"A fantastic and complicated design. Queen Caroline leans back in an arm-chair, pen in hand, staring as if at a vision, her black locks flying outwards and upwards. Above her head, as if sprung from it, is an owl with the cross of the Order of St. Caroline (see British Museum Satires No. 13810) in its beak, and on its head a fool's cap with bells. She wears a décolletée dress with voluminous gathered trousers, as in many prints; her right foot is placed regally on a footstool. Her right arm rests on a table and on the paper on which she writes: To the King. She listens to a serpent held up by Dr. Parr, brandyfaced and naked except for his wig, one of several figures pressing round her, partly obscured by shadow. Lieut. Hownam looks over her right shoulder, two other faces are partly hidden, one may be Flinn, the other resembles Burdett. The aquiline profile of Hobhouse is behind Parr. On the right stands a broom, supporting a wig and gown (Brougham); another wig and gown beside it must indicate Denman; both are in back view. On the left and in the foreground stands Wood, as a devil, hairy and naked except for a furred gown, symbol of the alderman. He turns towards her, holding a baton, topped by a little cap of Liberty, and strings attached to two tiny processions: a state-coach (the Queen's) drawn by four horses and a band of armoured men on horseback, with banners, one inscribed Brass [the braziers' procession, see British Museum Satires No. 14119]. They are surrounded by clouds of dust. Over his shoulder look Cobbett, wearing a red cap with tricolour cockade and brandishing a bone (Paine's, see British Museum Satires No. 13525). To left and right of these advisers are evil gangs (cf. British Museum Satires No. 14194): a procession (left) of men with tall staves or pikes topped by caps of Liberty, and with a tricolour banner inscribed No Church no King no Constitution Universal Suffrage & Annual Plunder for ever. They wave their hats and cheer; their leader wears an apron. Above them floats a figure of Justice holding scales and a crown. Behind on the right naked arms raise firebrands, fanatical faces loom from the shadow; one at least has the snaky locks of Discord. The ornate round table at which the Queen writes is piled with boxes; on the largest, inscribed Secrets of the Baron, stands a small lifelike image of Bergami dressed as a courier. Other objects are a wallet from which projects a paper: 50,000 Per Ann [see British Museum Satires No. 14145], a vase of flowers, a decanter labelled (punningly) Tent [see British Museum Satires No. 13818]. On the floor are two figurines, one in back view, the other of Mahomet dancing (see British Museum Satires No. 13929). At the Queen's feet are her much-feathered four-cornered cap, and papers, one headed My dear Ca . . . and signed BB [Bartolomeo Bergami], the other beginning My dear C and signed Mat. [Wood]. By the broom are bulky bundles of papers: Brooming Correspondence and Defence of Moth[er Red Cap, see British Museum Satires No. 13975]. The owl is the base of an irregular inverted cone, formed of cloud-borne objects from the Queen's head. These are: Cobbets Register, The Times (see British Museum Satires No. 13968), The Champion (see British Museum Satires No. 13677), realistically depicted; three conical caps of Liberty with tricolour cockades inscribed respectively Bat, Cat, Mat [for Bergami, the Queen, and Wood; the title of a print, see British Museum Satires No. 14206 [23]]; Letters to Watch Makers [of] Coventry C B, over which hangs a watch and chain. Two large sketch-books, open: [1] Journal of a Tour to Jerusalem [see British Museum Satires No. 13918, &c.] with a view of a large mosque inscribed Temple of Solomon C.B del. [2] [Mem]oranda of the [Vi]lla d Este, facing a view of a large lake-side villa (see British Museum Satires No. 13857); this partly covers a third sketch: [Bucki]ngham House [the Queen's House as in British Museum Satires No. 14175]. Three large bundles of letters: Letters to the Baron [Bergami]; Wooden Headed Addresses Below Par; Answers to Addresses above Par [i.e. composed by Parr, see British Museum Satires No. 13934]. In a picture of a royal coach drawn by six horses and with three footmen behind the tiny passenger seems to be the Queen. Next this along the upper edge of the cone are pieces of plate decorated with a crown: urn, salver, goblet, candlestick, spoons, &c, with a paper: Plate Subscription.."--British Museum online catalogue
Alternative Title:
Evil communications corrupt good manners
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Bergami," "Caroline," "Brougham," and "Denman" identified in ink below image; date "10 July 1821" written in lower right corner. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Parr, Samuel, 1747-1825, Burdett, Francis, 1770-1844, Broughton, John Cam Hobhouse, Baron, 1786-1869, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Denman, Thomas Denman, Baron, 1779-1854., Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Bergami, Bartolomeo Bergami, Baron
"Fox sits on the ground, full-face, his fingers together, scowling disconsolately. He holds the staff of liberty, broken, with a tattered cap of 'Liberty' inscribed 'Sedition \ Equality \ Rebell[ion]' about to fall from it. Flames rise on both sides inscribed: (left) 'A People rouz'd', and (right) 'Popular Resentment'. Beneath the title is etched: 'Ubi lapsus Quid feci? Such place eternal justice has prepar'd For those rebellious------ Vide Milton's Paradise Lost'."--British Museum online catalogue
Description:
Title etched below image., Publication date from British Museum catalogue., Publisher's advertisement following imprint: ... who has again open'd his carricature exhibition rooms to which he has added several hundred old & new subjects., Sheet trimmed within plate mark., and Mounted to 37 x 30 cm.
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds
"Below each part of the procession are explanatory inscriptions beginning (left): ‘Order of Procession’. A satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker’s cart, the front of which is formed by a guillotine. This rump is on a coffin inscribed ‘Hic Jacit Rumpibus’. Two posts at the back of the cart form, with the supports of the guillotine, four uprights connected by poles, each topped by a bonnet rouge with tricolour cockade, and hung with tricolour scarves draped in black. A headsman’s axe dripping blood projects from the top of the guillotine. The cart, inscribed ‘Peter Knife Nacker Tuthill Fields’, is drawn by a miserable donkey ridden by a ragged little chimney-sweep with a bludgeon, who shouts: "Cum, hup ye xxxxx Warment or I’ll cut your xxxxx Rump off!" This is: ‘The Rump itself, borne on Mr Hobby’s Triumphal Car & drawn by an Ass.’ Two hungry dogs eye the carcass, towards which flock carrion birds. Beside the cart walk, two a side, ‘Pall bearers’, ‘Four Bum-bailiffs’, smartly dressed and vulgar-looking, whose hat-scarves are formed of writs. Behind the cart is Hobhouse riding a new velocipede or hobby-horse (see No. 13399). He weeps, holding up a handkerchief, saying: "Fare thee well, & if for ever, Then for ever Fare thee well," words appropriate to the friend of Byron, see No. 12827, &c. He wears a large tricolour mourning-scarf round his hat; a long cloak or train hangs from the collar of his coat, and is held up by Burdett and Francis Place. Captions: ‘Chief Mourner, Mr Hobbyhorse--suffering ye Tortures of the D--d!!--his Train supported by Bodkin!! & the Baronet--done over!!!’ Both wear mourning-scarves, both weep copiously, stooping forward. Place has a cabbage for a head, emblem of tailordom, cf. No. 11824, and holds a stiletto or bodkin, as if it were a dagger. Burdett says: "To think that I should have eaten salt with the Lying Chronicle!! "tis the Only act of my life,--I am ashamed of--"And, yet, it can not be for that, that all my old friends have forsaken me!!!!? "yet I could accuse me of such things, &c"-- I am very "proud, revengeful, ambitious; with more offences--at my back than I have thoughts to put them in.--" what should such a fellow as I do crawling "between earth & heaven? we are "errant Knaves beleive none of us;". At his feet is a paper: ‘Bombastes Furioso’. Place says: "What! can daunt the soul of a master Tailor?!!" yet "who would fardels bear, To groan & sweat under a weary life, When he himself might his own quietus make with a bare bodkin?" Both quote, inaccurately, ‘Hamlet’, III. i. Behind Burdett walks a dwarfish hunchback, burying his face in the former’s coat-tails; he carries a pole surmounted by ink-pot and empty purse. Long papers hang from his pocket: ‘Unpaid Bills Brooks Secty to the Rump’ and ‘Acct of money paid for Bribery &c’. He sobs: "O! Oh! Oh! O!!! The day of Reckoning is at hand!" Caption: ‘assist Mournr Master Brooke full of Cutting panes’. He is followed by four wig-blocks resting on human rumps, and having arms in which they hold poles with black and tricolour draperies inscribed ‘No Wig’. They are ‘The Rump Committee Blockheads 2 & 2--’ They are followed by a crowd of hideous ruffians, a ferocious mob led by butchers holding knives and choppers, and with candles stuck in their bonnets rouges (like sewer-men). Among them is a noseless woman; those behind have bludgeons and a broom, and hold up a (tricolour) banner inscribed: ‘No King No Lords No Coms & No Clargy No Constitution No Laws No Lamb No Nothing but Burdett & Hobby for ever & ever’. They shout: "Hob for ever!; Burdett for ever; Hobhouse; Hobhouse for ever Burdett for ever; Burdett & Hobhouse for ever no Lamb." Caption: ‘Phebotomizers 2 & 2--The rest of the followers--the Scum of Earth’. The procession (left) is headed by the hangman carrying a pole with a cross-piece inscribed ‘Equality’, from which dangle two tiny corpses; this is surmounted by a bonnet rouge. He is: ‘Mister John Ketch Esqr’. After him march four bow-legged or knock-kneed ruffians; two carry bundles of fetters, two hold banners draped with ragged black, and inscribed respectively: ‘Hold to the Laws i.e take ‘em in your own hands No Basteels’, and ‘Reform [reversed] Freedom!! and No Big Wigs’. They are: ‘Acquitted Felons two & two--’ These four wear battered hats without mourning-scarves. Behind them, and immediately in front of the ass, walks Thelwall, wearing a hat with scarf over his bonnet rouge; he holds a paper: ‘Champion’ and shambles dejectedly, saying, "If I be not ashamed of my company, I am a souc’d Gurnet:" "Ill not march through Coventry with them that’s flat". He is ‘Mr Thelwall Esqr’. Beside him is a sign-post pointing (left): ‘To the Bottom less Pit!!’ To this a rat is tied. In the foreground (right) beside the procession two ragged and disreputable women, apparently ballad-singers, sprawl on the ground. One is emaciated, under her hand is a paper: ‘The Rump for ever to the tune of Rumpt--Bum--iti’; from her mouth stream the words: "Oh! D--n my eyes I can’t stand it any longer"; in her bonnet are tricolour ribbons: ‘Hobhouse for ever’. The other, fat and angry, is supported by a hideous scavenger with a bottle inscribed ‘Bribery & Corruption’. She kicks a little ragged boy, who exclaims: "Oh! My Rump!" Caption: ‘NB The figs in ye corner represent the excessive grief of some Rumpti Tumti female Friends of the Rump’. In the background is a mound with a signpost: ‘Tothill Downs’. Down the slope a tiny figure of Hunt, wearing hunting costume, wheels (right to left) a wheelbarrow, ‘N° 38’, containing the carcass of a horse (Cartwright) inscribed ‘Universal Suffrage Annual Parliament’; he shouts "cat’s meat!" In front walks a ‘Black Dwarf’, Wooler, as in No. 12988, &c., dragging the barrow by a rope."--British Museum online catalogue
Description:
Title etched below image., Text following title: For lamentable acct. of death &c. see Rump Chronicle Extraory. March 3d, 1819., Sheet trimmed within plate mark., and Mounted on blue paper.
Publisher:
Pubd. March 22d, 1819, by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England
Subject (Name):
Great Britain. Parliament, Ketch, Jack, -1686., Broughton, John Cam Hobhouse, Baron, 1786-1869., and Melbourne, William Lamb, Viscount, 1779-1848.
Subject (Topic):
Elections, 1819, Guillotines (Punishment), Signs (Notices), Liberty cap, Political parades & rallies, Funeral processions, and Political elections
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., Imperfect; sheet mutilated in lower right corner with loss of text. Missing text added in ink to repaired corner, in a modern hand., and Mounted on modern backing.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., 1 print : etching ; sheet 29.4 x 43 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Sheet trimmed within plate mark on top and bottom edges., Mounted to 39 x 58 cm., Mounted on leaf 98 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Denman," "Brougham," "Bergami," "Lady Anne Hamilton," "Caroline," and "Lieut. Hownam & Flinn" identified in ink below title; date "19 July 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
Charles Fox, with a fox's body, speaks to his supporters, shown as geese with human heads who crowd the windows of the King's Arms Tavern and the street below. At the top of the building, Fox's arms are supported by Burke and Lord North, each with a fox's body. Among the geese are the Prince of Wales and Mrs. Robinson in the upper right window, Sam House, shouting, "Huzza," in the bottom central window, and Jeffery Dunstan, the popular 'mayor of Garrett,' standing on the roof of a coach driven by the Earl of Surrey who stands on its box. The coach and its procession converge with a procession led by a goose carrying a standard with Cromwell's portrait signed, "Fox for ever," and the Cap of Liberty on its pole
Description:
Title from item., Sheet trimmed within plate mark., and Mounted to 37 x 29 cm.
Publisher:
Pubd. as the act directs, by J. Cattermoul, No. 376, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., House, Samuel, -1785., Dunstan, Jeffery, 1759?-1797., Surrey, Charles Howard, Earl of, 1746-1815., Robinson, Mary, 1758-1800., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Elections, Political campaigns, Public speaking, Liberty cap, Foxes, and Geese
Charles Fox, with a fox's body, speaks to his supporters, shown as geese with human heads who crowd the windows of the King's Arms Tavern and the street below. At the top of the building, Fox's arms are supported by Burke and Lord North, each with a fox's body. Among the geese are the Prince of Wales and Mrs. Robinson in the upper right window, Sam House, shouting, "Huzza," in the bottom central window, and Jeffery Dunstan, the popular 'mayor of Garrett,' standing on the roof of a coach driven by the Earl of Surrey who stands on its box. The coach and its procession converge with a procession led by a goose carrying a standard with Cromwell's portrait signed, "Fox for ever," and the Cap of Liberty on its pole
Description:
Title from item. and Reissue by Hannah Humphrey of no. 6422 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. 24 Feby. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., House, Samuel, -1785., Dunstan, Jeffery, 1759?-1797., Surrey, Charles Howard, Earl of, 1746-1815., Robinson, Mary, 1758-1800., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Elections, Political campaigns, Public speaking, Liberty cap, Foxes, and Geese
"A hand printing-press of metal (a Stanhope Press), supported on the stout legs of a man in breeches which seem to belong to a John Bull, puts to flight mere pigmy humans: two flee to the right, one propelled by a kick from a huge buckled shoe; two others have fallen. Two levers or handles serve as arms; one has a hand which grasps a giant pen, the feather entwined with three serpents which spit flame at the departing legs and cocked hat of Wellington, who, kicked into the air, disappears behind the upper right margin of the design. Another pair of legs, with the black stockings and buckled shoes of Eldon, project from the upper left margin; beside them a single leg and a broom indicate the departing Brougham. A second lever supports a print, 'The Man Wot Drives The Sovereign', copied from British Museum satires no. 15731; a flame issues from the press, threatening to scorch or destroy the print. The press is topped by a cap of Liberty inscribed 'Free Press' and encircled with a wreath. A little demon (a printer's devil) rushes towards the press from the left, holding up a big ink-ball."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Imprint continues: ... sole publisher of P. Pry caricatu[...]., and This image was possibly published in Paul Pry, a newspaper dedicated to exposing political corruption and religious fraud. William Heath often worked with Thomas McLean and is well known for his caricatures and satirical imagery.
Publisher:
Pub. May 30th, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Free press and fair trial, Wit and humor, Pictorial, John Bull (Symbolic character), Arcimboldesque figures, Demons, Kicking, Liberty cap, and Printing presses
