"Portrait of unknown tradesman standing half-length to front, head slightly to right, eyes to front; carrying bag over his right shoulder, staff in his left hand, and wearing cap."--British Museum online catalogue
Description:
Title engraved below image., Date range for publication from the British Museum online catalogue, registration no.: 1851,0308.88., With a trade sticker on verso: Norman Blacburn, Trade & Industry., and 1 print : mezzotint ; plate mark 34.8 x 25.2 cm, on sheet 35.8 x 26 cm.
Publisher:
Printed for Henry Parker & Elizth. Bakewell, opposite Birchin Lane in Cornhill, London
"Portrait of unknown tradesman standing half-length to front, head slightly to right, eyes to front; carrying bag over his right shoulder, staff in his left hand, and wearing cap."--British Museum online catalogue
Description:
Title engraved below image., Date range for publication from the British Museum online catalogue, registration no.: 1851,0308.88., and With a trade sticker on verso: Norman Blacburn, Trade & Industry.
Publisher:
Printed for Henry Parker & Elizth. Bakewell, opposite Birchin Lane in Cornhill, London
Date of publication from ESTC., First line: "You see in us a melancholy instance of the depravity of the times ..., In one column with the title centered above; enclosed in border., A political satire, with reference to the shop tax imposed in 1785., Mounted on leaf 43. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
s.n.
Subject (Geographic):
Great Britain
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Public opinion, Taxation, Merchants, Political activity, and Politics and government
Date of publication from ESTC., Verse - "Young lovers pray draw near, a story you shall hear,". - In four columns with the title over the first two; the columns are not separated by rules., Lewis Walpole Library copy: Full imprint reads: "London : Printed and sold at Sympson's Warehouse, in Stonecutter-Street, Fleet-Market"., Mounted on leaf 48. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
printed and sold at Sympson's warehouse
Subject (Geographic):
London (England)
Subject (Topic):
Merchants, Criminal behavior, Love, Letter-writing, Charity, Man-woman relationships, and Social life and customs
Temple wedding, Tempele wedding, and Love at first sight
Description:
Verse begins: "In London fair city a young man and a maid,"., In three columns with the title and three woodcuts above the first two; imprint at the foot of the third column, below a single rule; the columns are not separated by rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 53. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold at No. 4 Aldermary Church Yard
Subject (Geographic):
England
Subject (Topic):
Ballads, English, Courtship, Marriage, Household employees, Merchants, Husband and wife, and Man-woman relationships
"Interior of the Royal Exchange; interior of the great quadrangle from the north-east corner of the inner cloister, or walk, with the clock tower on the left, and the court filled with merchants of various nations."--British Museum online catalogue
Alternative Title:
Perspective view of the inside of the Royal Exchange in London
Description:
Title from dedication below image., Imprint statement lightly printed and barely visible; publisher and date of publication from imprint on companion print., and Companion print to: Perspective view of the outside of the Royal Exchange in London.
Publisher:
John Chapman
Subject (Geographic):
England and London.
Subject (Name):
Pitt, William, 1759-1806, and Royal Exchange (London, England),
Subject (Topic):
Stock exchanges, Quadrangles (Courtyards), and Merchants
Portrait of an elderly man in profile facing to the right and gazing sternly through his spectacles. In his hand he holds a sheaf of papers; another stack of papers fill the pocket of his coat. He stands on boards, perhaps a platform. He is identified in the British Museum catalogue as the merchant Robert Pulsford who died ca. 1835; he and his brother were merchants at 7 Great St. Helens
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Description:
Title, printmaker, and state from Paulson., 'Plate 2d.'--Lower right below image., Four columns of four lines each etched below image: Prosperity, (with Harlot's smiles, Most pelasing,w hen she most beguiles,) ..., Ms. note in Steevens's hand in pencil at bottom margin of print: Given me by Mr. Henderson., Ms. note in ink (another hand?) below image at right: Scotin fe: aqua fortis., and On page 67 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ... and Surrounded by artists and professors
Description:
Title and state from Paulson., Fifth state; the floor under the dancing master's feet has been darkened, his coat under his violin has added hatching, and the fold of Rakewell's dressing gown behind the violin is now crosshatched., Restrike of the fifth state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", and Temporary local Medical Library subject terms: Patients, Psychiatric -- Insanity.
Publisher:
publisher not identified
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Added title from first line of text., and Caption below image in four columns begins: "Prosperity, (with Horlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ..."
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
