In four columns with the title and a woodcut above the first two; the first and second columns as well as the third and fourth columns are separated by ornamental rules., First line of verse: In Scarlet Town where I was bound., In this edition "Licensed and entered according to order" is in roman type and sandwiched by rules made up of cherubim in the main., Mounted on leaf 5. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
publisher not identified
Subject (Topic):
Young men, Conduct of life, Young women, Love, and Funeral processions
Florii Francisci Florentini d'amore Camilli et Emilie Aretinorum, D'amore Camilli et Emilie Aretinorum, and De amore Camilli et Emilie Aretinorum
Description:
BEIN Beinecke MS 907: Imperfect: wormed, with slight loss of text. Blind-stamped quarter pigskin binding over wooden boards; with two metal clasps. Manuscript ownership note on rear pastedown: Anno 1561 22 Febr. 3. g. M. Pauli Bussini Magdeburg. Purchased on the Edwin J. Beinecke Book Fund. Number 6 of 6 titles bound together., Text is based upon Leonardo Bruni [Aretino]'s De duobus amantibus, which in turn is a Latin translation of the tale of Ghismunda and Guiscardo from Boccaccio's Decameron., Printer Jean Lambert was active in Paris from 1493-1514. Dealer slip in CtY-BR suggests 1505? as the date of imprint. However no reference sources confirm this date., Signatures: a⁶ B-C⁶ D⁴., Woodcut on title page., and Not cited in Adams, H.M. Catalogue of books printed on the continent of Europe, 1501-1600, in Cambridge libraries or Short-title catalogue of books printed in France and of French books printed in other countries from 1470 to 1600 now in the British Museum.
Publisher:
Jehan Lambert
Subject (Topic):
Fathers and daughters, Love, Murder, Suicide, and Italian literature
Verse begins: "Come all you young gallants that's passing along,", In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The range of dates and printers’ names are from the Bodleian Library Ballads database; see also David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Imprint below fourth column., Mounted on leaf 49. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Bow-Church-Yard, London
Subject (Topic):
Prostitution, Paternity, Domestics, Love, Gifts, Foundlings, and Baskets
Date of publication supplied by cataloger., Verse begins: "Come all you young gallants that's passing along,", Imprint below fourth column., In this edition, the imprint reading is "Stonecutter Street, Fleet-Market"; the heading "John’s Confession" (middle of last column) is in roman type; and the first three words of the first line are "Come all you". In another edition (ESTC N1343), the reading is "Stonecutter-street, Fleet Market"; "John’s Confession" is in italics; and the first three words are "Come all ye"., In four columns with the title and two woodcuts above the first two; the columns are not separated by lines of ornamental type., Mounted on leaf 50. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Stonecutter Street, Fleet-Market
Subject (Topic):
Prostitution, Paternity, Household employees, Love, Gifts, and Foundlings
Title from item., From: Album comique de pathologie pittoresque, 1823., Place of publication derived from street address., In margin top center: Album Comique., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Vapors; Courtship.
Publisher:
Ambroise Tardieu editeur, rue du battoir, No.12 and Lith. de Langlumé, r de l'Abbaye N 4.
An old man with tears streaming down his face, his hat clutched in his hands, pleads with a fresh-faced country girl in a straw hat, a staff resting across her left shoulder. A well-dressed black man rests his hands on the older man's back as he watches the scene, a smile on his face
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '1' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A hideous, ragged woman looks amorously at her male companion, a burly dustman, as they sift through cinders; two others kneel at their feet, one also using a sieve to sift through the cinders while her companion drinks gin. In the foreground are the bones of a horse; flying overhead a flock of carrion crows
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., For a later reissue of the plate, see no. 7444 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Watermark: GT 1803.
Publisher:
Pubd. June 4, 1810, by Thos. Tegg, No. 11 Cheapside
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A group of cinder-sifters at work on one of the vast laystalls which disgraced the surroundings of London in the 18th century (notably off Tottenham Court Road). A woman of the lowest type, ragged, naked to the waist, holds her sieve, turning her head to her male counterpart, a burly dustman, who helps her by shovelling cinders into her sieve. They grin amorously at each other. She is hideous, stout, and muscular. Two other cinder-sifters kneel on the ground, both are aged crones; one bends over her sieve, the other drinks a glass of gin. In the foreground are the bones of a horse. Behind (left) is the dustman's cart. In the sky a flight of birds (left) are suggestive of carrion crows."--British Museum online catalogue
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., Probably a later reissue of the plate, with Tegg's imprint statement and the year "1810" under Rowlandson's signature burnished out., Publication information based on earlier reissue with the imprint "Pub'd June 4, 1810, by Thos. Tegg, No. 11 Cheapside." Cf. No. 7444A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, page 969., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 189., Watermark: 1817., and Leaf 91 in volume 1.
Manner of Robin Hood's rescuing a young lady from an old knight, and restorig her to Allen-a-Dale her former love
Description:
Date of publication from ESTC., Verse - "Come listen to me, you gallants so free". - In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 32. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.