Leaf 28. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Persons standing in conversation at a party. The principal figures are two elaborately dressed ladies of plebeian, elderly, and unattractive appearance who face each other; one holds a card, the other a fan. Their hair is awkwardly dressed in the enormous mounds then fashionable, see British Museum Satires No. 5370, &c. On the left a short, fat, and awkward footman brings in a tray on which is a triple stand of jelly-glasses, a foaming tankard of beer, &c. The other guests are men; one wears a furred alderman's gown. In the centre of the back wall is a picture of a man with a distraught expression dressed as a seaman or working man, who is being devoured by two lions, one on each side. Above his head are the letters 'S.P.Q.L.' On the back of the print a note in a contemporary hand explains this as "Senatus populusque Londoniensis the Aldermen and Commoners of London". On the right wall is visible the lower part of a whole length portrait of a man in a furred livery gown."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. Cf. No. 5372 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Aldermen: Part of livery gown -- Pictures amplifying subject -- Lions devouring working man -- 'Senatus populusque Londoniensis' see S.P.Q.L. -- City rout -- Food: Jelly-glasses served on triple stand -- Dessert -- Footmen in livery -- Cards -- Beverages: Beer -- Tankards -- Tray: Dessert tray -- Glasses: Jelly glasses -- Headdresses., and On leaf 28.
Publisher:
Pubd. accog. to act by MDarly, 39 Strand
Subject (Geographic):
London (England), England, and London
Subject (Topic):
Parties, Social life and customs, Clothing & dress, Hairstyles, Wigs, Fans, Servants, and Feathers
Mary Hackabout, now become a harlot and mistress of a wealthy London Jew, kicks over a tea table to divert his attention from the presence of her younger lover when he arrives unexpectedly. A monkey and young black servant boy look on the scene with frighten expressions. On the walls hang paintings with scenes from the Old Testament which amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title from caption above image., Printer's statement from Plate I of the series., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Engraved below image, three columns, six lines each, beginning: Debauch'd & then kick'd out of doors, The fate of all Francisco's whores ..., Sheet trimmed within plate mark., No. 2 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
In four columns with the title and two woodcuts above the first two; the columns are separated by rules., Verse begins: "You London dames, that love to range", Imprint below the third and fourth columns., Date from ESTC., Mounted on leaf 23. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at the Printing-Office in Bow-Church-Yard, London
Subject (Geographic):
Great Britain, England, London, and London (England)
Subject (Topic):
Broadsides, Prostitution, Apprentices, Women, Moral and ethical aspects, Social conditions, Men, Sex, Prostitutes, Abused children, and Social life and customs
Cries of the city of London drawn after the life, Cris de la ville de Londres dessignez apres la nature, Arti communi che uanno per Londra fatte dal naturale, and Tempests cryes of London
Description:
All engraved. Includes two t.-p., Title-pages and captions in English, French, and Italian; the second t.-p. is not dated., Place of publication follows publisher's address., Date altered in plate from 1711 to 1733., Plates, including t.p., are signed: M. Lauron delin: P. Tempest exc. ML form a monogram., Probably engraved by John Savage (cf. pl. 71) though sometimes the engraving is attributed to Tempest or to Laroon., First ed. 1688 (50 pl.); 2d ed. 1711 (74 pl.), Plates 33, 67, 72 are wanting; duplicates of plates 26, 23, 68, laid in., Unidentified manuscript notes and numbers (in another hand) on versos of many of the hinged plates, giving detailed histories of the people depicted., and A made-up copy, formerly owned by Sir William Augustus Fraser and by C.W. Dyson Perrins. Some of the prints may have belonged to J. Gulston. Each plate bears Fraser's stamp.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Subject (Geographic):
England, London, and London (England)
Subject (Topic):
Cries, Peddlers, Social life and customs, and Street vendors
Verse - "I pray attend unto this jest,". - In four columns with the title and two woodcuts above the first two; the columns are separated by ornamental rules., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments; imprint below the last two columns., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 37. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Aldermary Church-Yard, Bow Lane, London
Subject (Geographic):
Great Britain, England, and London (England)
Subject (Topic):
Broadsides, Defloration, Prostitution, Man-woman relationships, Young women, Conduct of life, Clothing and dress, Social aspects, and Social life and customs
Title engraved below image., Sheet trimmed within plate mark., Below title: Engraved after an original picture painted by Mr. John Collet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside, & Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Covent Garden Theatre.
Subject (Topic):
Social life and customs, City & town life, Dogs, Fishmongers, Musical instruments, Playbills, Sedan chairs, Street children, Street musicians, Street vendors, and Violins
Date of publication supplied by cataloger., In five columns with the title and woodcut above the first two; the columns are not separated by rules., Verse - "Atend [sic] unto a true relation," (i.e. "Attend unto a true relation,")., Preceding verse" Part I. How a beautiful lady married to one of the Indian kings.", Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In five columns, with the title and illustration above the first two; the columns are not separated by rules; the imprint is at the foot of the last column, below a single rule., Woodcut depicts three kings., Mounted on leaf 46. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at No. 4, Aldermary Church Yard
Subject (Geographic):
England and London (England)
Subject (Topic):
Indians of North America, Redemption, Unrequited love, Lifestyle, Social classes, Kings, Scepters, and Social life and customs
James Morison promoting his alternative medicines; satirised by five vignettes of a fox among geese. The central image is that of a street scene outside the London and British Colleges of Health: James Morison is presented as a fox standing on a box of 'Universal vegetable pills' surrounded by geese, who represent the public; he says "My 'Universal pills' are quite divine! If one don't do, you may take nine." and "Various humorous images of foxes and geese comprising (clock-wise from top left); a fox dressed as an eighteenth century fop offering a glass to a goose wearing a bonnet; a fox butcher, standing outside his shop and offering a dead goose to a vixen dressed in a shawl and bonnet, other poultry hanging outside; a fox in militray uniform and playing on a drum, leading a column of geese; a fox preaching to a congregation of geese; the large central image; a fox in a smart tailcoat advertising his 'Universal Vegetable Pills' to an interested gathering of geese; the 'British College of Health' and the 'London College of Health' beyond, the latter with two well-dressed foxes drinking on a balcony, observed by a crowd of geese (lettered below image "The Fox and Goose"; a short poem or song following)."--British Museum online catalogue
Description:
Title etched beneath large central image., Dimensions from impression in the British Museum, registration no.: 1859,0316.518., "Illustration to the third volume of Cruikshank's 'My Sketchbook' (1834)"--British Museum online catalogue., See further: Transactions of the British Society for the History of Pharmacy, London 1974, v. 1, no. 3., Temporary local Medical Library subject terms: Proprietary remedies -- Morison's Pills., 1 print : etching ; sheet 12.5 x 15.6 cm., and Imperfect; sheet trimmed with loss of all design and text apart from large central image and the title "The fox and the goose" beneath it.
Publisher:
George Cruikshank
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Morison, James, 1770-1840.
Subject (Topic):
Alternative medicine, Quacks and quackery, Human behavior, Animal models, Patent medicines, Foxes, Geese, and Animals in human situations
A group made up mostly of woman gather round the coffin of the harlot in the center of the room. The young boy, the harlot's son, sits beside it on the floor. Many of the women are weeping, but others are engaged in flurtations with the undertaker and the clergyman
Alternative Title:
Harlot's progress. Plate 6
Description:
Title from caption above image., Printer's statement from Plate I of the series., No. 6 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Engraved below image, three columns, six lines each, beginning: The sisterhood of Drury Lane, Are met to form the funeral train ..., Sheet trimmed within plate mark., and Written in contemporary hand below text: Margery. For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Funeral rites & ceremonies, and Prostitutes
