Manuscript fragment on parchment of lessons for the Mass, either from a lectionary or a missal. Readings include: Matthew 10, Luke 6, 11, and 12.
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 1- and 3-line initials at the beginning of lessons are in red; initials at the beginning of verses are in brown highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Manuscript fragment on parchment of a liturgical book containing instructions for a Feria on Dec. 27, among others, possibly from a missal
Description:
In Latin., Script: written in an unidentified script., Decoration: chapter marks and rubrics in red; unheightened neumes appear in red over parts of the text., and These fragments, which appear to be from the same manuscript, are contained in Zi +1215 (Albertus Magnus, Enarrationes in Evangelium Iohannis), in which they are used as front and back pastedowns.
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment, composed of four parts. Written at the end of the 14th century (Parts I, III) and in 1578 (Parts II, IV); the prominence of St. Maclovius (Macutus) suggests that Parts II and IV were produced in Brittany or Normandy
Description:
In Latin., Script: Parts I and III (ff. 1r-40v, 48r-72v): Written in liturgical gothic of two sizes, by one scribe. Parts II and IV (ff. 41r-47v, 73r-102v) were intended to be integrated into the earlier portion: Written in liturgical gothic of the late 16th century, in two sizes by a single scribe; the letters slant slightly toward the left., On f. 48r, a 5-line historiated initial (65 x 58 mm.), white-decorated red and blue on a gold ground, enclosing a priest serving Communion; from the corners sprout blue vines with white, gold, and red trilobe leaves, extending around 3 sides of the page. On f. 1r, an 8-line illuminated initial of white-decorated blue and red (63 x 65 mm.), filled with blue and red trilobe leaves, on a gold ground; the base of the letter is extended around the inner and lower margins as a gold, blue, red, and white bounding line; from the lower two corners of this line and the upper left corner of the initial sprout vines, as for the historiated initial. 3- and 2-line initials in orange-tinted red or blue; rubrics throughout. Square notes in brown on 4-line orange-tinted red staves (the red ink has bled so that the whole written space has an orange glow). Parts II and IV: 4- to 1-line initials in red and blue. Rubrics are sometimes set off on the right side of the page by a narrow vertical border in brown. Musical notation: square notes on 4-line staves, all in brown., and Binding: 1981. Quarter cloth case, retaining brown mottled paper covered boards, 19th century. Traces of earlier bindings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a missal containing the Sunday after Holy Trinity
Description:
In Latin., Script: written in two sizes of late Caroline minuscule, with a smaller script for the chants and a larger one for the lessons., and Decoration: 3-line initial "I" at the beginning of the lesson is in red; 1-line chant initials are in red uncials; 1-line initials within the lessons are in brown rustic capitals highlighted with red; rubrics are written in red minuscule; punctuated with the punctus and punctus elevatus.
Manuscript fragment on parchment of a missal containing readings from: Common of Saints; Lesson from Hebrews 5; Unidentified secreta and postcommunio (Common of a Confessor?); and Common of Virgins
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: three lines of a large initial "F" (?) that is half green and half red are preserved on fol. 1r; 1-line initials at the beginning of prayers are in red square capitals; smaller 1-line initials are in brown rustic capitals highlighted with red; rubrics are written in a mixture of red capitals and minuscule forms; liturgical directions are written in brown minuscule with some rustic capital forms and are dotted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing: Feria III after the twelfth Sunday after Pentecost; Feria IV after the twelfth Sunday after Pentecost; Feria VI after the twelfth Sunday after Pentecost; and Thirteenth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 3-line initials at the beginning of lessons alternate blue with red flourishes or red with not flourishes; 1-line initials at the beginning of verses are black, highlighted with red dots; punctuated with the punctus and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing Palm Sunday and Feria II after Palm Sunday
Description:
In Latin., Script: written in two sizes of rounded gothic script (littera textualis), a larger script for the lessons and prayers and a smaller script for chants., and Decoration: 2-line initials of prayers and lessons alternate red and blue; 1-line initials within lessons, of chants and the first letters following a 2-line initial are brown and yellow; rubrics written in a red cursive script; punctuated with the punctus; a contemporary hand has made corrections in black ink.
Manuscript fragment on parchment of a missal containing the Saturday after the First Sunday of Quadragesima and the Second Sunday of Quadragesima
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2- and 3-line initials at the beginning of lessons and prayers alternate blue decorated with red penwork and red with no flourishes (the blue is faded); 1-line initials beginning the second word of the lessons alternate red and blue; other 1-line initials are brown highlighted with red strokes and dots; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation added by a later hand.
