A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, p. 454. Spurious., and On page 185 in volume 2. Sheet trimmed to: 34.7 x 23.1 cm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., and Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., and Sheet trimmed to 346 x 248 mm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A monument to David Garrick with a putto holding a copy of the portrait of Garrick by Sir Joshua Reynolds just below the urn at the top. Below them, the muses of Comedy and Tragedy mourn along with three other putti and various theatrical emblems. At the bottom of the monument is engraved a quote from Shakespeare: " ... take him for all in all, we shall not look upon his like again."
Description:
Title from a separately engraved plate below the image. The title is followed by a verse from Sheridan, in two columns, three lines each, and a dedication: "This plate is done from the grand scene in the Monody, in honour of Garrick at the Theatre Royal, Drury Lane, is respectfully dedicated by their most obedient humble servt. Thos. Letton. The portrait from a picture of Sr. Joshua Reynolds, in the collection of Sr. Thos. Mills." and Thin gold paper border mounted on wash-lined mount.
Publisher:
Pub. May 23, 1781, for the proprieor T. Letton, by Mr. Picot, facing Hungerford Coffee House, Strand & Mr. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
England.
Subject (Name):
Garrick, David, 1717-1779
Subject (Topic):
Monuments, Actors, Monuments & memorials, and British
Drawing of the monument to the memory of Kitty Clive that was erected by Horace Walpole at Little Strawberry Hill. The monument consists of an urn sitting upon a pedestal that bears the inscription: Ye smiles and jests still hover round; this is mirths consecrated ground; here lived the laughter loving dame, a matchless actress, Clive her name; the Comic Muse with her retired, and shed a tear when she expired. H.W.
Description:
Title from note in brown ink below image, in Horace Walpole's hand., Unsigned; artist unidentified., Date of production based on death date of Horace Walpole, whose manuscript annotation is present., and Mounted on page 194 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Clive, Kitty, 1711-1785. and Strawberry Hill (Twickenham, London, England)
A writing sheet, illustrated with ten views of London that border a central blank area
Description:
Title from text at top of plate, etched within banner above largest image. and Each of the ten images has a caption etched below or above.
Publisher:
Published April 4, 1814, by R. Harrild, 20 Great Eastcheap
Subject (Geographic):
London (England), London Bridge (London, England),, Blackfriars Bridge (London, England),, England, and London.
Subject (Name):
Tower of London (London, England),, Mansion House (London, England),, Bank of England,, St. Paul's Cathedral (London, England),, and Guildhall (London, England),
Subject (Topic):
Monument, The (London, England), Bridges, Monuments & memorials, Rowing races, and Sailboat racing
Portrait of William Beckford, from his monument in the Guildhall; whole length, standing, looking to the left, wearing fur trimmed robes and garter chain; seated by his feet to the left is a female personification of the City of London weeping, and on the right the figure of Trade & Commerce shown slouching with head bowed; the statue stands on a large pedestal with long inscription addressed "Most Gracious Sovereign".
Description:
Title from text etched on the pedestal in image., Dedication etched at bottom of plate, above imprint: Humbly inscribed by permission to the Right Honble. Brass Crosby Esqr. Lord Mayor, the Worshipfull Court of Alderman, the Sheriffs & the Common Councilmen of the City of London by their much obliged humble servt. Jno. Smith., Sheet trimmed to plate mark on left edge., and William Beckford: Sugar merchant with estates in Jamaica. Member of Parliament; Lord Mayor of London; supporter of Wilkes. Father of William Thomas Beckford, the author of "Vathek", to whom he left £1,000,000.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside, & Robt. Sayer, No. 53 Fleet Street
View of the monument erected in 1773 in Ampthill Park, Bedfordshire, by John Fitzpatrick, Earl of Upper Ossory. The large cross on its terraced base, seen in the middle distance surrounded by trees and other greenery, sits at the site of the house where Queen Catherine of Aragon resided while her divorce from King Henry VIII was under discussion
Description:
Title devised by curator., Unsigned; artist unidentified., Questionable attribution to Horace Walpole suggested by pencil annotation on verso: Must be drawn by H.W. ipse., Date of production supplied by cataloger., Drawing mounted opposite a description, in Thomas Kirgate's hand, of the location of the monument and a transcription of the lines written by Horace Walpole that were inscribed on its base., and Mounted on page 20a in an extra-illustrated copy of: Walpole, H. Fugitive pieces in verse and prose. [Twickenham] : Printed at Strawberry-Hill, 1758.
Subject (Name):
Catherine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536
A design proposed for the monument to Roger Townshend in Westminster Abbey; sent in Horace Walpole's letter to the deceased's mother Lady Townshend, Friday 21 September 1759. In his letter he attributes the design to Richard Bentley and acknowledges authorship of the epitaph: "To the memory of Roger Townshend her youngest son slain in the service of his country at ... 1759, Ethelreda Viscountess Townshend dedicates this marble. Lov'd Son, adieu! Tho' from a Mother's eyes fond tears you call, She thanks you, that without a blush they fall. Lady Townshend did not use this design but instead a design by Robert Adam
Alternative Title:
To the memory of Roger Townshend
Description:
Title devised by curator., Watermark in center of sheet: GR., and For transcription of the letter along with a reproduction of the image, see: Yale edition of Horace Walpole's correspondence, v. 40, p. 166-67.
Volume 2, end flyleaf. Anecdotes of painting in England.
Image Count:
1
Resource Type:
still image
Abstract:
Simplified depiction of the memorial to the architect Robert Smythson in St. Leonard's Church, Wollaton. A coat of arms is drawn at the top of the sheet, with the text of the epitaph written below. The decorative stonework, which surrounds the epitaph on the memorial, is not depicted
Alternative Title:
Here lyeth [the] body of Mr. Robert Smythson Gent. architector ...
Description:
Title devised by curator., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., Text of epitaph: Here lyeth [the] body of Mr. Robert Smythson Gent. architector and svrvayor vnto the most worthy hovse of Wollaton with diverse others of great accovnt, he lived in [the] fayth of Christ 79 yeares, & then departed this life [the] XVh of October, año Dm̃i 1614., and Mounted on end flyleaf in volume 2 of Horace Walpole's extra-illustrated copy of Anecdotes of painting in England.
