Title from item., Printmaker and publication date from British Museum catalogue., Temporary local subject terms: Shakespeare's Hamlet., and Mounted to 42 x 31 cm.
Title from item., Place and date of publication from British Museum catalogue., Three lines of caption following title: Macb: Tell me thou unknown power, 1st Witch: He knowes thy thought hear his speech but say thou nought., Temporary local subject terms: Shakespeare's Macbeth., and Mounted to 32 x 35 cm.
Illustration at the top of the letterpress broadside. "Mrs. Siddons leans back in her chair, majestically resentful. She addresses Harris, [Grego suggests Topham, whom he does not resemble, and who was living in Yorkshire.] patentee and manager of Covent Garden, who stands before her (l.), hat in hand. Between them stands the much taller J. P. Kemble, his left hand on his sister's shoulder. Mrs. Siddons leans one elbow on a table (r.) on which are three books: 'Salary Benifi[ts]', 'The Right of Woman', 'Duty of Man', and a bust of (?) herself, looking reproachfully towards the group. On the wall (r.) is part of a print: 'Propagation of a Lye', six figures from Bunbury's well-known plate, BMSat 7230 (1787). The text is a debate (printed in full by Grego): Mrs. Siddons complains to Harris of neglect on account of 'your Blind Bargain and Infant Roscius'. Harris, 'First Monarch', answers: 'if John Bull chooses to feed on slink calf, instead of substantial roast beef, yet consents to pay for the roast it is not for me to complain. . . . you have had your day. . . .' He reminds her of her good salary. Kemble, 'Second Monarch', supports him, and ends: 'Public taste ... is now in second childishness; and when mere oblivion takes place, then you shall make a sally, and should the Town require a filip [Philip] I will be at your elbow.'"--British Museum online catalogue
Alternative Title:
Child's play defended by theatrical monarchs
Description:
Caption title in letterpress below etching., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Watermark: E & C T Russell 1797.
Publisher:
Printed by D.N. Shury, Berwick Street, for Ackermann, 101 Strand
Subject (Name):
Kemble, John Philip, 1757-1823 and Siddons, Sarah, 1755-1831
Title etched above image., Also attributed to Gillray. See Wright., Two lines of text below image: In Pizzarro's plans observe the statesman's wisdom guides the poor mans [sic] heart ..., Plate from: The Anti-Jacobin review and magazine. London, 1799, v.4, p. 318., Temporary local subject terms: Literature: Pizarro by Sheridan -- Magazines: Anti Jacobin Review., Description in a later hand filed with this impression: The caricature was published with the Anti Jacobin Review on Oct. 1, 1799. It represents Sheridan gloating [...] his wealth acquired by his play Pizarro. The print attributes its success to the acting of John Kemble, who carries Sheridan on his head., and Sheet trimmed within plate mark resulting in loss of title, text below image, and imprint.
Publisher:
Published Oct. 1, 1799, by J. Whittle, Peterboro' Court, for the Anti Jacobin Review
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Kemble, John Philip, 1757-1823
Title etched above image., Also attributed to Gillray. See Wright., Two lines of text below image: In Pizzarro's plans observe the statesman's wisdom guides the poor mans [sic] heart ..., Plate from: The Anti-Jacobin review and magazine. London, 1799, v.4, p. 318., Temporary local subject terms: Literature: Pizarro by Sheridan -- Magazines: Anti Jacobin Review., 1 print : etching on wove paper, hand-colored ; sheet 22 x 25 cm., and Sheet trimmed within plate mark resulting in partial loss of imprint.
Publisher:
Published Oct. 1, 1799, by J. Whittle, Peterboro' Court, for the Anti Jacobin Review
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Kemble, John Philip, 1757-1823
"The full face of Clifford, based on a fashionably swathed neck-cloth and high coat-collar, fills the design. The mouth is open as if shouting. The eyes and part of the cheeks are covered by circles representing huge spectacles. Each contains a symmetrical view of Covent Garden Theatre seen from the stage, showing pit, three tiers of boxes, and the centre of the two galleries (the 'pigeon-holes' not appearing), all crowded. The views differ only in the performers on the stage, two actors on the right (one clearly Kemble, probably as Macbeth), and on the left two actors and a file of soldiers. Superimposed on the middle of each circular design is a large 'O' (left) and 'P' (right). Round the broad rims of the spectacles: (left) 'Old House Old Prices & No Private Boxes' and (right) 'Old House Old Prices & No Pigeon Holes'. On the bridge across the nose: 'N.P.B.' (No Private Boxes, see British Museum Satires No. 11421)."--British Museum online catalogue
Description:
Title etched below image., Print made collaboratively by Isaac and George Cruikshank, with the latter responsible for the tiny figures in the spectacles. See British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clifford, Henry, 1768-1813, Kemble, John Philip, 1757-1823, Covent Garden Theatre,, and Covent Garden Theatre
Subject (Topic):
Theaters, Eyeglasses, Theater audiences, Actors, and Theatrical productions
"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
Title from item., Printmaker from original issue, published by Bentley & Co., 1 December 1789, for the The Attic Miscellany, with title: How to tear a speech to tatters., Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, Nov. 1794., Temporary local subject terms: Actors -- Literature: parody on Shakespeare's Henry V., and Clipping, The theatrical ranter, as represented in the engraving, pasted on verso.
Kemble, in tattered theatrical dress, stands at the gate of Northumberland House in the Strand, holding out his hat and bowing to the obese and oafish-looking Duke of Northumberland, who is placing a "Draft for 10,000 Pounds" in the hat; in his right hand he holds a paper which lists donations. Kemble is followed by his brother Charles and his sister Mrs. Siddons, both of whom are weeping. Her reticule is stuffed with papers and is inscribed "Humble solicitations..."
Alternative Title:
New dramatic resource : "a begging we will go! A scene from Covent Garden Theatre after the conflagration
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Publishd. Jany. 15, 1809, by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kemble, Charles, 1775-1854, Kemble, John Philip, 1757-1823, Northumberland, Hugh Percy, Duke of, 1742-1817, Siddons, Sarah, 1755-1831, Strand, The (London, England), and Covent Garden Theatre.
Subject (Topic):
Fires, Fools & jesters, and Harlequin (Fictitious character)