"A magician stands full face with uplifted sabre held over the heads of two figures from the past whom he has called up, and who stand within a magic circle. He displays them to their modern descendants, a tall stout Frenchman plainly dressed, wearing cocked hat and military boots, who stands with his arm on the shoulder of a thin, wretched, shambling, Englishman, small, ugly, and foppish, his hand thrust through an empty pocket. The magician has a beard, but features, cocked hat, consular dress, and sabre indicate Napoleon. He asks: "Are you satisfied Gentlemen?" The apparitions (left) are a grossly obese Englishman in old-fashioned dress, a cane hanging from his right wrist, and an ugly, tall, cadaverous, and foppish Frenchman holding a snuffbox. They say, respectively: "Is that my Grandson Jack? what a skeleton!!!"; "Ah mon Cousin, vat you eat de Beef & Plum Pudding!!" Their surprised successors exclaim: "Bless me! why I am a mere Stump of a man to him!!! and viable my Cousin look like de Frog & John Bull look like de Ox but Grace a Dieu times are Changed!!" Beside the magician are symbols of his art: a globe, a crocodile, a scroll, a skull. Within the circle and beside the French apparition is a frog."--British Museum online catalogue
Alternative Title:
Review of old times
Description:
Title etched below image.
Publisher:
Pub. by T. Williamson, N. 20 Strand, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Magicians, Daggers & swords, Globes, Ethnic stereotypes, and Obesity
"A country man holding a heavy walking stick stares wide-eyed at a conjuror performing card tricks."--British Museum online catalogue
Description:
Title engraved above image., Plate numbered 'No. 4' in upper right corner., Fourth plate in a series of twenty: Le Brun travested, or, Caricatures of the passions. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, p. 655., Three lines of text below image: This deviation from simple admiration is frequently put in practice at country fairs where some rustic inhabitant of the village gazes with astonishment at the hacnied[?] tricks of a juggler., Sheet trimmed to plate mark., Temporary local subject headings: Rustics., and Watermark: Russell & Co. 1799.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 29 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A country man holding a heavy walking stick stares wide-eyed at a conjuror performing card tricks
Description:
Title inscribed in black ink in the artist's hand., Signed by the artist in black ink,, Date from Rowlandson etching after this drawing., Drawing numbered in upper right corner in black ink: No. 4., and For further information, consult library staff.
Subject (Topic):
Magicians, Playing cards, Card tricks, and Staffs (Sticks)
"George IV, dressed as a magician, rises from the throne (right) to give a wooden sword to Canning, who is dressed as Harlequin. A clown (intended for Melville) turns his back on Canning and the King, to run off, registering anger and alarm. Wellington stands fiercely, with legs astride, both arms raised, holding his sword; he wears uniform with boots and cocked hat. On the left Eldon and Westmorland stand together, with flexed knees, registering senile dismay. The latter, dressed as Pantaloon, drops his crutch. The King, in a robe bordered with symbols (serpents, &c), has the curled wig and whiskers which he had discarded (cf. British Museum Satires No. 14637). He chants: Harlequin! the Gods above have now decreed That thou and all thy measures shall succeed. Fear not old El--n, nor that Pantaloon, West----d, the bold Duke, nor the Scotch Clown. Who e'er opposeth thee, thou by love shalt thrive; Thy Genius and my Cunning him shall drive To H--ll's abyss. Let virtue be thy guide-- This wand I give thee--stick it to thy side."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to: 33 x 48 cm.
Publisher:
Pub. by G. Humphrey, 24 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westmorland, John Fane, Earl of, 1784-1859
Subject (Topic):
Harlequin (Fictitious character), Thrones, Magicians, Clowns, Military uniforms, Daggers & swords, and Crutches
Title from item., Sheet trimmed within plate mark., Below imprint: 6d. plain, 1s. colour'd., Four images, each with six lines of verse below. A horizontal line bisects the design to make 8 compartments., Verse below first image from left: The royal chaser here you view, a monarch and a sportsman too ..., Verse below second image from left: The clown is ordered by his master to keep the house, oh! sad disaster ..., Verse below third image from left: Here Harlequin with Columbine is telling of his whole design ..., Verse below fourth image from left: The old man from his information the subject treats with speculation ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Columbine -- Pantaloon as a Turkish magician -- Chemical equipment -- Hunting horns, 1772 -- Tuning fork -- Turkish magician, 1772 -- Animals: stuffed animals., and Watermark: initials HB in circle.
Publisher:
Publish'd as the act directs, Marh. [the] 23rd 1772 by Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790
Design in an oval depicts John Molesworth holding a wand seated at a wooden table and wearing a conical hat and dressing gown. He points towards lottery wheels from which 2 small boys wearing paper crowns observe him. Molesworth is saying "Eo, Meo, and Areo, stick close my boys and let me have all the capital prizes in my calculation." Before him on the table are ink bottle and quill, several books, including one entitled Calculations and another Conjurations, together with The life of Duncan Campbel, deaf & dumb fortune-teller. Molesworth in 1774 authored Proofs of the reality and truth of lottery calculations
Description:
Title etched below image. and Dedication etched below title: This plate is humbly inscribed to all keeper's of lottery offices by their humble servt. A.B.
Publisher:
Publish'd as the act directs, Augt. 30th, 1776, by A.B., London
Date of publication suggested by cataloger. Paul de Philipsthal's magic show, "Phantasmagoria" opened in London in 1801., Woodcut and title centered above text., Text begins: M. De Philipsthal takes the earliest opportunity of informing his patrons ... optical illusions and mechanical pieces of art ... The optical part of the exhibiton will introduce the phantoms or apparitions of the dead or absent, in a way more completely illusive than has ever been offered to the eye of the public theatre, as the objects freely originate in the air and unfold themselves in various forms and sizes ..., Mounted on leaf 15. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
s.n.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Magic, Magic shows, Magic tricks, Equipment and supplies, Seances, History, Spiritualism, Magical devices, Magicians, and Theatrical posters
"A 'conjuror' or magician displays to John Bull on a screen four scenes, one below the other, representing the expedition to Flushing. He wears a conical hat with a wide fur brim, and his magician's robe resembles that of the Chancellor of the Exchequer, indicating Perceval; he holds a long staff or wand topped by a little head, that of Portland, grinning; it is labelled The Old One. John stoops to look through a telescope inscribed Patent directed at the screen, the vision on which is projected by a small dark-lantern held by Perceval. John is a yokel in a smock; beside him lies his cudgel inscribed Oak. He is highly delighted at what he sees, namely: [1] a fleet leaving England, tiny figures being indicated on the shore. [2] Ships bombarding and soldiers attacking a fortified town which is on fire. [3] The garrison of the town surrendering to British officers, with grenadiers drawn up at attention. A French officer holds out the keys of the town to Chatham, one of whose staff is in Highland uniform. Two tricolour flags are being laid down by fat Dutchmen in French uniforms. [4] British troops being landed from a man-of-war; wounded soldiers are being carried up the beach. John says: Zookers Measter Shewman that be a main foine sight sure enough, that will fright the Mounseers however Aye Aye they be at it. I think I can smell the Gonpowder, by Goles if they ha'nt done the Job! there's Mounseer and Mynheer on their Marrow-bones! but Dang it what have we got at the bottom here I be quite. Perceval interrupts: Stop! Stop! Mr Bull if you have got to the bottom of it I'll turn the Instrument for that part wont bear Magnyfieing. Canning (?), poorly characterized, as is Perceval, kneels (left), raising John's smock to take a money-bag from his pocket. He says: With your leave Johnny I'll take a little more money for the next shew of the Jubilee [see No. 11381]. A demon looks out from behind the curtain on which the 'Phantasmagoria' is projected; he laughs: He, He. The room is that of a quack, cf. No. 9611. A large crocodile is suspended from the roof, draped with a tricolour flag and labelled Caug [sic] in the Nile by Nelson [cf. No. 9250, &c.]. A bat (alive or stuffed) is also displayed. Perceval and John Bull stand within a circle surrounded by cabalistic signs and lit by a second dark-lantern which stands on the floor beside a celestial globe (left). Behind Canning and on the extreme left three small niches are recessed in the wall, one upon the other, in each of which is a skull; inscriptions: Conjuror Pitt (above), Katterfelto, and Conjuror Bute. They are: Curious Collection of Conjuros Capets [sic]. On a high shelf are documents: Way to raise the Wind; New Taxes; Proceedings in Spain and Portugal; Plan of an Expedition to Brobdignag; List of Killed and Wounded [torn]. A broadside is pinned to the wall. A soldier on two stumps for legs, supported on a crutch: Soldier Dick come from the War. On the ground (right) are two large bags filled with guineas inscribed Charmes. Beside them is a paper on which are circles and arrows."--British Museum online catalogue
Alternative Title:
Kings conjurors amusing John Bull
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Attributed to William Heath in the British Museum online catalogue, registration no.: 1868,0808.7871., Text following title: They deal in destiny's dark counsels and sage opinions of the moon sells. Vide Hudibras., and Sheet trimmed within plate mark.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Chatham, John Pitt, Earl of, 1756-1835, Canning, George, 1770-1827, Nelson, Horatio Nelson, Viscount, 1758-1805., Pitt, William, 1759-1806., Katterfelto, Gustavus, -1799., and Bute, John Stuart, Earl of, 1713-1792.
Subject (Topic):
Peninsular War, 1807-1814, John Bull (Symbolic character), Crocodiles, Curiosities & wonders, Dreaming, Magicians, Projectors, Robberies, and Ships
A scene in a room: Justice Henry Fielding stans in a circle drawn on the floor, the scales of 'Astrea' in his pocket, his hand supported on the sword of Justice. Also in the circle as if to protect them from witchcraft are the Lord Mayor Sir Crisp Gascoyne, his state collar round his neck, and "Dr." John Hill, the clyster-pipe of 'Galen' in his pocket; the latter points to the gypsy Mary Squires whose cause he advocated. Fielding points to Elizabeth Canning with an attendent(?) behind, whose story he eagerly defended. Two pictures hanging on the wall amplify the subject of the print: on the left, a view of the Mansion House, London, then recently erected; and on the right, a view of the Old College of Physicians, comprising a mortar, a dried and stuffed skin of a crocodile, a human skeleton, and a stuffed ostrich. Between the pictures hangs the regalia of the City of London. Centered on the ground is a bottle labelled 'Another bottle' alluding to the 'Bottle-Conjurer' (See British Museum satire 'The magician' no 3022).
Description:
Title from item., Sheet trimmed within plate mark., "Pr. 6d"--Lower right below verses., Six lines of verse in three columns below image: When one head has a cause in hand, A cause it cannot understand; Auxilliarys must be good, To make the matter understood: Three conj'rers sure must find ye out, Which, one, might ever hold in doubt., and Mounted to 35 x 46 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and British.
Subject (Name):
Fielding, John, Sir, 1721-1780, Hill, John, 1714?-1775, Gascoyne, Crisp, Sir, 1700-1761, Canning, Elizabeth, 1734-1773, and Squires, Mary, -1762
Subject (Topic):
Romani, Fraud, Interiors, Criminals, Physicians, British, Government officials, and Magicians
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene at a conjurer's. A man covered with a shaggy skin, with bull's horns, stands in a circle, impersonating the Devil. A butcher cheers on his dog who is worrying the pseudo-Devil, while the conjurer (left), wearing robes and a fur cap, stands behind, in angry alarm. A stuffed crocodile, celestial globe, &c, decorate the room. An inscription relates at length that the butcher has gone to consult the conjurer about some lost sheep, when his dog springs at the 'Devil', thinking it is a bull; he detects the cheat and refuses to call off his dog. The prose narrative ends: 'so Dog against Devil, for what sum you please!'."--British Museum online catalogue
Alternative Title:
Dog and the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Twelve lines of text below title: A butcher once had lost some sheep, & to discover the thief, went to a reputed conjurer ..., Plate numbered "Z 2" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling.", 1 print : etching on wove paper, hand-colored ; plate mark 28.1 x 21.4 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 73 in volume 1.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Topic):
Butchers, Crocodiles, Devil, Dogs, Globes, and Magicians
