Manuscript on paper, copied from an exemplar with the final part in disorder
Description:
In Latin., Script: Copied by one hand writing an imperfect Humanistica Textualis with a relatively large number of abbreviations, incomplete word separations, hesitations, errors and corrections making reading sometimes difficult in spite of the formal character of the writing., Spaces and guide-letters for initials (3-line on ff.1r and 2r, the others 2-line); the initials are not executed., and Binding: Of undetermined age. Half light brown leather over original (?) unbevelled wooden boards, the leather decorated with fillets in a geometrical checkered pattern. Spine with four raised bands. Modern parchment pastedowns covering the inner half of the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Marrasio, Giovanni.
Subject (Topic):
Latin poetry, Medieval and modern and Manuscripts, Medieval
Manuscript on vellum and paper of 1) Treatise on the Koran. 2) Ricoldus de Monte Crucis O.P. (Ricoldo da Montecroce, d. 1320), Libellus contra legem Sarracenorum (Confutatio Alcorani). 3) Anonymous treatise against the Koran in the form of letters exchanged between two friends, a Muslim and a Christian. 4) Bonacursius de Bononia O.P. (s. XIII2), De erroribus Graecorum. 5) A short history of the ecumenical councils
Description:
In Latin., Script: probably copied by one hand, who starts writing Humanistica Textualis but gradually changes into a rapid Gothico-Humanistica., and Binding: original binding. Blind-tooled calfskin over bevelled wooden boards, worm-eaten. Sewn on three split leather thongs. Brass? bosses.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Apologetics, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on paper of 1) Latin treatise on the Passion, attributed to Johannes Weitmann (d. 1509), although the style of the present work significantly differs from that of Weitmann's known devotional work, Meditationes vitae, passionis mortisque Iesu Christi; 2) Pseudo-Augustine, De diligendo Deo; 3) Treatise on the love of God
Description:
Script: Copied by two hands, both writing Gothica Cursiva Currens: A) copied ff. 2r-16v21 and ff. 97r-112r; and B) copied ff. 16v21-90v., Decoration: Art. 1 has red paragraph marks, underlining and stroking of majuscules; this decoration is missing ff. 35v-90v. On f. 1r the 3-line opening initial is clumsily executed in black ink. In art. 2 red paragraph marks, underlining and stroking of majuscules, but also red headings and plain 3-line initials in the same colour, often of fancy execution; art. 3 has the same lower decoration, but neither headings nor 3-lin initials. Artt. 2 and 3 open with complicated large red initials in a style recalling cadels but essentially fanciful., Binding: Original pigskin over bevelled wooden boards, sewn on three cords. Both covers blind-tooled with fillets, a frame, and vertical rows of stamps: a fleur-de-lys in a diamond, a rosette, an f-shaped twig with two leaves, and a floweret. Remnants of one brass clasp, attached to the rear cover, clutching a brass catch on the front cover. Both metal pieces are engraved., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Weitmann, Johannes.
Subject (Topic):
Devotional literature, Latin (Medieval and modern) and Manuscripts, Medieval
In English and Latin., Script: Slovenly written mostly by one hand in Gothica Cursiva Currens (Secretary), with calligraphic extensions on the top line. The headings of the chapters are in Northern Gothica Textualis Libraria or more often in a somewhat more solemn form of Secretary., The majuscules are heightened in red. In the middle section of the manuscript the chapter headings are marked by a pointing hand; in the final section (ff. 20r-22v) horse-headed (?) dividers are used. Some initials in the headings are decorated with human heads. Numerous coarse pen-drawings in the margins, in black and red, more or less loosely illustrating the text., Badly damaged paper with leaves pasted onto stubs., and Binding: Nineteenth century. Blind-tooled brown calf over cardboard boards. Spine with gold-tooled title: "OLD ENGLISH VOCABULARY. MS. XV. CENT." Red marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dictionaries, Polyglot, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Jacopone da Todi (c. 1236-1306), Laude. 2) Poem in quatrains, each beginning with the name "Yhesu" (attributed to Jacopone da Todi). 3) Jacopone da Todi (attributed), Tractatus utilissimus. 4) On the five steps of spiritual illumination. 5) Hymn on the name of Jesus attributed to St. Bernard of Clairvaux (Bernardus Claraevallensis, 1090-1153). 6) Bonaventura (1221-1274), Rhythmus de operationibus Iesu Christi, an addition to his Lignum vitae. 7) On the name of Jesus. 8) Lauda on the love of Jesus, attributed to Bianco da Siena (ca. 1350, d. between 1400 and 1450). 9) Lauda on the Virgin, attributed to Gianotto Sachetti
Description:
In Italian and Latin., Script: In spite of the very uneven script, probably copied by one hand hesitating between Southern Gothica Textualis and Semitextualis Libraria/Formata., Headings in red, often missing. Initials with guide-letters: 1-line plain initials alternately red and blue; 2-line flourished initials in red with purple penwork and blue with red penwork; those on the first pages are 3- or 4-line. On f. 1r 11-line historiated initial on gold background containing a profile portrait of Jacopone da Todi with nimbus and holding medallion with the "Jesus"-monogram; the initial has floral extensions in the inner margin. In the lower margin a coat of arms (made illegible by means of black paint) in a wreath., and Binding: Ancient limp parchment. At the top of the spine in 17th-century handwriting: "Imni di F. Jacopone. M.S. D.27" ; at the bottom the shelfmark "T 1 15".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacopone, da Todi, 1230-1306. and Franciscans.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Religious poetry, Italian
Manuscript on paper of 1) Hugh of St. Victor, Laude caritatis, and De modo orandi. 2) Heinrich von Langenstein, Expositio super Orationem Dominicam. 3) Pseudo-Albertus Magnus, Paradisus animae. 4) Memoriale Biblicum with interlinear gloss
Description:
In Latin., Script: copied by seven scribes. Hand A copied ff. 1r-18v in Gothica Textualis Formata; Hand B copied ff. 19r-38v in Gothica Hybrida Formata/Libraria; Hand C copied ff. 39r-47r in bold Hybrida Libraria; Hand D copied ff. 48r-50r and 54r-57r in Semihybrida Libraria; Hand E, which is perhaps identical with Hand D, copied ff. 50v-53v in Hybrida Libraria; Hand F copied f. 57v in Cursiva Libraria; Hand G copied ff. 58r-116r in Hybrida Libraria (in two sizes for text and gloss of art. 21). Headings, stroking of majuscules, paragraph marks and (in articles 10-19) underlining in red. All initials in the same colour: 1-line versals; 2- and 3-line plain initials; a 4-line plain initial with interior reserved shapes on f. 1r; a 3-line plain initial containing a human face on f. 48r., Manuscript on paper of 1) Hugh of St. Victor, Laude caritatis, 2) Thomas a Kempis, De tribus tabernaculis and Sermones ad fratres, 3) Hugh of St. Victor, De modo orandi (shortened version), 4) Extracts from Hugh of St. Victor, St. Augustine, Bernard of Clairvaux and others on the value of prayer and of the reciting of psalms, 5) Compilation from the works of St. Augustine on the value of the psalms, 6) Alcuinus, De psalmorum usu, preface (partim), 7) Commentary on the Lord's Prayer, 8) Heinrich von Langenstein, Expositio super Orationem Dominicam, 9) Commentary on the Ave Maria, 10) Psalms to be recited on special occasions or for special purposes, 11) Pseudo-Albertus Magnus, Paradisus animae, and 12) Memoriale Biblicum with interlinear gloss., and Binding: contemporary binding: brown leather over wooden boards, the covers blind-tooled with diagonal fillets and fleur-de-lis stamps in the diamond-shaped spaces. Spine with three raised bands (rebacked). Remnants of one brass clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Saint-Victor, 1096?-1141.
Subject (Topic):
Versions, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on paper of Emperor Charles V (1500-1558), Laudum inter papam Clementem et illustrissimum Ducem ferrariae, the arbitration of the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21.
Description:
In Latin and Italian., Script: copied by one hand writing Humanistica Cursiva., Contemporary copy of the charter, granted by Charles V, Roman Emperor (1500-1558), by which he arbitrated in the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21., and Binding: the leaves are part of a volume formerly in the possession of Thomas Phillipps, containing mostly copies of documents related to the affairs of the Medici dukes of Tuscany Alessandro (1531-1537), Cosimo I (1537-1574) and Ferdinand I (1587-1609).
Manuscript leaf, on parchment, apparently from a collection of law reports (perhaps a Year-book). Actions mentioned include cases of Dower and Quare impedit
Description:
In Law French (Anglo-Norman)., Layout: single columns of 61-62 lines each., and Script: cursive legal script with some anglicana features.
