Manuscript on paper. Includes notes on arithmetic and accounting for merchandise; a romance of Tristan; list of spices; astronomical and astrological information; charms and prayers; recipes; extracts in Venetian; and poems
Description:
In Italian and Latin., Watermarks: similar to Briquet Fruit 7372-76, Briquet Cheval 3564, and Briquet Fruit 7341., Script: Written by a single scribe in a neat notarial hand, through f. 67v. Notes added by various hands of 14th-15th centuries., Drawings of ships, towers and merchants in ink, with added yellow, brown, green, red and blue; many diagrams. Crude 2- and 1-line initials in red, with guide-letters for rubricator showing beneath; headings in red., Repair of f. 1 with later paper; some loss of text. Repairs at outer edges on this and other folios do not affect text., and Binding: 18th-19th centuries. Rigid vellum case with paste paper back endleaf and pastedowns. Central fold of each bifolium has been reinforced with a strip of parchment.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Accounting, Arithmetic, Astrology, Astronomy, Medieval, Formulas, recipes, etc, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, Merchants, Prayers, Tristan (Legendary character), and Economic conditions
Manuscript on paper of Ovid, Metamorphoses, translated into Italian and with allegorical interpretations by Giovanni Bonsignori (Citta di Castello, d. after 1377), finished 29/30 Nov. 1377. With various Italian poems by different poets. The scribe Giovanni Tolosini did the copying from an Apulian exemplar and at the request of Chirico di Pietro Tolosini
Description:
In Italian., Watermarks: Briquet 8348 and 11868-11869 (?)., Script: Copied by Giovanni Tolosini in very small Gothica Semihybrida Libraria/Currens (Mercantesca)., Headings in black up to f. 27v, afterwards in red. Heightening of majuscules in yellow up to f. 27v. 3- (sometimes 4- or 5-) line flourished initials alternately in red with blue penwork and blue with red penwork, with penwork extensions in the left margin or in the intercolumnar space. Large decorated flourished initials with developed and diversified penwork (c. 7 lines) in the same colours., The upper edges damaged by moist, especially in the fold., and Binding: Fifteenth century. Half leather (red-brown goatskin, which replaces an original wider piece of leather) with unbevelled wooden boards and remnants of two clasps attached to the front cover. Bound on three white leather thongs. On the spine a paper label with the handwritten 18th-century inscription "Metam. d'Ovidi[o]". On the front board the number "45" is written in ink; on the inner side of the rear board a 5-line account in Italian, 16th century, by the same hand (?) as copied the latter part of art. 8.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Classical literature, Italian poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Publius Ovidius Naso (43 B.C. - 17 A.D.), Metamorphoses. With Franciscus de Aretio (Francesco Accolti, 1416/1417-1488), Epigramma Ovidii Metamorphoseos; Life of Ovid, based on that by Arnulf of Orléans
Description:
In Latin., Script: Copied by one hand in a rather irregular Humanistica Libraria of an exceptional type: Textualis with f and long s descending below the line. Opening lines of Book 1 in Capitalis., Red paragraph marks on ff. 1r-10v and 188v-189v. Spaces for headings blank. In art. 1 spaces for initials (5-11 lines) at the beginning of each Book and also on f. 10v (Metam. 1.583); the initials are not executed., and Binding: Binding of cardboard covered with fragments of a large 12th-century Italian manuscript on parchment containing the Passion of Abdon and Sennen, into which the Passion of Olympiades and Maximus is incorporated. Copied in large Southern Praegothica Formata; the text opens with a red initial. The title "OVIDIUS", preceded by a floweret, is written in ink in large capitals on the lower edge of the codex.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Biography, Latin fiction, Epic poetry, Latin, and Manuscripts, Medieval
Manuscript on paper of Ovid, Metamorphoses. With Lactantian tituli and narrationes in margins
Description:
In Latin., Watermarks: unidentified bull's head and mountain., Script: Written in a small neat gothic text hand with hybrida features., Plain red 5-line initial, in outline only, f. 3r; two smaller initials of similar style, ff. 3v-4r. First letter of each verse stroked with red, ff. 3r-4r. Spaces left for decorative initials remain unfilled elsewhere in codex., and Binding: Fifteenth century, Germany. Adhered vellum stays on the inside of the quires. Original wound sewing on three wide, tawed skin, slit straps laced through tunnels in the edges of beech boards to channels on the outside and pegged. Natural color endbands, caught up on the spine, are sewn to tawed cores laced into grooves on the outside of the boards. Front pastedown: reused paper manuscript with text side pasted face down. Quarter bound in blue, tawed skin with a strip, now wanting, nailed along the edge. Two leaf-shaped catches with three five-petalled flowers on them on the lower board and the upper one cut in for kermes pink straps attached with metal plates; damage from a chain fastening at the head of this board, and the board broken; outer edge wanting. Title, in same (?) hand as on f. 1r, on upper and lower boards: "Ouidius methamorphoseos."
Manuscript on parchment (much worn, pieced) of 1) Ovid, Tristia 1.7.35-40. 2) Ovid, Metamorphoses. With Lactantian tituli added in margins
Description:
In Latin., Script: Written by at least three scribes in scripts ranging from late caroline minuscule to early gothic bookhand, all above top line. Interlinear and marginal annotations and running headlines by several hands, 13th-15th centuries., Two illuminated initials, f. 1r, severely damaged: 21-line initial I for first verse of art. 2 incorporates an elongated grotesque, originally purple, red, blue, and green on gold ground; 4-line initial at beginning of art. 1, gold on red ground with center totally effaced. 8-line initial for Bk. 2, f. 8v, gold on blue (?) ground, now rubbed: inhabited by winged grotesque biting its back with intertwining foliage in blue, green, orange and mauve on gold and red ground. Books 3-15 have attractive penwork initials divided red and medium blue with designs in both colors, ascenders and descenders often sweeping far into margins. Headings and paragraph marks in red. First letter of each verse (either set apart from text block between the first and second or placed directly on the second vertical bounding line) stroked with yellow., and Binding: Nineteenth century. Sewing, possibly original, on four kermes pink slit straps. Plain, wound endbands on tawed skin cores. Tan blind-tooled goatskin over wooden boards, also possibly original as they are cut in for the straps. Title gold-tooled on spine: "Ovidii Metam./ Saec. XV. M. S. in memb".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lactantius, ca. 240-ca. 320. and Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin fiction, and Manuscripts, Medieval
Stand-alone miniature on paper depicting a Benedictine nun kneeling before Christ and the instruments of the Passion. Banderoles containing devotional phrases extend from the mouths of the nun and Christ; an excerpt from Psalm 31 (Vulgate) is written at the bottom of the miniature
Description:
In Latin., Script: banderole text in a small Gothic bookhand., Decoration: an example of the simple illustration style known as "nonnenarbeiten," which are devotional images produced by medieval nuns for personal use. The nun and Christ are placed in a grassy field comprised of penstrokes covered with a green wash. Details like Christ's wounds are conveyed through penstrokes as well. The instruments of the Passion are individually colored with wash: red and black for the cock, orange for the sponge, and orange for parts of the spear. An alternating blue and orange wash has been used to decorate the border of the miniature., and Binding: individually mounted on parchment.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benediktinerinnenabtei St. Walburg (Eichstätt, Germany)
Subject (Topic):
Manuscripts, Medieval, Benedictine nuns, Nuns as artists, Devotional objects, and Catholic Church
Manuscript on parchment of seventeen miniatures (all versos), formerly inserted in MS 287, which were removed and rebound in their present form when recognized as the work of the 19th-century facsimilist, Caleb Wing. They were intended to replace originals excised from MS 287 at an uncertain date. As suggested by the format of MS 287, there were probably only sixteen miniatures in the original program
Description:
Binding: 19th-20th centuries. Worn red velvet.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Wing, C. W. fl. 1826-1860. (Charles William),
Subject (Topic):
Arts, Forgeries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Two miniatures, on parchment, both fragments of a Book of Hours, depicting events in the Passion of Christ, both in color with gold and burnished gold. The first depicts the Flagellation of Christ within a stylized architectural frame. The second depicts the Carrying of the Cross in a stylized landscape which includes two other crosses erected against a gold diapered background
Description:
Attributed to the workshop of Jacquemart de Hesdin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacquemart, de Hesdin, active 1380-1411. and Jesus Christ
Subject (Topic):
Passion, Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper containing 1) Legendary history of the foundation of Rome. 2) Mirabilia Romae. 3) Note on Roman abbreviations especially for personal names. 4) Heading of an index to the Roman History of Livy (?). 5) Note on officials, functions and institutions of the Roman empire. 6) Note on the structure of Roman personal names. 7) Headings of the chapters of Books 1-9 of Facta et dicta memorabilia. 8) Giunta de Sancto Giminiano (14th century), alphabetical table to Facta et dicta memorabilia, from A to T, with ample blank spaces between each letter of the alphabet. 9) Mentions of Valerius Maximus and Livy in works of Thomas Aquinas and Nicholas of Lyre. 10) Valerius Maximus (1st century), Facta et dicta memorabilia, including the pseudepigraphic Book 10, De interpretacionibus nominum
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Libraria, the text very large, the glosses small., Underlining, paragraph marks, headings, stroking of majuscules and plain initials (with guide letters), all in red., The pages damaged by the acidity of the ink., and Binding: Nineteenth century. Quarter binding in brown leather, the cardboard covers covered with marbled brown paper. Gold-tooled spine with five raised bands and brown title label with gold-tooled inscription: “VALERIUS MAXIMUS / MANUSCRIPTUM”. Red sprinkled edges.
Subject (Geographic):
Connecticut, New Haven., and Rome (Italy)
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, Scholia, Description and travel, and History
