Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 19.3 x 26.5 cm., and Printed in raw sienna ink on wove paper.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 18.6 x 26.5 cm., and Printed on wove paper; hand-colored.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Manuscript on paper of 1) Table for Oppian, Halieutica. 2) Anonymous Life of Oppian. 3) Oppian of Anazarbos, Halieutica. The order of the text is distorted: I.1-66; 380-543; 67-379; I.544-III.189; IV.562-619; III.198-IV.561; IV.620-end. 4) Oppianus of Apamea, Cynegetica. 5) Colluthus, Raptus Helenae. 6) Tryphiodorus, Troiae Halosis. 7) Dionysius Periegetes, Description of the habitable world (De situ orbis).
Description:
In Greek., Watermarks: similar to Briquet Chapeau 3397 for leaves with text, and to Harlfinger Cloche 31 for blank pages., Script: Text was written by a single scribe. A later hand, bold and ill-formed, supplied the table of contents (ff. iii verso-iv verso), minor marginal notations and the foliation in the upper right corner (for ff. 1-60)., Tinted drawing of Oppian writing his poem while contemplating fish in a nearby stream occurs on f. 1v (perhaps an amateur copy of an author portrait); one simple 6-line initial in red and black penwork, f. 2r; headings in red., and Binding: Nineteenth century. Title in ink on fore edge. Tan calf case with deep geometric indentations, blind-tooled, with a dark blue, gold-tooled calf label. Similar to the bindings of MSS 256 and 258. Possibly bound by Whitaker (we thank A. R. A. Hobson for this information).
Subject (Geographic):
Greece., Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Geography, Greek poetry, Illumination of books and manuscripts, Medieval, Legends, and Manuscripts, Medieval
Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
In French., Script: Written in batarde script by a single scribe., Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Binding: Unbound., and Art. 3 also known as "A tous nobles."
Subject (Geographic):
Connecticut, New Haven., France, Great Britain, and Holy Roman Empire
Subject (Topic):
Illumination of books and manuscripts, Medieval, Church history, Chronology, Kings and rulers, Legends, Manuscripts, Medieval, and History
Manuscript on parchment, composed in two parts with different formats, of Jacobus de Voragine, Legenda aurea. With several Saints' Vitae by various authors. Part I was written in (probably Northern) Italy at the end of the 14th or beginning of the 15th century. Part II may have been written in Hainaut and added during the 15th century
Description:
In Latin., Script: Part I written in round gothic bookhand by a single scribe who made neat corrections, often on lines ruled in the margins. Part II written in well formed gothic textura., Part I: Border decorations: long stems, inner and top margins or between text columns, in blue, pink, and grey segments divided by small balls, sprouting curling foliage (blue, light blue, and orange), concentrated at corners, with large spiky leaves at terminals and large spiral angular returns filled with mauve or gold in the lower margins; large gold dots tucked under leaves and trailing from the tips of leaves on thin brown pen lines. Initials, 4- to 3-line, attached to stems, pink and grey with white highlights; foliage serifs, as above; letters filled with blue and gold, with some vine work (green and grey), against gold grounds with thick black edging. 2-line initials, set into text columns, blue or red, with very elaborate, minute penwork, blue, red, and occasionally green, built up of small spirals, roundels, and long "caterpillar"-like segments, often extending the full length of text columns; with curling flourishes in margin. 1-line initials in Table of Contents red or blue, with thin vertical strokes in the opposite color; chapter numbers in red. Headings and paragraph marks in blue or red; rubrics throughout., Part II: Plain initials, 5- to 3-line, alternating red and blue, with large serifs; one on f. 300v in red and blue. Headings and initial strokes in red., and Binding: Nineteenth century. Pinkish brown calf case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298. and Cistercians.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Legends, and Manuscripts, Medieval
Historical composition with Tell at the left taking aim with a cross-bow at the apple on the head of his small son who is tied to a tree at the righ; in the centre the Governor Gresler "of Ury" on horseback and in the background swooning women (center) and soldiers (left); after Zucchi
Description:
Title below image., With engraved text of the legend below title., and Watermark.
Publisher:
Published Jan. 2 1797 by Haines & Son, No. 19 Rolls Buildings, Fetter Lane
Subject (Name):
Tell, Wilhelm.
Subject (Topic):
Archery, Crossbows, Legends, Loss of consciousness, and Soldiers
At six years old, when full of boyish tricks and Cherish, like Washington, the love of truth, Manhood's best hope, and fairest charm of youth
Description:
Title engraved above image., A poem about the cherry tree incident in the childhood of George Washington engraved below image in four columns: At six years old, when full of boyish tricks, Washington oft' amuzed himself by chopping sticks ... Manhood's best Hope, and Fariest Charm of Youth., Below the caption title is an illustration of young Washington and his father outside their house; the poem is printed below the illustration., and Printed in red on cotton.
Publisher:
publisher not identified
Subject (Name):
Washington, George, 1732-1799, and Washington, George, 1732-1799
Subject (Topic):
Childhood and youth, Conduct of life, Axes, Cherry trees, Honesty, Legends, and Woodcutting
