Title from lettered state in the British Museum., Artist, printmaker, and publication information from description of a later state in the British Museum online catalogue, registration number: 1981,U.380., Plate XXI from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: [Portraits of hounds].
"A young lady at confession; on the right, a monk leans on his elbow, right hand resting on a Bible, lecherously looking sideways at a young girl beside him, who stands holding a rosary, looking down sorrowfully with tears running down her cheek, she wears a veil on her head. On the ledge are various symbols of mortality, and a paper, lettered "...From fornication and all other deadly Sins Libera nos Domine! 'Tis better to Marry than burn...", to the far left stands an altar; after Millar; scratched-letter state."--British Museum online catalogue, description of a later state
Description:
Title from the Catalogue of the Society of Artists, 1771, no. 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chapel of a Catholic church -- Religious rites -- Rosaries -- Allusion to sins., and Watermark.
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door ..., another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Artist from statement of responsibility on later state: H. Bunbury Esqr. delint., Printmaker identified as Dickinson in the British Museum online catalogue., Proof before letters. For a later state with title, statements of responsibility, verses, and imprint "London, Publish'd Octr. 20th, 1782, by W. Dickinson ..." below image, see British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed within plate mark., and Mounted on page 123 of: Bunbury album.
Publisher:
W. Dickinson
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
Volume 2, page 97. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing with a basket on her crossed arms, returning the smile of a fat monk at left with a contemptuous expression; after Bunbury."--British Museum online catalogue, description of a later state
Alternative Title:
Monk and a young maid
Description:
Title from British Museum online catalogue., Early state, before title and imprint statement added. For a later state with imprint present, see British Museum online catalogue, registration no.: 1906,0419.125., Publication information from imprint on later state: London, Publish'd June 1st, 1790, by W. Dickinson, engraver, Bond Street., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 97 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 61 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., Ink annotations in lower margin provide the title "Fred. Zemmerman having escaped from the Abbey of La Trappe & recover'd his beloved mistress is seiz'd & thrown into a dungeon for life", the statements of responsibility "Mr. Bunbury del. ; Js. Bretherton f.", and the publication line "Publish'd 9th March 1788"., and Price written in pencil in lower right corner of sheet: £1-5s. pair.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 131 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 45.8 x 55.8 cm.
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted on page 106.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted to 43 x 31 cm.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., 1 print : soft-ground etching and stipple engraving on wove paper ; plate mark 26.2 x 17.7 cm, on sheet 28.2 x 19.7 cm., and Mounted on leaf 88 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
