publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Sotheby 49 Box 100
Collection Title:
Plate 49. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., and Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband."
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
Drawing of a tall sign, with a post similar to that of a street lamp, displaying a rectangular portrait of a man surrounded by ornamentation. The man, possibly a politician, is shown bust-length in profile to the left; he has a long nose that curls upward and wears a wig that likewise curls upwards in the back. The words "The saviour of his grateful country" are written on the sign directly beneath the portrait, indicating that the sign might in fact be a monument. To the right of the sign is a low milestone on which is written "To Kingston I mile, to London X miles".
Description:
Title written in image., Possibly drawn by James Sayers; the drawing is laid in a volume of prints that Sayers assembled., Approximate date of production from watermark: G. Pike 1817., and Attached to a lithograph with a metal pin that pierces the lower left corners of both sheets; laid in James Sayers's Folio album of 144 caricatures.
Subject (Topic):
Monuments & memorials, Traffic signs & signals, Milestones, and Portraits
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, p. 454. Spurious., and On page 185 in volume 2. Sheet trimmed to: 34.7 x 23.1 cm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., and Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., and Sheet trimmed to 346 x 248 mm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A monument to David Garrick with a putto holding a copy of the portrait of Garrick by Sir Joshua Reynolds just below the urn at the top. Below them, the muses of Comedy and Tragedy mourn along with three other putti and various theatrical emblems. At the bottom of the monument is engraved a quote from Shakespeare: " ... take him for all in all, we shall not look upon his like again."
Description:
Title from a separately engraved plate below the image. The title is followed by a verse from Sheridan, in two columns, three lines each, and a dedication: "This plate is done from the grand scene in the Monody, in honour of Garrick at the Theatre Royal, Drury Lane, is respectfully dedicated by their most obedient humble servt. Thos. Letton. The portrait from a picture of Sr. Joshua Reynolds, in the collection of Sr. Thos. Mills." and Thin gold paper border mounted on wash-lined mount.
Publisher:
Pub. May 23, 1781, for the proprieor T. Letton, by Mr. Picot, facing Hungerford Coffee House, Strand & Mr. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
England.
Subject (Name):
Garrick, David, 1717-1779
Subject (Topic):
Monuments, Actors, Monuments & memorials, and British
Drawing of the monument to the memory of Kitty Clive that was erected by Horace Walpole at Little Strawberry Hill. The monument consists of an urn sitting upon a pedestal that bears the inscription: Ye smiles and jests still hover round; this is mirths consecrated ground; here lived the laughter loving dame, a matchless actress, Clive her name; the Comic Muse with her retired, and shed a tear when she expired. H.W.
Description:
Title from note in brown ink below image, in Horace Walpole's hand., Unsigned; artist unidentified., Date of production based on death date of Horace Walpole, whose manuscript annotation is present., and Mounted on page 194 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Clive, Kitty, 1711-1785. and Strawberry Hill (Twickenham, London, England)
A writing sheet, illustrated with ten views of London that border a central blank area
Description:
Title from text at top of plate, etched within banner above largest image. and Each of the ten images has a caption etched below or above.
Publisher:
Published April 4, 1814, by R. Harrild, 20 Great Eastcheap
Subject (Geographic):
London (England), London Bridge (London, England),, Blackfriars Bridge (London, England),, England, and London.
Subject (Name):
Tower of London (London, England),, Mansion House (London, England),, Bank of England,, St. Paul's Cathedral (London, England),, and Guildhall (London, England),
Subject (Topic):
Monument, The (London, England), Bridges, Monuments & memorials, Rowing races, and Sailboat racing