Manuscript on paper of Jacques Legrand (c. 1360-1415/1418), Livre de bonnes meurs
Description:
In French., Script: copied by the unrecorded scribe Lambert in Gothica Cursiva Libraria/Currens (Bastarda)., Watermarks: two parallel keys, Briquet 3818; three monograms, var. Briquet 9746 (DP) and 9913-9916., Red paragraph marks, red stroking of the majuscules and of the punctuation marks. The words following a majuscule are generally written in large and narrow Gothica Textualis and barred with horizontal parallel red lines. 2-line plain initials in red, with guide letters (3-line on ff. 2r and 3r)., and Binding: 21st century. Bound in paper cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Legrand, Jacques, approximately 1365-1415.
Subject (Topic):
Didactic literature, French and Manuscripts, Medieval
Manuscript on paper containing Jacques Legrand (c. 1360-1415/1418), 1) Livre de bonnes meurs 2) Les peines d'enfer, a treatise in verse on the torments of Hell
Description:
In French., Script: probably copied by two hands, both writing a small Gothica Cursiva Currens: A copied artt. 1-2, B copied art. 3 in even smaller script., Brittle and defective edges due to moisture., Red stroking of majuscules (art. 1); red stroking of the punctuation and red underlining (art. 2). 2-line plain initials, alternately red and blue, with guide letters., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Legrand, Jacques, approximately 1365-1415.
Subject (Topic):
Didactic literature, French and Manuscripts, Medieval
Three miniatures, on vellum, from the copy of the Livre du Lancelot du Lac illustrated by the Dunois Master. They depict: 1) the Duke of Clarence and esquire, meeting a knight cutting off a woman's hair; 2) King Baudemagnus leading the battle against the Romans; 3) Lancelot's arrival at the city of Gorre
Description:
In Middle French. and Binding: individually mounted.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancelot (Legendary character)
Subject (Topic):
Manuscripts, Medieval and Arthurian romances in art
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
In French., Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., and Binding: Nineteenth century. Quarter purple leather with textured cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dogs, French literature, French poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on paper of 1) Paulus Venetus (d. 1429), Logica parva, with diagrams. 2) Paulus Pergulensis (d. 1451), Obiectiones contra primum tractatum, ending imperfectly. 3) Paulus Pergulensis, Tractatus de sensu composito et diviso. 4) 10 short paragraphs on logic, followed by diagram on f. 60r. 5) Unidentified 14-line poem, in Italian
Description:
In Latin., Watermarks, in gutter and obscured by parchment binding stays: unidentified mountain and animal (?)., Script: Written by several scribes in a humanistic bookhand that exhibits various gothic and cursive features, above top line., Red or blue initials, poor quality, 7- to 3-lines, with penwork designs in red, blue and/or black. Headings, paragraph marks and line divisions between segments of text, in red., and Binding: Sixteenth century (?), Italy. Stays made from parchment manuscripts adhered inside of quires and outside of first and last ones, the pastedowns included. Original, wound sewing on three tawed skin, kermes pink, slit straps laced into paste boards. The endbands, caught up on the spine, are sewn on tawed skin cores laced into the boards. Covered on greenish tan tawed skin (sheep?) with corner tongues and the remains of two tawed skin ties. Remains of title scratched on upper cover "Logica Paul*".
Manuscript on paper of 1) Preface. 2) Paulus Pergulensis (Venetian scholar, d. 1451), Compendium logicae. 3) Logical texts. 4) Marinus de Castignano, Tractatus syllogismorum. 6) Marinus de Castignano, Tractatus de inventione medii
Description:
In Latin., Script: Artt. 1-5 written by a single hand in a small and highly abbreviated Humanistica Cursiva Currens. Art. 6 is added in red ink on unruled pages by another contemporary hand writing Humanistica Cursiva Currens close to Humanistica Textualis., The decoration is uneven (parts are undecorated) and consists of chapter headings, plain initials and paragraph marks in red. Heightening in red of some capitals. Logical diagrams on ff. 7v, 8r, 8v, 9r, 9v. Titles are missing on ff. 2r, 59r (?), 65v (?), 69r (?)., and Binding: Twentieth century. Marbled paper over cardboard. In the Rosenthal typewritten description the binding was still described as "old boards".
Two small manuscript fragments said to have been removed from a sixteenth-century German binding. Bound with a speculative partial transcript, typed, which interprets the fragments as having formed part of a "love letter" (Liebesbrief). The transcript is preceded by an account of the removal of the fragments from the binding of an unidentified sixteenth-century volume held by an unidentified German library
Description:
In German., Bookseller description available., Script: German cursive., and Binding: bound with a typed partial transcript/reconstruction of the text of the fragments in twentieth-century half machine-grained morocco over marbled calf. "Liebesbriefe. Handscrift, Um 1528" in gold tooling on upper morocco.
Manuscript on paper of a theological and moral treatise based on hundreds of quotations, mostly from texts of a scientific nature
Description:
In Latin., Script: two scribes: art. 1 is copied in Gothica Cursiva Formata close to Fractura; art. 2 in Gothica Semihybrida Currens with many abbreviations; in this art. the first line of each chapter is in clumsily executed large Gothica Textualis Formata., Headings, paragraph marks, stroking of majuscules and underlining of the references to the authorities and their works, all in red ink (the underlining was beforehand traced by the scribe in black ink). Plain red 1-line initials at the opening of each chapter, sometimes with marginal extensions (a 3-line initial at the beginning of the text, f. 9r). Instructions for the rubricator are found in the margins., and Binding: original undecorated red pigskin over wooden boards; spine with four raised bands. Two clasps attached to the rear cover, with quadrangular brass catches on the front cover; a hole about the center of the top of the rear cover indicates that the booklet once was a liber catenatus. On the front cover a rectangular parchment title label with handwritten inscription in Gothica Cursiva Libraria: “De confessione. De amore Dei. De beatitudine” (16th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Ethics, Manuscripts, Medieval, and Science, Medieval
Manuscript on paper of Elias Cortonensis O.F.M., Lumen luminum, said according to this copy to have been composed in 1315, an erroneous date, and drawn from Saracen and Hebrew sources, translated into Latin. With a cryptic text, ascribed to a church figure, with a cipher code; and miscellaneous recipes in Italian
Description:
In Latin, with Italian prologue., Watermark: a circle containing an unidentified design element, with a six-pointed star on a shaft above, not identified., Script: Written in an italic hand and partly in cipher., and Binding: Original, North Italian. Dark leather, the sides ruled with triple bordering lines to form a rectangle within a rectangle, the smaller rectangle with a roll tool of vinelike foliage impressed in blind, a smaller interior rectangle formed by the panel of roll tooling with gold-stamped ivy leaves at the corners and a circular stamp incorporating the "yhs" monogram in the center framed by a lozenge of tooling with the same roll already mentioned; back with five raised bands; modern gold-stamped title label pasted onto second compartment from top. Backstrip and corners extensively repaired; gilt edges stamped with a herringbone knotwork pattern.
Manuscript on parchment, composed in two parts of different age and origin, of 1) Macer Floridus (Odo of Meung, c. 1070), De viribus herbarum. 2) Fragments of a Missal: (a) Third Sunday of Lent. (b) Saturday after the first Sunday of Lent. (c) Second Sunday of Lent
Description:
In Latin., Script: Part I (ff. 1-10): copied by one hand writing Praegothica with wide distance between the lines. Part II (ff. 11-22): copied by one hand in Gothico-Humanistica Libraria., Part I: red chapter headings in larger script written at the right of the text. Red paragraph marks. Red heightening of majuscules on ff. 1r and 10 v only. 2-line (exceptionally 1- or 3-line) early flourished initials in red with red flourishing (red filling on f. 10r). 5-line red, blue and white initial with strapwork decoration on f. 1r. Part II: chapter headings in red, centered. Red 2-line plain initials (Capitalis)., Part II adapted to the size of Part I by pasting strips of parchment to the bottom of the bifolios. The five outer bifolios (ff. 11-15 and 18-22) are palimpsest: leaves from a manuscript in two columns, the text transversal to the textus rescriptus; the inner bifolium (ff. 16-17) is of bad quality; the upper corners of ff. 11 and 22 are missing with loss of text and have been repaired with blank parchment., and Binding: 20th century. Wooden boards and brown calf spine. Endleaves are fragments of a Missal (Italy, 15th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Macer, Floridus.
Subject (Topic):
Herbs, Manuscripts, Medieval, and Science, Medieval
