Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"The Tsar and his sister walking arm-in-arm are stopped by a coarse-looking woman (right) who flings her arms round his neck and kisses him avidly, while a yokel (left) takes the hand of the Grand Duchess. The woman exclaims to a fat friend (right), who watches with a broad grin: "There Sal, I can boast of what none of the Bitches of Billinsgate can, having kissed the Kings Emperor of all the Russian Bears, & he is the sweetest modestest mildest Gentleman I ever Kissed in all my life." The countryman wears a short smock with breeches and wrinkled gaiters, and has the coarse carbuncled features of a John Bull in these prints. He says, grinning: "Dang it when I goes back & tells The folks in our Village of this, Law how they will envy I, ha ha!" The Tsar and his sister smile amiably. Behind (left), another woman runs after a bearded Cossack eager to kiss him. There is a landscape background, probably indicating Hyde Park, cf. British Museum Satires No. 12285."--British Museum online catalogue
Alternative Title:
Blessings of universal peace
Description:
Title etched below image. and With S.W. Fores blind stamp: S.W.F.
Publisher:
Pubd. July 11th, 1814, by S.W. Fores, Piccadilly
Subject (Geographic):
Russia and England.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825 and Katharina, Queen, consort of William I, King of Württemberg, 1788-1819
A fashionably dressed couple sit on a upholstered sofa embrassing and kissing; a rug on the floor completes the decorations of the room
Description:
Titles etched below image., Sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 29 x 21 cm., and Mounted on: Map of Gorteennamrock, Ballyhibbin & Bally morris situate in the county of Limerick, the estate of Thos. Henry Roys[?] / J. J. Byrne. Dublin: Forster & Co., 1852.
Depicts a young lady, elegantly dressed and coiffed, asleep in an armchair near a round parlour table. A young military officer, his hat on the table, leans over to kiss her, while the serving maid prepares to exit at the door on the right, admiring the ring on her finger with which she has apparently been bribed. In the lady's hand is the leash for her pet squirrel, who investigates a basket of peaches on the table. At her feet lies an open book "The agreeable dream realized" and another on the table is titled "Chloe caught napping". On the wall behind hangs a painting of Cupid
Alternative Title:
Lover's larceny
Description:
Title from item., Date erased from print., Date from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate: 366.
Publisher:
Printed for & sold by Carington Bowles ... No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England and British
Subject (Topic):
Clothing & dress, Military officers, Couples, Interiors, Women domestics, Kissing, and Squirrels
publish'd as the act directs [not before 10 November 1777]
Call Number:
777.11.10.08
Image Count:
1
Resource Type:
still image
Abstract:
Depicts a young lady, elegantly dressed and coiffed, asleep in an armchair near a round parlour table. A young military officer, his hat on the table, leans over to kiss her, while the serving maid prepares to exit at the door on the right, admiring the ring on her finger with which she has apparently been bribed. In the lady's hand is the leash for her pet squirrel, who investigates a basket of peaches on the table. At her feet lies an open book "The agreeable dream realized" and another on the table is titled "Chloe caught napping". On the wall behind hangs a painting of Cupid
Alternative Title:
Lover's larceny
Description:
Title from item., Date conjectured from Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.5, Appendix: Key to the dates of the series of Mezzotints issued by Carington Bowles., Numbered in plate at lower left: 270., Reduced version of British Museum catalogue 4554., and Date burnished from print.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and British
Subject (Topic):
Clothing & dress, Military officers, Couples, Interiors, Women domestics, Kissing, and Squirrels
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[between 1751 and 1774]
Call Number:
751.00.00.49+
Image Count:
1
Resource Type:
still image
Abstract:
With one arm encircling her waist, a man holds the hand of a young woman outside a fashionable residence, unaware that another gentleman kisses the woman's other hand behind his back. Above the doorway of the residence is etched he name "Notaris” and “Slik-op Notaris” on the left door frame. In the background a third gentleman smiles and points to the grouping in the foreground. In the distance at the back of the residence a maid stands in an archway; beyound her a view of the town
Alternative Title:
Guardian coax'd and Guardian coaxed
Description:
Title etched below image, between verses., Numbered '134' in upper right corner above image., Publication date from: Maxted, I. London book trades, 1775-1800., Image from a scene in Molière's L'École des maris, 1661; translated by IJsbrand Vincent as De listige vrijster of de verschalkte voogd, 1690: Troost, Possibly after a painting by Jan Josef Horemans (1714-1792)., Four stanzas of verse in two columns on either side of title: Chloe 'tis true with charming leer, you coax your am'rous guardian here ... and bless thy youthful lover., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information consult library staff.
Publisher:
Printed for Robt. Sayer, print & map seller, opposite Fetter Lane, Fleet Street
