"Pushed by Knighton and pulled by Lady Conyngham, George IV, more corpulent than in other prints, walks in an ornate circular stand or support on castors (as used for toddling children, cf. British Museum satires no. 7497) towards Virginia Water (right), his fishing-rod against his shoulder. He wears a hat with a wide curving brim inscribed á la Townsend [cf. British Museum satires no. 10293], double-breasted tail-coat, breeches, and pumps; his right arm rests on the ring of the stand, in his hand is a small book: Old Izack [Walton]. From the stand dangles an ornate reticule: Fish Bag; the base is decorated with two fat squatting mandarins. Lady Conyngham looks over her right shoulder at the King, puffing from her effort, but singing Rule Britannia; the crossbar at which she tugs is a sceptre. She wears an enormous ribbon-trimmed bonnet and décolletée dress; the hook from the King's line has caught in her dress which strains across her vast posterior as she leans forward. Knighton wears a court-suit with bag-wig and sword. He pushes with both hands with great concentration, singing, Send him Victorious. In his coat-pocket are a clyster-pipe and a paper: Petition of the Unborn Babes. A signpost terminating in a realistic hand points To Virginia Water. There is a background of trees and water."--British Museum online catalogue and A later impression [i.e. state] of British Museum Satires No. 15413 ... A scroll has been added beside Knighton's coat-tails inscribed with his 'places of profit': Clerk of Stannaries Recr Genl Duchy of Cornwall, Privy Purse &c &c &c. See Diary of H. Hobhouse, loc. cit. A border has been added."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. June 27th, 1827, by S.W. Fores, Pciadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Knighton, William, Sir, 1776-1836, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Bonnets, Fishing & hunting gear, Mistresses, Obesity, Physicians, British, Pulling, Scepters, Medical equipment & supplies, and Traffic signs & signals
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., Watermark: D. & A. Cowan 1819., Mounted to 58 x 39 cm., Mounted on leaf 92 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Liverpool," "Londondery [sic]," "Sidmouth," and "Curtis" identified in ink below image. Typed extract of thirteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., 1 print : etching ; image 16.9 x 23.2 cm, on sheet 37.8 x 24.3 cm., Printed on wove paper with partially-trimmed watermark "D. & A. Cowan 1819"; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., Mounted to 58 x 39 cm., Mounted on leaf 66 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Lady Conyngham," "Liverpool," "Londonderry," "Sidmouth," and "Sir W. Curtis" identified in pencil below image; date "1820" written in ink beneath lower right corner of image. Typed extract of nineteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
"A whole length figure stands full-face divided by a vertical line, one half (left) representing a man, the other a woman. The background is similarly bisected, one half (left) being a surgeon's dispensary, the other a carpeted room with a domestic grate on which a saucepan is heating. Beneath the title: 'or a newly discover'd animal, not known in Buffon's time; for a more full description of this Monster, see, an ingenious book, lately publish'd, price 3/6, entitled, Man-Midwifery dessected, containing a variety of well authenticated cases, elucidating this animal's Propensities to cruelty & indecency, sold by the publisher of this Print, who has presented the Author with the above for a Frontispiece to his Book.' The surgeon, who is fashionably dressed, holds an instrument inscribed 'Lever'; the woman holds out a small vessel. The man's bottles, &c, are ranged on three shelves; on the lowest, inscribed 'This shelf for my own use', are bottles inscribed 'Love Water', 'Cantharides', 'Eau de vie', 'Cream of Violets'. Obstetric instruments are inscribed: 'forceps', 'Boring Scissors', and 'Blunt Hook'. On the ground (left) is a large pestle and mortar."--British Museum online catalogue
Alternative Title:
Man-midwife
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Frontispiece to: Fores, S. W. Man-midwifery dissected; or, the obstetric family-instructor ... , London : Published for the author, by S. W. Fores, 1793., and Temporary local Medical Library subject terms: Forceps.
Publisher:
Pub. June 15, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Fores, S. W.
Subject (Topic):
Midwives, Pharmacists, Mortars & pestles, Medical equipment & supplies, Surgical instruments, and Scissors & shears
An etching showing a single human form with the left half shown as a male apothecary and on the right a housewife. She is shown standing on a rug before a cooking fire with a saucepan. He is shown with shelves of bottles behind him
Alternative Title:
Man-midwife
Description:
Title etched below image., After Isaac Cruikshank; see British Museum catalogue., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Four lines of text following the title, etched below it: ... or a newly discover'd animal, not known in Buffon's time ..., and Temporary local subject terms: Male midwives -- Obstetricians -- Allusion to Georges Louis Leclerc, comte de Buffon, 1707-1788 -- Literature: allusion to Man-Midwife Dissected -- Saucepans -- Grates: domestic grates -- Midwifery -- Bipartite figures -- Medical instruments: obstetrics -- Surgeons' dispensaries.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Midwives, Pharmacists, Mortars & pestles, and Medical equipment & supplies
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., 1 print : etching with stipple, hand-colored ; sheet 320 x 257 mm., and Imperfect; sheet trimmed within plate mark with loss of numbering from upper right.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., 1 print : etching with stipple, hand-colored ; sheet 36.8 x 26.8 cm., Sheet trimmed within plate mark., and Probably a later impression from a worn plate; numbering in upper right is lightly printed and barely visible.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., and Leaf 92 in volume 5.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
