"A party of clumsy Dutch burghers with frogs' heads advances through very shallow water to attack a ramshackle thatched booth, one corner of which is visible on the extreme right; from it hangs a sign with the half length portrait of a man in armour ... From the same post flies a standard with a double-headed eagle. The leader carries a standard on which is the cap of Liberty and the Lion of the United Provinces with the motto 'Concordia Res parvae crescunt'; he smokes a pipe and turns round to his two followers, one of whom (also smoking) fires a musket at random, turning his head aside. The other holds a cocked musket. Behind them (left) a small, foppish military officer with a simian head beats a drum inscribed (?) 'L R' [Ludovicus Rex]. He stands on an overturned basket to keep his feet out of the water and turns towards a Dutchman, seated beside (or in) a boat whose sail is partly visible on the extreme left, attempting to rouse him to action. This man refuses to move: his spear terminates in an object resembling the brooms on the masts of ships for sale; his musket leans against a barrel. A number of frogs sit or swim at the feet of the Dutchmen. In the background is a Dutch landscape with water, trees, boats, a church, &c. Three storks fly away."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Year of publication from another version of the design. Cf. No. 7172 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Dutch & United Provinces -- Free Corps -- Civil war: Holland, Patriots vs. Orangists -- Flags: Dutch Patriot Party standard -- Flags: Habsburg eagle standard --Brooms: emblem of ships for sale -- Mottoes: Concordia res parvae crescunt -- United Provinces: seven arrows -- Dutch crisis, 1787 -- French interest in Holland, 1787 -- Emblems: Storks for Holland -- Emblems: Dutch lion -- Dutch Patriot Party, 1787., 1 print : soft-ground etching on wove paper ; plate mark 31.3 x 40.1 cm, on sheet 33.3 x 42.4 cm., and Mounted on leaf 38 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 4th August 178[...] by Thos. Cornell, Bru[...]
"A party of clumsy Dutch burghers with frogs' heads advances through very shallow water to attack a ramshackle thatched booth, one corner of which is visible on the extreme right; from it hangs a sign with the half length portrait of a man in armour inscribed 'Prince van Orange'. From the same post flies a standard with a double-headed eagle. The leader carries a standard on which is the cap of Liberty and the Lion of the United Provinces with the motto 'Concordia Res parvae crescunt'; he smokes a pipe and turns round to his two followers, one of whom (also smoking) fires a musket at random, turning his head aside. The other holds a cocked musket. Behind them (left) a small, foppish military officer with a simian head beats a drum inscribed (?) 'L R' [Ludovicus Rex]. He stands on an overturned basket to keep his feet out of the water and turns towards a Dutchman, seated beside (or in) a boat whose sail is partly visible on the extreme left, attempting to rouse him to action. This man refuses to move: his spear terminates in an object resembling the brooms on the masts of ships for sale; his musket leans against a barrel. A number of frogs sit or swim at the feet of the Dutchmen. In the background is a Dutch landscape with water, trees, boats, a church, &c. Three storks fly away."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Dutch & United Provinces -- Free Corps -- William V, Prince of Orange -- Civil war: Holland, Patriots vs. Orangists -- Flags: Dutch Patriot Party standard -- Flags: Habsburg eagle standard --Brooms: Emblem of ships for sale -- Mottoes: Concordia res parvae crescunt -- United Provinces: seven arrows -- Dutch crisis, 1787 -- French interest in Holland, 1787 -- Emblems: Storks for Holland -- Emblems: Dutch lion -- Dutch Patriot Party, 1787., and Mounted on page 55.
Publisher:
Published 4th August 1787 by Thos. Cornell, Bruton Street
At the top of a ladder placed against the House of Commons and inscribed, "back stairs," stands a female figure of Folly in a fool's cap, with a flag signed "aristocracy." Below her, a man attempts to pull down a stone from the frieze with a grappling hook. Behind him, a smiling Pitt with one foot on a rung, "new mi[nister]," encourages his supporters to follow. Next climbs Lord Temple carrying a conspirator's lantern and a flag, "omnipot[ent] anarc[hy]." Under the ladder, others demolish the wall. On the left, Lord North and Charles Fox try to support the loosened "SPQB" frieze with a beam inscribed, "constitutional advice." An indignant-looking female figure of Wisdom advises Pitt and his followers to reconsider their action."
Alternative Title:
Demolition of St. Stephs. Chapel and Demolition of St. Stephen's Chapel
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Pub. March 4, 1784, by W. Wells, N. 132 Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813.
Subject (Topic):
Politics and government, Fools' caps, Liberty cap, Ladders, Demolition, and Cobblestone streets
"Pitt, thickly coated with feathers, stands terrified between Sheridan and Fox. Only his face, hands, and (bare) feet are uncovered. He turns his head in profile to the right towards Fox, clasping his hands. Fox, much caricatured, and grinning broadly, pushes a dripping mop in his face. Its stick is inscribed 'Remonstrance of the People'. He has dipped it in a steaming cauldron (of tar) inscribed 'Rights of the People', under which are blazing papers: 'Sedition Bill', 'Ministerial Influence', and 'Informations'. Round Pitt's neck is a noose, the rope from which hangs over a lamp-bracket. On the lamp is a crown; on the post a placard: 'Fate of the Sedition Bill'. Sheridan (left), with a sinister glare, raises in both hands a huge cap of 'Libertas', from which feathers shower down on Pitt's head. ..."--British Museum online catalogue
Alternative Title:
Retribution, tarring and feathering, or, The patriots revenge, Patriots revenge, and Tarring and feathering
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Nay & you'll stop our mouths, beware your own.", and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 26th, 1795, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Association for Preserving Liberty and Property against Republicans and Levellers (London, England)
Subject (Topic):
Tarring & feathering, Lamps, Liberty cap, Petition, Right of.., and Sedition
Three grotesque French officers forceably recruit a gang of emaciated, terrified-looking Frenchman. Of the several men who have been thrown over the back of a horse, one has had a pole thrust into his posterior; at the top of the pole is a liberty cap. The wife and children of one man who has been tied to the back of the horse, cling in desperation to his ragged clothes, as they are dragged along behind him
Description:
Title from item., Publication year possibly an engraver's error for 1793 as the Republic was not proclaimed until 22 September 1792 and while the first execution by guillotine took place in April 1792, it was, early on, called La Louisette. See C.D. Hazen's French Revolution (1932), i., page 384 and British Museum catalogue v. 6, no. 7853., Publisher's advertisement following imprint: where may be seen a compleate model of the guilotine [sic], also the largest collection of caracaturs [sic] in the Kingdm., the head & hand of Count Streuenzee, &c. Admit. 1., Sheet trimmed within plate mark., and Watermark: F & P.
Publisher:
Pub. May 7, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, Guillotines (Punishment), Liberty cap, and Starvation
"Sir Alan Gardner (left) in naval uniform, bends forward to cut off, with a sickle inscribed 'Loyalty', the head of Fox, which is planted in the ground like some monstrous vegetable, the hair terminating in leaves. One of these Gardner holds, saying, "My Life and Services are ever devoted to my King & Country". Fox says: "I was always a Staunch Friend to the Crops and Sans Culottes but this damn'd Crop is quite unexpected". Gardner stands on 'Constitutional Ground'. Behind him stands Britannia, towering above him, and holding a laurel wreath over his head; she says: "Go on, Britain approves and will protect you!" On her spear is the cap of Liberty. More 'venemous' democrats are being drawn towards flames by the Devil (right), a figure like that of BMSat 6283. He puts his trident-like rake in the neck of Horne Tooke, who has a reptilian body with a barbed tail and feline claws, saying, "Long look'd for come at last Welcome thou Staunch Friend and faithful Servant, enter thou onto the Hot-bed prepared for thee." Tooke, his head in profile to the right, says, "Now will no prospering Virtue gall my jaundiced Eye - nor people foster'd by a belov'd Sovereign and defended by the Wisdom of his Counsellors. - To Anarchy & Confusion I will blow my Horne, and wallow in every thing that's damnable". The Devil clutches in the talons of his right foot the head of Thelwall, who says, "This will not Tell well." His left foot tramples the neck of Hardy, who says, "I was Fool Hardy". In the background is a man-of-war, Queen, her flag inscribed 'June Ist'. Below the title: 'Weeds carefully eradicated, & Venemous Reptiles destroy'd \ by Royal Patent \ God save the King.'"--British Museum online catalogue
Alternative Title:
Sir Alan Gardiner, Covent Garden
Description:
Title from item., Temporary local subject terms: Royal Navy: "Queen"., Watermark: Strasburg lily., and Mounted to 31 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament, Gardner, Alan Gardner, Baron, 1742-1809, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, and Hardy, Thomas, 1752-1832
Subject (Topic):
Elections, 1796, First of June, Battle of the, 1794, Trials (Treason), Britannia (Symbolic character), Liberty cap, Devil, and Wreaths
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., 1 print : etching ; plate mark 27.6 x 40.2 cm, on sheet 27.9 x 40.6 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 30 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in ink in lower right corner. Typed extract of thirty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
