Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript fragment on paper of extracts from Laudabile sanctum. There follows on ff. 1r-7v an extended series of longer and shorter alchemical recipes and procedures, probably including excerpts from standard sources, a passage on transmutation, a brief account of the planets, etc., often with marginal captions. With a poem in English
Description:
In Latin and English., Watermark: an extended hand with a five-pointed star extending on a stem from the middle finger, a quatrefoil (?) at the wrist, which is sharply cut off, the fingers partly articulated, of the type of Briquet 11341 and following, but more refined., Script: Written by a single hand, very small (sometimes minute) and mostly very neat, using a good cursive italic for the Latin passages, and a secretary hand for the English, both sloping somewhat to the right., and Binding: Parchment wrapper made from a bifolium of a late 13th-century French (or possibly English?) canon law manuscript written by two hands, one of them using a classical Littera parisiensis, the other slightly more rounded, the writing partly scraped away on what is now the front cover of the wrapper, the outer side of the lower cover with an inscription in a very large hand which has not been read.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, English poetry, Formulas, recipes, etc, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Renaissance poetry including: 1) Antonius Panormitanus (Antonio Beccadelli,1394-1471), Hermaphroditus. 2) Elegies on various subjects by the scarcely known Pompeius (Pazzalia) Bononiensis. 3) Basinius Parmensis (Basinio di Parma, 1425-1457), Liber Isottaeus. 4) Iohannes Marrasius (Giovanni Marrasio, 1405-c. 1457), Angelinetum. 5) Three poems by Carolus Marsuppinus (Carlo Marsuppini, 1398 [?]-1453). 6) Poems by Gregorius Tiphernus (Gregorio Tifernate, 1414-after 1462). 7) Poems by Iohannes Iovianus Pontanus (Giovanni Gioviano Pontano, 1426-1503), the final one here attributed to Iohannes Sagundinus (see also artt. 48-51). 8) Aeneas Silvius Piccolomini (pope Pius II, 1405-1464) , Versus in MahumetumTurcorum regem. 9) Iohannes Iovianus Pontanus, Carmina. 10) Petrus Porcellius (Pietro Porcellio, 1450), Carmina. 11) Antonius Panormitanus (Antonio Beccadelli), Elegia ad Iohannem Lamolam. 12) Petrus Porcellius, Poem in praise of Alberto d'Este (d. 1502). 13) Poem by Antonius Panormitanus. 14) Poems by or attributed to Iohannes Sagundinus. 15) Pompeius Bononiensis, Carmina. 16) Prayer to Mercury, also found in San Daniele del Friuli, Biblioteca Guarneriana, MS 121, f. 81r. 17) Poem attributed to the emperor Hadrian. 18) Complaint on the decay of Rome. Corpus Inscriptionum Latinarum, v. 6.5, no. 3*h, among the Inscriptiones falsae urbis Romae. 19) Funeral inscription. With short poems by various others
Description:
In Latin., Script: Copied by one hand writing Humanistica Cursiva Libraria., Headings and initials in brown, pale red, and blue., and Binding: Eighteenth century. Limp parchment with remains of two ties. Handwritten title on the spine: "Elegiae / nonnu/llorum / doctorum".
Subject (Geographic):
Connecticut, New Haven., and Italy.
Subject (Name):
Basinio, da Parma, 1425-1457. and Beccadelli, Antonio, 1394-1471.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Renaissance
Manuscript on parchment, composed of three parts, of Petrus Riga, Aurora, Biblia Versificata (a Latin verse translation of the Bible). Parts I and III in the same format and possibly from the same manuscript
Description:
In Latin., Script: Parts I and III (ff. 1-72 and 113-136): Copied by multiple scribes in small gothic bookhand, with first letter of each verse usually aligned on the second vertical bounding line. Part II (ff. 73-112): Written by multiple scribes in a larger module and a neater gothic script than that in Parts I and III; each verse is justified by the placement of the final letter along outer vertical ruling. Script has often been retraced., Parts I and III: Red initials, plain or with modest designs throughout. Headings in red often added to right of text. First letter of each verse stroked in red or ochre, often by drawing a single line the length of the written space. Part II: Plain initials and headings in red throughout., and Binding: Nineteenth century, Belgium. Tan calf over wooden boards, blind-tooled with the Arenberg arms on the sides. Title on spine: "Sacrae Scripturae excerptae/ Circa 1225-50". Remains of old fore-edge tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Riga, ca. 1140-1209.
Subject (Topic):
Versions, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript, on parchment, in a single hand, containing the text of Bede's Commentary on the Proverbs (Super parabolas Solomonis), nearly complete. Four original endleaves, at front, contain twelfth-century extracts from Peter Lombard on the Epistle to the Hebrews; exhortational material; and Latin verses (first line: Amittit proscriptus opes nec possi reverti).
Description:
In Latin., Armorial bookplate of William John Monson, Baron Monson on front pastedown., Ownership inscription of Anthony Watson on recto of first front endleaf., Ownership inscription of "roberti di cantuaria" on verso of final front endleaf., Layout: single columns of 31 lines., Script: English book hand., Decoration: Rubricated. Two-line initials in red, blue or green with contrasting penwork; two larger initials in red, blue and green with penwork flourishes. Large illuminated initial (f1r) in gold, enclosing gold foliage on blue and green grounds., and Binding: nineteenth-century tooled brown leather over pasteboards; gold-lettered spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bede, the Venerable, Saint, 673-735.
Subject (Topic):
Commentaries, Early works to 1800, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript fragment, on paper, of a commonplace book in a stingle hand, containing about 20 poems by named authors, including Bartolomeus Venetus and Martinus Philecticus
Description:
In Latin. and Script: humanist cursive.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Topic):
Humanism, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of Alexander of Villa Dei, Doctrinale
Description:
In Latin., Script: Written in round gothic bookhand by a single scribe, below top line., One historiated initial, f. 1r, 6-line, pink, red, and green with white filigree on gold ground thinly edged in black, with a half-length portrait of a teacher in red robes and a red cap holding a book, against a blue ground with white filigree. In the lower margin arms of the Pesaro family of Venice (per pale indented or and azure), framed by scrolling acanthus, green, red, blue, and pink. Plain initials and paragraph marks both alternate blue and red. Headings in red., and Binding: Nineteenth century, England. Light brown leather, gold-tooled. Gilt edges. Rebacked. Title on spine: "Alexander de Villa Dei Doctrinale. MS: In Memb". Bound for Henry Drury by C. Lewis in 1820.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, de Villa Dei.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Grammar, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Epistolae Magni Turci, texts on the winds, and other texts
Description:
In Latin., Watermark: Hand topped by Star, similar to Briquet 10706., Script: Hand A is copied in Humanistica Cursiva; Hand B is copied in Gothico-Humanistica Libraria., Art. 4 is not decorated. In artt. 2-3 there are 2-or 3-line initials, in black ink and in outline; they have generally not been executed on the first pages. Guide letters do not seem to have been written consistently. The schematic drawing of art. 1 is traced in lead and consists of two concentric circles inscribed in a square and crosswise divided with double lines., The manuscript contains: 1) Circular diagram of the world with the four main directions of the winds and the Latin names of 12 winds. 2) Laudivius Zacchia (Laudivio da Vezzano, ca. 1435-after 1475, Ps.-Mahomet II), Epistolae Magni Turci. 3) De Hermaphrodito, ascribed to Hildebertus Cenomannensis (Hildebert of Le Mans,1065-1133) and others, here ascribed to Antonius Panormitanus (Antonio Beccadelli,1394-1471). 4) Note on the winds and their Latin names, according to the title based on Papias, Isidore of Seville and Boccaccio., and Binding: modern paper binding; on the front cover a printed label with the title “EPISTOLAE / MAGNI TURCI / MANUSCRIT”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Latin letters, Medieval and modern, Latin poetry, Medieval and modern, Manuscripts, Medieval, Turks, and Winds
Manuscript on paper of Poggio Bracciolini, Facetiae
Description:
In Latin., Watermarks: similar to Briquet Lettre S 9050; watermark on back pastedown similar to Briquet Fleur 6596-97, 99 and 6602., Script: Written in a round humanistic bookhand by a single scribe, below top line., One illuminated initial on f. 1r, 6-line, gold against deep red, green, and blue cusped ground with white filigree and white dots. From left corners penwork sprays issuing forth into inner margin, with blue and red blossoms and green leaves. Plain initials, placed between vertical rulings, alternate blue and red, some omitted., and Binding: Sixteenth century, Italy. Backs of quires cut in V's. Brown goatskin case faintly blind-tooled with concentric frames and spiralling dragon motifs that incorporate flowers and long beaked birds. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bracciolini, Poggio, 1380-1459.
Subject (Topic):
Fabliaux, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval