Manuscript fragment on parchment of a sequentiary containing multiple hymns, many by Notker Balbulus
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1- and 2-line initials are a mixture of orange uncials and square capitals; rubrics are written in orange rustic capitals; the first 2 to 4 words of each sequence are written in a mixture of brown uncials and square capitals; punctuated with the punctus; neumes in the St. Gall style are in the outer margins.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Notker, Balbulus, approximately 840-912 and Catholic Church
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
In Latin., Script: Written by a single scribe in humanistic cursive script, below top line., 3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., and Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407. and Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Sermons
Manuscript fragment on parchment of Augustine's Sermon 69 on Matthew 11.
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 1-line initials are in brown highlighted with red; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript on parchment and paper of Adriano Castellesi, Sermone Latino et Modis Latine Loquendi, a Latin grammar, with other texts
Description:
In Latin, Hebrew and Greek., Script: copied by one hand in two sizes, using for both Gothico-Humanistica Cursiva. Greek handwriting occurs here and there; Hebrew in Hrabanus Maurus, In Hieremiae Lamentationes and for the Hebrew alphabet; the Hebrew samples on ff. 113v-114r are in large angular calligraphic script., Black plain initials, 2-3 lines. Written in campo aperto in one or two columns., and Binding: original limp parchment binding with flap and engraved brass clasp; sewn on three split leather thongs. Red leather tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Castellesi, Adriano, approximately 1461-
Subject (Topic):
Latin language, Grammar, and Manuscripts, Medieval
Manuscript on paper (sized) of Vincent Ferrer, Sermones. In this version of the sermons the text begins in Latin, presents the main points of the sermon in Spanish, and then returns to the body of the text in Latin
Description:
In Latin and Spanish., Watermarks: similar in design to Briquet Ciseaux 3694-3702, and unidentified cross bow in a circle., Script: Written in gothic cursive script, above top line., Plain red intials for each sermon; headings, foliation and paragraph marks in red. First words of each sermon in large gothic bookhand for display script., and Binding: ca. 1500, Spain. Wound sewing on four tawed skin, slit straps or double cords laced into the wooden boards. Plain wound natural color endbands, caught up on the spine, are sewn on cores laced into the boards and pegged. They are tied down around a strip of tawed skin. There is a coarse cloth spine lining. Back pastedown is part of a bifolium from a liturgical manuscript with Aquitanian musical notation. Covered with reddish-brown sheepskin, blind-tooled with a rope interlace tool, fleurs de lis and annular dots. Spine: supports outlined with double fillets; panels diapered with double fillets with annular dots at the intersections. There are traces of two fastenings, the catches on the lower board, and traces of five round bosses on each board. Damage from a chain attachment (?) near the tail of the upper board; remains of a paper or vellum label near the head.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Vincent Ferrer, Saint, approximately 1350-1419.
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper of Hugo de Prato Florido, O.P. (d. 1322), Sermones de tempore, summer part
Description:
Script: Probably copied by several hands in Gothica Semihybrida Currens., Decoration: underlining, stroking of majuscules, headings, and 3-5 line plain initials or initials with interior reserved shapes; decoration absent after f. 29r, with the exception of headings and initials found on ff. 31r, 124r, and 136v, and an initial on f. 154v., Binding: 20th century in a medieval style with some medieval matierals: parchment over bevelled wooden boards; spine with 4 raised bands; blind-tooled covers, each with a central brass boss; and two white leather straps, attached to the rear board and clutching brass pins on the front board., and In Latin.
Manuscript on paper of Jacobus de Voragine, O.P. (ca. 1230-1298), Sermones Quadragesimales. Also contains two collections of excerpts from various sermons, with lemmata; and Pseudo-Anselm of Canterbury, Planctus de passione Domini
Description:
Script: The main body of the manuscript (artt. 2-5) is copied by various hands in Gothica Cursiva Libraria/Currens. Art. 1 is in Gothica Cursiva Libraria (Bastarda); and art. 6 is in Gothica Cursiva Antiquior Libraria., Decoration: Limited; art. 1 is undecorated; artt. 2-6 contain red headings, stroking of majuscules, paragraph marks, and 2-line plain initials. There are three identical 15th century ownership inscriptions of the Salvatorberg Charterhouse, belonging to the Carthusians in Erfurt, Germany., Binding: Original undecorated red pigskin over bevelled wooden boards, sewn on four split leather thongs. There are remnants of two leather straps attached to the rear that would clasp to the front board by (now lost) pins. Five bosses on each cover., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298., Catholic Church, Dominicans., and Carthusians.
Manuscript on parchment of sermons on the Epistles and the Gospels of Sundays and sermons for Lent
Description:
In Latin., Script: copied by one hand in Northern Gothica Textualis Libraria. Ascenders at the top line are lengthened, thickened and indented and decorated with delicate penwork., Headings, underlining and paragraph marks in red. 2-line red plain initials, some filled with drawings of a human head; some are flourished initials with penwork in the same colour extending in the margin or in the intercolumnar space. The rubricator tends to place the short marginal notes in a red rectangular, diamond or leaf-shaped frame, or to link several notes on the same page by placing them in the loops of a curving line. Elegant pointing hands., and Binding: original binding: red leather over slightly bevelled wooden boards, sewn on five leather thongs, rebacked in white leather, the corners repaired with brown leather. Marks of two leather straps attached to the rear cover; holes of the iron pins on the front cover. Iron chain of nine elongated links and large round eyelet (length: 82 cm.), fixed to the top of the rear board by means of an iron staple.
