"An obese officer stands in profile to the left, his hands clasped behind him, holding a cane by a loop. He wears a cocked hat, one peak over his face, the other on his shoulders, a sword-belt clasped over his sash, and tasselled boots. Identified as Major [Charles] Ashurst."--British Museum online catalogue
Description:
Title etched below image., Leaf 77 in an album with the spine title: Characatures by Dighton., and Figure identified as "Major Ashurst" in pencil in lower left corner of sheet.
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered in upper left corner: No. 13., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., and Mounted to 28 x 39 cm, matted to 30 x 41cm.
Publisher:
Thomas Tegg
Subject (Geographic):
England. and British
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Bishops, Farmers, and Military officers
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered in upper left corner: No. 13., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 12 in volume 1.
Publisher:
Thomas Tegg
Subject (Geographic):
England. and British
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Bishops, Farmers, and Military officers
"A whole length profile figure of a man in a hat and military coat with facings. His hair stands out in a long, thin, stiffened queue. His right hand holds a tasselled cane which rests on his shoulder; his left is on the hilt of his sword."--British Museum online catalogue, description of a later state
Alternative Title:
Twenty more, kill'em
Description:
Title etched below image, Initial letters of publisher's name in imprint form a monogram., Plate numbered '2' in upper right corner., For a later state with added volume numbering, see no. 4987 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Macaronies -- Military uniforms: Lieutenant's uniform -- Tasselled canes -- Queue wig -- Lieut. Alexander Murray, fl. 1768 -- Expressions of speech: Kill'em, Tiger.
Publisher:
Pubd. by MDarly accorg. to act, Decr. 1st, 1771, (39 Strand)
Subject (Topic):
Dandies, British, Military officers, Staffs (Sticks), Daggers & swords, and Wigs
Leaf 65. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A whole length profile figure of a man in a hat and military coat with facings. His hair stands out in a long, thin, stiffened queue. His right hand holds a tasselled cane which rests on his shoulder; his left is on the hilt of his sword."--British Museum online catalogue
Alternative Title:
Twenty more, kill'em
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "2" in upper right corner., Temporary local subject terms: Macaronies -- Military uniforms: Lieutenant's uniform -- Tasselled canes -- Queue wig -- Lieut. Alexander Murray, fl. 1768 -- Expressions of speech: Kill'em, Tiger., and Second of three plates on leaf 65.
Publisher:
Pubd. by MDarly, accorg. to act, Decr. 1st, 1771, (39 Strand)
Subject (Topic):
Dandies, British, Military officers, Staffs (Sticks), Daggers & swords, and Wigs
"Mrs. Clarke (left) stands on one of a pair of scales which is held down by Wardle and almost rests on the ground, while three lawyers in wigs and gowns (evidently Sir W. Grant, Gibbs, and Plomer) stand on the other (right) which General Clavering tries desperately to pull down. The beam is inscribed England expects every Man to do his Duty, and is supported on a mitre (see British Museum Satires No. 11227) worn by the Duke of York, who stands on William Adam's back, which is inscribed Rock of Adam ant. Adam, who lies prone, puffs a blast inscribed Gratuisously [sic] against Mrs. Clarke. Under his hand is an Anonymous Letter. Wardle, in civilian dress, holds out towards the Duke a paper headed [Ch]arges. Perceval, in his Chancellor of the Exchequer's gown, leans towards the right scale, holding out two papers: 199 Majority and 82 Majority, another, 241 Majority, lies on the scale. Where this scale is attached to the beam there is a purse labelled Light Crown Pieces. The Duke wears regimentals with gorget and star, and holds a paper: the Honor of a . . . [Prince]. He holds his drawn sword across Perceval, as if protecting him. Clavering sits on the ground, straining at the ropes. He sits on a paper inscribed [G]enl Claver[ing], and has a paper: Prevaricating Evidence [see British Museum Satires No. 11247]. Beside him is a fragment of paper inscribed Sic donec. Beside the principal performers, and between Mrs. Clarke and the Duke, stands John Bull, a short fat 'cit', holding a large weight inscribed Vox Populi --Sterling. He says: If I dont throw in my weight, our dearest sweetest Love will get the worst of it after all. (Her scale, however, rests on the ground with Wardle's help only.) She turns to him, saying, O Mr Bull! Pray give a pull! At her feet are Letters [see British Museum Satires No. 11228, &c.]."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Grant, William, Sir, 1752-1832, Gibbs, Vicary, Sir, 1751-1820, Plumer, Thomas, Sir, 1753-1824, Clavering, Henry Mordaunt, Adam, William, 1751-1839, and Perceval, Spencer, 1762-1812.
Subject (Topic):
Military officers, British, Mistresses, Lawyers, Miters, and Scales
In front of Humphrey's print shop window, a man sits on the pavement, having fallen backwards; his legs are splayed up, his wig is falling off, and coins spill from his pockets. The man's predicament is unobserved by four men studying the Gillray prints displayed in the shop window, each identifiable: a gentleman with a quizzing glass held to his eye; a military officer; a coachman; and a young dustman carrying a pair of skates under his arm, his nose eaten away by syphilis. From the cobblestone street a dog looks at the man. Through the shop door, two men, one an obese cleric, are shown examining a print
Alternative Title:
St. James's Street
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
England and London
Subject (Name):
Humphrey, Hannah, active 1774-1817.
Subject (Topic):
City & town life, Clergy, Coach drivers, Falling, Merchandise displays, Military officers, British, Older people, People associated with commercial & service activities, Prints, Syphilis, Stores & shops, Thermometers, Weather, Window displays, and Printing industry
"A series of isolated figures, single or in pairs, arranged in two rows, each with an explanatory couplet relating to the news of the capture of Seringapatam, on the authority of a letter received at the India House on 15 May from Bristol dated 'Vestal, at sea'. [1] A grinning man stands full face, with raised shoulders, inscribed,'I cannot express how delighted I am, To hear we have taken Seringapatam'[2] Thurlow, tall and thin, nearsightedly reads a paper with a grin: 'The Chancellor look'd like a frolicksome Ram To hear we had taken Seringapatam.'[3] Dundas, holding a cane, runs in profile to the right; behind him is a small table on which is a bottle, &c.: 'Dundass fled from bottle, from chicken, and ham To Windsor to tell of Seringapatam.'[4] Pitt stands, chapeau-bras, in profile to the left, a cake in one hand, a jam-pot in the other:'Will Pitt eat a cake with some rasberry jam When told we had taken Seringapatam.' ,..."--British Museum online catalogue
Description:
Title from caption below images., Attribution to Newton in the British Museum catalogue., Publisher's advertisement above title: Just published by Holland, three prints on the slave trade ..., Design consists of fourteen single or paired figures in two rows, each with two lines of verse etched above., and Watermark: Curteis & Sons.
Publisher:
Pubd. May 18, 1792, by William Holland, No. 50, Oxford Street
Subject (Geographic):
Śrīraṅgapaṭṭaṇa (India) and India.
Subject (Topic):
Military officers, British, Military uniforms, and Soldiers
