Manuscript on parchment of Manual for Franciscan inquisitors in the Roman province, including letters from Popes Clement IV (d. -1268) and Alexander IV (d. -1261); various consilia; and other prescriptions and instructions from bishops and inquisitors
Description:
Script: Copied by two hands: A) writing in Southern Gothica Textualis Libraria (ff. Ir-40r6); B) writing in Gothica Textualis Formata (ff. 40r8-47v). Marginal annotations in small Gothica Hybrida., Decoration: Red headings, paragraph marks, chapter numbering, and stroking of majuscules. Red running headlines (up to f. 16v). Red plain or flourished initials. But on ff. 39v-47v, there are generally no headings, paragraph marks or stroking of majuscules., Binding: Unbound., and In Latin.
Manuscript on parchment of an extremely detailed but not consistently structured list of sins with the mention in the margin whether they are mortal ("M") or venial ("V"; the latter case is very rare). The text consists of countless cases opening with a paragraph mark generally followed by "Si ...".
Description:
In Latin., Script: Copied by two scribes. Hand A (ff. 1r-30r, 14) writes a careful Gothico-Humanistica Textualis Libraria; Hand B (ff. 30r, 15-91v) writes a more rapid Gothico-Humanistica Cursiva Libraria/Currens. The parts copied by the two scribes differ from each other also in the style of the text and the headings., Numerous red paragraph marks in the left margins. The treatment of the headings is not consistent. 2-line (rarely 3-line, on f. 1r 4-line) initials in red at the head of all major subdivisions; they are plain initials on ff. 1r-30r, often flourished initials (black or red penwork) from f. 31r onwards, but the flourishing appears to have been blotted out., and Binding: Sixteenth century (?). Undecorated orange-brown sheepskin over pasteboard, the spine with three raised bands. Pastedowns and flyleaves from four leaves of an 11th-century manuscript, containing part of the Office for the burial of a monk.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Canon law, Confession, Catholic Church, and Manuscripts, Medieval
Manuscript of a Manual containing 18 works, including instructions of Mass, moral instructions, meditations for prayer, a calendar, and two works ascribed to Thomas Aquinas
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, Aquinas, Saint, 1225?-1274. and Carthusians.
Manuscript on paper (thick) of Giordano Ruffo, Marescalcia equorum, translated into Italian
Description:
In Italian., Watermarks: unidentified basilisk in gutter., Script: Written in fere-humanistic script., Crudely executed border design, in red, on f. 1r. Plain initials, 3- to 2-line, in red; some embellished with simple foliate ornamentation or with human and animal grotesques (e.g., ff. 24v, 44v). Headings in red., Upper portion of f. 55 (chs. 146, 149) cut out; ff. 63v-64r (chs. 189-95) crossed out. Some staining and wear affecting text., and Binding: 19th-20th centuries. Tan, "pasta espanola" paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Giordano Ruffo, Marescalcia equorum
Description:
In Latin., Script: Written by Ieronimo Sandei in fere-humanistica for the introduction and rubrics, and in humanistic cursive for the text., Historiated initial on f. 3r, 9-line, St. George and the dragon, curling foliage, mauve, red, and green, with gold and white and yellow highlights, on gold ground, edged in black, in a loose and painterly style. 3- and 2-line initials, blue or red with elaborate red or light purple penwork respectively. Paragraph marks in red or blue. Rubrics throughout., and Binding: 17th-18th centuries. Covered in brown leather, blind-tooled with concentric borders. Four clasp-and-catch fastenings. Modern paper pastedowns and flyleaves, the former covering an unidentified printed text in German.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Animal culture, Horses, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (watermarks: unidentified, in gutter; outer and inner bifolios reinforced with parchment strips) of Giordano Ruffo, Marescalcia equorum
Description:
In Latin., Script: Written by one person in round gothic bookhand; additions by a later hand., Small plain initials, in red, mark beginning of each section; headings, paragraph marks, some strokes on initials in red., and Binding: Fifteenth century. Sewn on two tawed, slit straps laid in a channel and nailed in square, flush wooden boards. The spine is square. Covered in reddish brown leather with corner turn-in tongues. Decorated with a blind-tooled panel of interlaced rope work and green dots in circles inside concentric borders. A catch on the lower board and a cloth strap (velvet?) attached to the upper with star-headed nails. Strap wanting, otherwise intact.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Animal culture, Horses, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Liber marescalciae by Laurentius Rusius. The manuscript also contains a large excerpt of Giordano Ruffo's De medicina equorum in Italian translation, as well as an anonymous treatise on hippiatry, and a number of remedies, prescriptions, and incantations for various diseases
Description:
In Italian., Script: there are two main scribes: hand A copied the treatise on hippiatry in large Gothica Semitextualis Libraria; its headings are in Gothica Textualis Libraria; decorative extensions at the ascenders on the top line. Hand B, who identifies himself f. 50r as Cristofano di Piero maniscalco N., copied ff. 12r-52v, upper part, in Gothica Semitextualis Libraria. The other texts are additional and have been copied by various scribes at various moments. Folios 1r-4v have red rubrics and are decorated with 2-line flourished initials, with abundant foliate marginal extensions. Guide letters in the left margin on ff. 1r-11v., Liber marescalciae by Laurentius Rusius, a treatise in 154 chapters. The manuscript also contains a large excerpt of Giordano Ruffo's De medicina equorum in Italian translation, as well as an anonymous treatise on hippiatry in 38 chapters, and a number of remedies, prescriptions, and incantations for various diseases., and Binding: 15th century: brown leather over wooden boards. Both covers blind-tooled with frames of fillets; the central panel filled with rope tools, surrounded by a frame. Flat spine with three bands and partly lost paper label with handwritten title “[MA]SCAL[CIA] / M.S. / DI VARI”. Remnants of two decorated brass clasps attached to the rear cover. Five brass bosses on each cover (the central boss on the front cover lost).
Manuscript on paper of Giordano Ruffo, Marescalcia equorum, in an anonymous Italian translation. With medicinal recipes and prayers
Description:
In Italian., Watermark: unidentified bull's head in gutter., Script: Written in a poorly formed Italian notarial script; notes in contemporary cursive hands., Plain initial, 5-line, in red and black, at beginning of art. 1; initial strokes and rubrics for ff. 1r-9v only., and Binding: Nineteenth century. Limp vellum case. Stamped on upper cover: "Medecine des chevaux/ manuscrit du XV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano, fl. 1250-1260.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on paper containing 1) Ps.-Bernardus Claraevallensis, Planctus beatae Mariae. 2) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 3) Excerpts about the Virgin Mary. 4) Extracts from Isaac Syrus, De contemptu mundi. 5) Extracts from various sermons by Ephraem Syrus (d. 373) in Latin translation. 6) Extracts from Bernardus Claraevallensis, De gradibus humilitatis et superbiae. 7) Excerpts from Caesarius, followed by other moral excerpts from the Bible, Aristoteles, Iohannes Chrysostomus, Cicero, Gregorius Magnus, Origenes, Hieronymus, Augustinus, Bernardus Claraevallensis, Basilius, Ambrosius, Hugo de Sancto Victore, Benedictus, Beda, Isaac Syrus, Seneca, Ps.-Boethius, Cassiodorus, Cassianus, etc. 8) Extracts from Antoninus Florentinus (1389-1459), Summa, part 3, tit. 13, chapter 5. 9) Martinus Bracarensis (fl. 556-572; Ps.-Seneca), Formula vitae honestae, without the Prologue and ending incomplete in chapter 4. 10) Iohannes Gallensis (Waleys, John of Wales, d. 1285), Breviloquium de virtutibus antiquorum principum et philosophorum. 11) Moral extracts from Boethius, Isidorus Hispalensis, Galfredus de Vino Salvo, Augustinus, Gregorius Magnus. 12) Excerpts from Hugo de Folieto (d. c. 1174; Ps.-Hugo de Sancto Victore), De claustro animae. 13) Moral excerpts from Hieronymus, Bernardus Claraevallensis, Speculum conscientiae, Leo Magnus, Remigius Autissiodorensis, and the Bible
Description:
In Latin., Script: Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v and ff. 107v-108v) writes peculiar forms of Humanistica Semitextualis Libraria. B (ff. 55r-66v) writes Humanistica Semitextualis Libraria. C (ff. 67r-98v) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r) writes a Humanistica Cursiva Libraria., Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink., The decoration is uneven and differs from section to section. Headings in red ink, red (sometimes yellow) heightening of majuscules, red paragraph marks and red plain initials of various sizes. Sometimes guide-letters without initials. Running headlines (author names) in large Southern Gothica Textualis Formata in some sections., and Binding: Nineteenth century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., John, of Wales, 13th cent., and Mary, Blessed Virgin, Saint.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla, Manuscripts, Medieval, and Sermons
Manuscript on paper in five parts, containing 1) Mariological interpretation of the first five books of the Bible, comparable to Albertus Magnus, Biblia Mariana, which, however, covers the whole Bible and is much less detailed. 2) Smaragdus (d. c. 830), Diadema monachorum. 3) Gerardus de Leodio (Gerard of Liège, d. 1270), debated authorship, De doctrina cordis, shortened version. 4) A series of interconnected anonymous texts, sermons and short treatises dealing with the love between Christ and the Soul, referring to the Song of Songs. With corrections and annotations. 5) Commentary on Cant. 3:9-10. 6) Collection of quotations from the Bible, the Church Fathers, Bernard of Clairvaux, Hugh of St. Victor, Richard of St. Victor, Petrus Manducator, etc. on the Last Things, the Cross, etc. 7) Invocation to God honouring his benefices. 8) Discussion between the Father and the Son about the fate of the sinners, settled through the intervention of theVirgin. 9) Defensor Locogiacensis (Defensor of Ligugé, 7th century), Liber scintillarum
Description:
In Latin., Script: The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. Scripts include Hybrida Formata, Semihybrida Currens, Hybrida Libraria, and Cursiva Libraria. Part I (ff. 1-84): Copied by four Gothic hands. Part II (ff. 85-215) Copied by several hands. Part III (ff. 216-273): Copied by three hands. Part IV (ff. 274-343): Copied by one hand. Part V (ff. 344-388): Copied by three hands., Headings in red. Part I: The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand. Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v. Part III: The majuscules are stroked in red. 2-3 line plain initials in red. Part IV: Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I. Part V: Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red., The paper at places damaged by the acidity of the ink., Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: "VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V." (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., and Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint., Smaragdus, Abbot of St. Mihiel, active 809-819., and Stephan Bodeker, Bishop of Brandenburg, 1383-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons
