A dandy shown full-length seated to right, holding a phial to his nose and gazing at his reflection while a hairdresser prepares to attach a looped queue to his wig
Alternative Title:
Lily-white maccaroni and Lily-white macaroni
Description:
Title etched below image., Carington Bowles was located at this address between 1766 and 1793; date of 1774 based on other prints in a series on the same topic., Numbered '210' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
Great Britain
Subject (Topic):
Braids (Hairdressing), Clothing & dress, Dandies, Hairdressing, Mirrors, and Wigs
"An elderly, sharp-featured virago, with skinny neck and muscular arms, sits directed to the right, furiously kicking and shaking her left fist at the old-fashioned looking-glass which stands on a muslin-covered dressing-table. The glass has been shattered by the curling-tongs which she holds in her right hand, and a broken hand-mirror lies on the floor. She wears old-fashioned stays laced over a petticoat, but her head-dress is complete; two tall feathers, with flowers and striped ribbon drapery, poised on unconvincing curls. On the dressing-table are fragments of mirror, large comb, tiny hair-brush, &c., bottles labelled 'Milk of Roses' and 'Olimpian Dew'. A bottle of 'Circassian Bloom' lies on the floor. The tall window is partly covered by a curtain hanging in festoons from above. Behind the chair is a shallow wooden tub."--British Museum online catalogue
Description:
Title etched below image., Print signed using an unidentified artist's device: A Strassburg lily., Sheet trimmed within plate mark., and Companion print to: Looking glass in favour.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, No. 50 Piccadilly
"A lady, young and beautiful, sits in an arm-chair, her head in profile to the left, gazing at her reflection in a standing pier-glass. She wears a dress cut very low, with short puffed sleeves, a small hat supporting two tall feathers and showing curls surrounding her face. A miniature on a long double chain is attached to her corsage. She holds a small round box of some cosmetic. Behind her a parasol lies on a table, with a ring in place of ferrule. Behind this stands an ornate harp, with three pedals, decorated with a winged female figure and roses, a suitable instrument for the display of rounded arms. Fringed curtains frame a tall window, which throws a strong light on lady and mirror."--British Museum online catalogue
Alternative Title:
Looking glass in favor
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: The looking glass in disgrace.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Young adults, Mirrors, Feathers, Draperies, Umbrellas, and Harps
A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:
Billy Dimple sitting for his picture
Description:
Title from item., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Later state, with altered imprint statement and added plate numbering. For an earlier state with the imprint "Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London, published as the act directs, 25 Sepr. 1772", see Lewis Walpole Library call no.: 772.09.25.01.1+, Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1792. See: Plomer, H.R. Dictionaries of the printers and booksellers., Plate numbered '257' in lower left corner., Temporary local subject terms: Furnishings: round mirror -- Portrait paintings -- Artist's implements: palette and brushes., and Watermark.
Publisher:
Printed for Bowles & Carver, Map & Printsellers, No. 69 in St. Pauls Church Yard, London
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., and Mounted to 41 x 34 cm.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., 1 print : etching on wove paper ; plate mark 27.5 x 22.7 cm, on sheet 29.7 x 24.5 cm., and Mounted on leaf 23 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., and Mounted on page 35.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 27.6 x 22.5 cm, on sheet 27.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 73 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil at bottom of sheet; date "20 May 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
"Fox acts as barber to the Duchess of Devonshire; he applies a razor to her cheek, holding her chin. She is seated on a settee (left) covered with striped material. Sam House stands (right) holding a barber's bowl, a towel under his arm."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Mounted to 29 x 36 cm.
Publisher:
Pubd. May 10, 1784, by J. Moore, No. 19 Hallon [i.e. Hatton?] Street
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and House, Samuel, -1785
Subject (Topic):
Barbers, Chairs, Mirrors, Shaving, Shaving equipment, and Sofas
