks off with her, to the fury of an admiral just behind the lady who clutches his sword and is seemingly her husband. Cumberland wears hussar uniform with a shako and fur-bordered dolman, with a star and a large sabre. A meretricious-looking young woman (? Mrs. Carey) puts her arms round the Duke of York, saying, "And I to York." The Duke, who wears uniform with a cocked hat and no sword, looks down quizzically at her. Behind him a tall thin officer in hussar uniform bends towards Princess Charlotte, taking her hand; he says: "Sure & I'll go to Wales." She runs eagerly towards him. As a pendant to these figures, Grenadiers stand at attention on the left, holding bayoneted muskets; they have huge noses, and smile at a buxom lady wearing spurred boots who addresses them with outstretched arm, saying, "And you for Buckinghamshire." At her feet is an open book: 'Slawkenberges Chapr on Noses' [from Sterne's Slawkenbergius, imaginary author of a Rabelaisian fantasy in 'Tristram Shandy']. They have a standard with the word 'Buckin ...' on it. Behind the Prince (left) stands Tom Moore, looking up at the coronation; he holds an open book: 'Little Poems / Ballad . . .' He says: "I'll give you one Little Song More [see British Museum Satires No. 12082]." Behind him stands Mrs. Jordan, placing a chamber-pot on the head of the Duke of Clarence, who wears admiral's uniform with trousers."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (September 1812), page 173., and Sheet trimmed within plate mark.
Publisher:
Pubd. September 1st, 1812, by W.N. Jones, No. 5 Newgate St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Charlotte Augusta, Princess of Great Britain, 1796-1817, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, Robinson, Mary, 1758-1800., Fox, Elizabeth Bridget, 1750-1842., Billington, Elizabeth, 1765-1818., and Venus (Roman deity),
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
"A large bed, its head surmounted with the Royal Arms (sketchily burlesqued), and with loosely draped curtains, extends almost across the design. In it the Duke of Clarence lies asleep, Mrs. Jordan sits up with a rapt air, saying, "What pleasant Dreams I have "had To-night! methought I was in Paradise, upon a bed of Violets & Roses, "and the sweetest Husband by my side! . . ." [&c. &c] a quotation from Coffey's play 'The Devil to pay: or, the Wives metamorphosed'. Nell Jobson the cobbler's wife finds herself (temporarily) in the place of Sir John's lady. See Baker, 'Biog. Dram.', 1812, ii. 161. On a chair (left) are the Duke's naval coat and a pair of breeches; on a stool (right) a petticoat and pair of stays. Under the bed is a chamber-pot inscribed 'Public Jord[an] open to all Parties'."--British Museum online catalogue
Alternative Title:
Wife metamorphos'd, Wife metamorphosed, and Neptune reposing after fording the Jordan
Description:
Title etched below image., Printmaker from British Museum catalogue., Eleven lines of quoted verse, in three columns, etched below image: "Ten thousand transports wait, to crown my happy state ...", Sheet trimmed to plate mark., and Temporary local subject terms: Interiors: bedrooms -- Furniture: royal beds -- Chairs -- Stools -- Female costume: corset -- Naval uniforms: Duke of Clarence's uniform -- Sleeping -- Expressions of speech: jordan -- Allusion to Richard Ford, ca 1759-1806, Mrs. Jordan's husband -- Literature: quotation from Charles Coffey's (d. 1745) The Devil To Pay, Or, The Wives Metamorphosed -- Chamber pots.
Publisher:
Pubd. Octr. 24th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
Title from item., Printmaker from British Museum catalogue., Eleven lines in 3 columns quoted below design: ten thousand transports wait ..., Numbered '19' in lower right corner of plate., Reissue of No. 7908 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, and Temporary local subject terms: Interiors: bedrooms -- Furniture: royal beds -- Chairs -- Stools -- Female costume: corset -- Naval uniforms: Duke of Clarence's uniform -- Sleeping -- Expressions of speech: jordan -- Allusion to Richard Ford, ca 1759-1806, Mrs. Jordan's husband -- Literature: quotation from Charles Coffey's (d. 1745) The devil to pay, or, The wives metamorphosed.
Publisher:
Pubd. Octr. 24th 1791 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
"A large bed, its head surmounted with the Royal Arms (sketchily burlesqued), and with loosely draped curtains, extends almost across the design. In it the Duke of Clarence lies asleep, Mrs. Jordan sits up with a rapt air, saying, "What pleasant Dreams I have "had To-night! methought I was in Paradise, upon a bed of Violets & Roses, "and the sweetest Husband by my side! . . ." [&c. &c] a quotation from Coffey's play 'The Devil to pay: or, the Wives metamorphosed'. Nell Jobson the cobbler's wife finds herself (temporarily) in the place of Sir John's lady. See Baker, 'Biog. Dram.', 1812, ii. 161. On a chair (left) are the Duke's naval coat and a pair of breeches; on a stool (right) a petticoat and pair of stays. Under the bed is a chamber-pot inscribed 'Public Jord[an] open to all Parties'."--British Museum online catalogue
Alternative Title:
Wife metamorphos'd, Wife metamorphosed, and Neptune reposing after fording the Jordan
Description:
Title etched below image., Printmaker from British Museum catalogue., Eleven lines of quoted verse, in three columns, etched below image: "Ten thousand transports wait, to crown my happy state ...", Sheet trimmed to plate mark., Temporary local subject terms: Interiors: bedrooms -- Furniture: royal beds -- Chairs -- Stools -- Female costume: corset -- Naval uniforms: Duke of Clarence's uniform -- Sleeping -- Expressions of speech: jordan -- Allusion to Richard Ford, ca 1759-1806, Mrs. Jordan's husband -- Literature: quotation from Charles Coffey's (d. 1745) The Devil To Pay, Or, The Wives Metamorphosed -- Chamber pots., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.8 cm, on sheet 28.0 x 38.9 cm., and Mounted on leaf 20 of volume 8 of 12.
Publisher:
Pubd. Octr. 24th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
