"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"George IV, dressed as a magician, rises from the throne (right) to give a wooden sword to Canning, who is dressed as Harlequin. A clown (intended for Melville) turns his back on Canning and the King, to run off, registering anger and alarm. Wellington stands fiercely, with legs astride, both arms raised, holding his sword; he wears uniform with boots and cocked hat. On the left Eldon and Westmorland stand together, with flexed knees, registering senile dismay. The latter, dressed as Pantaloon, drops his crutch. The King, in a robe bordered with symbols (serpents, &c), has the curled wig and whiskers which he had discarded (cf. British Museum Satires No. 14637). He chants: Harlequin! the Gods above have now decreed That thou and all thy measures shall succeed. Fear not old El--n, nor that Pantaloon, West----d, the bold Duke, nor the Scotch Clown. Who e'er opposeth thee, thou by love shalt thrive; Thy Genius and my Cunning him shall drive To H--ll's abyss. Let virtue be thy guide-- This wand I give thee--stick it to thy side."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to: 33 x 48 cm.
Publisher:
Pub. by G. Humphrey, 24 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westmorland, John Fane, Earl of, 1784-1859
Subject (Topic):
Harlequin (Fictitious character), Thrones, Magicians, Clowns, Military uniforms, Daggers & swords, and Crutches
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a spectacled citizen, sits by the table in the Commons reading an 'Extraordinary Red Book' and registering frantic anger. He shouts: "Oh!!--Monstrous!!!--that twenty six State Cormorants should swallow annually an aggregate sum: under the name of salaries, independent of the indefinible emoluments which result from other sources of gain amounting to--£453,692. Can we any longer wonder that the love of Place in these men should supersede every more exalted consideration." The mace rests on a scroll which hangs from the table: 'Plac[es] Earl of Liverpool 14,000,-- Mr Vansittart £7,500, &--Ge Rose £16,551--Vist Melville £11,000-- Mr Wellesley Pole £10,000.' On the floor is a paper: 'Droits of Admiralty' [see British Museum Satires No. 10967]. On the right behind John's chair Ministerial members sit in a close row, with a second row standing behind them. One stands on the extreme right holding a long scroll whose coiled end is under John's chair. It is 'A List of Placemen Pensions and Sinecures--Lord Arden £38,574 [cf. British Museum Satires No. 12802]--Earl Bathurst and C°--£37,225--Lord Castlereagh for Two Years Service £71,000--Ld Ellenborough £24,100--Ld Eldon £40,000 & & &c--Marquis Camden £23,000.' The members are burlesqued; four of them say: "I swallow--£10,000 and do very little for it"; "and I £16,000-- for doing next to nothing"; "and I 40,000£--for doing less"; "and I [Castlereagh] £71,000--for doing nothing at all." A fifth, wearing tartan with a Scots cap and taking snuff from a ram's horn mull (evidently Melville), says: "and I 18,000--for doing worse!"."--British Museum online catalogue
Alternative Title:
John Bull reading the extraordinary red book
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: House of Commons -- Maces., and Manuscript "94" in upper center of plate.
Publisher:
By Ths. Tegg, 111 Cheapside
Subject (Name):
Arden, Charles George Perceval, Baron, 1756-1840., Wellesley-Pole, William, Earl of Mornington, 1763-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Vansittart, Nicholas, 1766-1851., Rose, George, 1744-1818, Bathurst, Henry Bathurst, Earl, 1714-1794., Ellenborough, Edward Law, Baron, 1750-1818., Eldon, John Scott, Earl of, 1751-1838, Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Castlereagh, Robert Stewart, Viscount, 1769-1822
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a spectacled citizen, sits by the table in the Commons reading an 'Extraordinary Red Book' and registering frantic anger. He shouts: "Oh!!--Monstrous!!!--that twenty six State Cormorants should swallow annually an aggregate sum: under the name of salaries, independent of the indefinible emoluments which result from other sources of gain amounting to--£453,692. Can we any longer wonder that the love of Place in these men should supersede every more exalted consideration." The mace rests on a scroll which hangs from the table: 'Plac[es] Earl of Liverpool 14,000,-- Mr Vansittart £7,500, &--Ge Rose £16,551--Vist Melville £11,000-- Mr Wellesley Pole £10,000.' On the floor is a paper: 'Droits of Admiralty' [see British Museum Satires No. 10967]. On the right behind John's chair Ministerial members sit in a close row, with a second row standing behind them. One stands on the extreme right holding a long scroll whose coiled end is under John's chair. It is 'A List of Placemen Pensions and Sinecures--Lord Arden £38,574 [cf. British Museum Satires No. 12802]--Earl Bathurst and C°--£37,225--Lord Castlereagh for Two Years Service £71,000--Ld Ellenborough £24,100--Ld Eldon £40,000 & & &c--Marquis Camden £23,000.' The members are burlesqued; four of them say: "I swallow--£10,000 and do very little for it"; "and I £16,000-- for doing next to nothing"; "and I 40,000£--for doing less"; "and I [Castlereagh] £71,000--for doing nothing at all." A fifth, wearing tartan with a Scots cap and taking snuff from a ram's horn mull (evidently Melville), says: "and I 18,000--for doing worse!"."--British Museum online catalogue
Alternative Title:
John Bull reading the extraordinary red book
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Temporary local subject terms: House of Commons -- Maces., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25.1 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 61 in volume 3.
Publisher:
By Ths. Tegg, 111 Cheapside
Subject (Name):
Arden, Charles George Perceval, Baron, 1756-1840., Wellesley-Pole, William, Earl of Mornington, 1763-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Vansittart, Nicholas, 1766-1851., Rose, George, 1744-1818, Bathurst, Henry Bathurst, Earl, 1714-1794., Ellenborough, Edward Law, Baron, 1750-1818., Eldon, John Scott, Earl of, 1751-1838, Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
"Canning in a long robe and floating cloak stands on a Rock of Integrity, against which huge waves are dashing. He holds out a wand, saying, The Tempest has to the point obeyed my spells, | And cast my enemies within my power. The enemies are Eldon, whose head and arms emerge from the waves; Melville, leaning against an overturned (timber) Admiralty Board at the water's edge, and Wellington, in uniform, riding a prancing horse in the sea; a huge baton inscribed Comd in Chief floats away from him. Two big jack-boots emerge from the water, each clutched at by a drowning man. Near Eldon, a creature (? Caliban) supports above the water the head of a second judge and holds up a (?) mirror. Tossed by great waves at the base of the rock are three open boats, each having a small sail, manned by those who have succeeded the 'enemies'. One is The Copley; in it stands Copley (now Lyndhurst) who has just hurled a harpoon which transfixes Eldon's wig. A bird of prey is about to peck the latter's bald head. In an adjacent boat, The Leach, stands Leach holding a harpoon. Behind them is a slightly larger boat, The Anglesea Cutter, in which are three men: Anglesey in civilian dress holding out a drag-net towards Wellington's back; the (?) Duke of Devonshire holding a grappling-iron, and Scarlett. At the water's edge (right) stands a glorified Duke of Clarence as Neptune, holding a trident and supported by two tritons blowing cornucopia-shells. He is in full light and towers above Melville, who lies below in shadow. Behind Canning's back a figure kneels imploringly on the edge of his rock, saying, Oh! take me back to the hospitable shelter of the Duchy, showing that he is Bexley, who having resigned, withdrew his resignation on 12 Apr. (cf. BM Satires 15391). On the shore in the foreground (left) sits the largest and most conspicuous figure, John Bull (not named), with a big burden on his back: National Debt. He has a countryman's short gaiters, is ragged, with a broken shoe and bare toes, but has a grog-blossom nose and smiles delightedly towards Canning. From his pocket hang Petitions for Reform. Near him stands an elegant Erin, playing her harp, a rose-bush at her feet, emblem of Anglo-Irish conciliation. In the air is a demoniac creature riding a dragon, which breathes flames of Superstition. Holding out two firebrands, Bigotry and Intolerance, he looks down at the unconscious Erin; from his mouth issues a label: No Popery. Canning is lit by a beam of light from an irradiated sun containing the head of George IV looking towards his Minister. Behind Canning, among clouds, is a 'wind', a face directing a blast towards him. Near the horizon is a lighthouse. A little figure (? Cobbett) struggles towards it, holding above the water a large scroll inscribed My Comments."--British Museum online catalogue
Alternative Title:
Prospero triumphant
Description:
Title etched below image., Later state with aquatinting, added border, and street address in imprint re-etched from "27" to "24." Cf. no. 15384 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to The tempest by William Shakespeare -- Military uniforms -- Field marshall uniforms -- Male costume: Gaiters -- Reference to Erin -- Reference to Ireland -- Mythology: Neptune -- Tritons -- Tridents -- Popery -- Shells: Cornucopiae -- John Bull -- Demons -- Dragons -- Tempests -- Boats -- Judges -- Mirrors -- Wigs -- Harpoons.
Publisher:
Pubd. May 6, 1827, by G. Humphrey, 24 St. James's Street
Subject (Name):
Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Anglesey, Henry William Paget, Marquis of, 1768-1854, Devonshire, William Spencer Cavendish, Duke of, 1790-1858, Scarlett, James, Sir, 1769-1844, William IV, King of Great Britain, 1765-1837, Vansittart, Nicholas, 1766-1851, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Leach, John, 1760-1834
