Manuscript on parchment of 1) Passio S. Agapiti. 2) Passio S. Iustinae. 3) Passio S. Secundi. Followed by poems in praise of St. Secundus and a note on his translation from Gubbio to Pergola
Description:
In Latin., Script: The main part is copied by two hands: A (artt. 1-2), writing a careful Humanistica Textualis; B copied art. 3 in Southern Gothica Semitextualis; the first two pages of this section (ff. 5v-6r) are very faded and worn and are probably palimpsest., Artt. 1-2 have headings and explicit formulas in red but are otherwise undecorated. On f. 1r there is space for a 4-5-line initial, on f. 3r for a 4-line initial. Art. 3 opens with a 3-line decorated initial in black and orange, with penwork extensions in the left margin, and all majuscules in this part have red stroking., and Binding: Twentieth century. Blue and yellow marbled paper over pasteboard. Paper endleaves.
Manuscript on paper (?) containing 1) Atto Pistoriensis, Vita sancti Iohannis Gualberti, Italian adaptation by friar Giovanni. 2) Gregorius abbas Passinianensis, Miraculum sancti Iohannis Gualberti, Italian version. 3) Prayer to God and St. John Gualbert. 4) Final Epilogue to the Life of St. John Gualbert. 5) Vita sanctae Euphrosynae Alexandrinae, Italian adaptation. 6) Poem in honour of St. John the Baptist, consisting of 10 strophes of 17 verses, describing "la nobile chapella del Batista" in Florence. 7) Sermon for nuns
Description:
In Italian., Script: copied by various rapid hands in Gothica Cursiva Currens (ff. 25r-40r, line 20; 42r-47v) or Gothica Hybrida Libraria (ff. 40r, line 20 - 41v). The explicit formula on f. 41v is in Humanistica Textualis., No decoration., and Binding: Eighteenth century (?). Marbled paper over pasteboard. On the spine a label with the handwritten title "Vite / dei Si / Gio: / Gual: / ed / Eufra/sina" (Eighteenth Century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Christian hagiography, Monasticism and religious orders, and Manuscripts, Medieval
Manuscript on paper of Jacques Legrand (c. 1360-1415/1418), Livre de bonnes meurs
Description:
In French., Script: copied by the unrecorded scribe Lambert in Gothica Cursiva Libraria/Currens (Bastarda)., Watermarks: two parallel keys, Briquet 3818; three monograms, var. Briquet 9746 (DP) and 9913-9916., Red paragraph marks, red stroking of the majuscules and of the punctuation marks. The words following a majuscule are generally written in large and narrow Gothica Textualis and barred with horizontal parallel red lines. 2-line plain initials in red, with guide letters (3-line on ff. 2r and 3r)., and Binding: 21st century. Bound in paper cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Legrand, Jacques, approximately 1365-1415.
Subject (Topic):
Didactic literature, French and Manuscripts, Medieval
Manuscript on paper containing Jacques Legrand (c. 1360-1415/1418), 1) Livre de bonnes meurs 2) Les peines d'enfer, a treatise in verse on the torments of Hell
Description:
In French., Script: probably copied by two hands, both writing a small Gothica Cursiva Currens: A copied artt. 1-2, B copied art. 3 in even smaller script., Brittle and defective edges due to moisture., Red stroking of majuscules (art. 1); red stroking of the punctuation and red underlining (art. 2). 2-line plain initials, alternately red and blue, with guide letters., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Legrand, Jacques, approximately 1365-1415.
Subject (Topic):
Didactic literature, French and Manuscripts, Medieval
Three miniatures, on vellum, from the copy of the Livre du Lancelot du Lac illustrated by the Dunois Master. They depict: 1) the Duke of Clarence and esquire, meeting a knight cutting off a woman's hair; 2) King Baudemagnus leading the battle against the Romans; 3) Lancelot's arrival at the city of Gorre
Description:
In Middle French. and Binding: individually mounted.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancelot (Legendary character)
Subject (Topic):
Manuscripts, Medieval and Arthurian romances in art
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
In French., Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., and Binding: Nineteenth century. Quarter purple leather with textured cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dogs, French literature, French poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on paper of 1) Paulus Venetus (d. 1429), Logica parva, with diagrams. 2) Paulus Pergulensis (d. 1451), Obiectiones contra primum tractatum, ending imperfectly. 3) Paulus Pergulensis, Tractatus de sensu composito et diviso. 4) 10 short paragraphs on logic, followed by diagram on f. 60r. 5) Unidentified 14-line poem, in Italian
Description:
In Latin., Watermarks, in gutter and obscured by parchment binding stays: unidentified mountain and animal (?)., Script: Written by several scribes in a humanistic bookhand that exhibits various gothic and cursive features, above top line., Red or blue initials, poor quality, 7- to 3-lines, with penwork designs in red, blue and/or black. Headings, paragraph marks and line divisions between segments of text, in red., and Binding: Sixteenth century (?), Italy. Stays made from parchment manuscripts adhered inside of quires and outside of first and last ones, the pastedowns included. Original, wound sewing on three tawed skin, kermes pink, slit straps laced into paste boards. The endbands, caught up on the spine, are sewn on tawed skin cores laced into the boards. Covered on greenish tan tawed skin (sheep?) with corner tongues and the remains of two tawed skin ties. Remains of title scratched on upper cover "Logica Paul*".
Manuscript on paper of 1) Preface. 2) Paulus Pergulensis (Venetian scholar, d. 1451), Compendium logicae. 3) Logical texts. 4) Marinus de Castignano, Tractatus syllogismorum. 6) Marinus de Castignano, Tractatus de inventione medii
Description:
In Latin., Script: Artt. 1-5 written by a single hand in a small and highly abbreviated Humanistica Cursiva Currens. Art. 6 is added in red ink on unruled pages by another contemporary hand writing Humanistica Cursiva Currens close to Humanistica Textualis., The decoration is uneven (parts are undecorated) and consists of chapter headings, plain initials and paragraph marks in red. Heightening in red of some capitals. Logical diagrams on ff. 7v, 8r, 8v, 9r, 9v. Titles are missing on ff. 2r, 59r (?), 65v (?), 69r (?)., and Binding: Twentieth century. Marbled paper over cardboard. In the Rosenthal typewritten description the binding was still described as "old boards".
Two small manuscript fragments said to have been removed from a sixteenth-century German binding. Bound with a speculative partial transcript, typed, which interprets the fragments as having formed part of a "love letter" (Liebesbrief). The transcript is preceded by an account of the removal of the fragments from the binding of an unidentified sixteenth-century volume held by an unidentified German library
Description:
In German., Bookseller description available., Script: German cursive., and Binding: bound with a typed partial transcript/reconstruction of the text of the fragments in twentieth-century half machine-grained morocco over marbled calf. "Liebesbriefe. Handscrift, Um 1528" in gold tooling on upper morocco.
Manuscript on paper of a theological and moral treatise based on hundreds of quotations, mostly from texts of a scientific nature
Description:
In Latin., Script: two scribes: art. 1 is copied in Gothica Cursiva Formata close to Fractura; art. 2 in Gothica Semihybrida Currens with many abbreviations; in this art. the first line of each chapter is in clumsily executed large Gothica Textualis Formata., Headings, paragraph marks, stroking of majuscules and underlining of the references to the authorities and their works, all in red ink (the underlining was beforehand traced by the scribe in black ink). Plain red 1-line initials at the opening of each chapter, sometimes with marginal extensions (a 3-line initial at the beginning of the text, f. 9r). Instructions for the rubricator are found in the margins., and Binding: original undecorated red pigskin over wooden boards; spine with four raised bands. Two clasps attached to the rear cover, with quadrangular brass catches on the front cover; a hole about the center of the top of the rear cover indicates that the booklet once was a liber catenatus. On the front cover a rectangular parchment title label with handwritten inscription in Gothica Cursiva Libraria: “De confessione. De amore Dei. De beatitudine” (16th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Ethics, Manuscripts, Medieval, and Science, Medieval
