In avenue of trees, an old farmer's wife (right), dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; to the left a black page boy holds the girl's lap-dog. In the distance on the left is a house with two gable windows
Description:
Title from caption below image., Sheet trimmed to plate mark., "From an original drawing by Grimm." See Stephens., Companion print of: Welladay! is this my son Tom!, Cf. "Be not amaz'd dear mother. It is indeed your daughter Anne" no. 4537 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / F.G. Stephens, v. 4. Published by Carington Bowles in 1770., No. 6 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Daughters, Dogs, Hairstyles, Servants, and Mothers
Zacharias writes the name of his son John on a tablet
Description:
Title from item., Alternate title supplied by curator., Date derived from printmaker's date of death., Place of publication based on printmaker's place of residence., From: The Life of John the Baptist., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
John, the Baptist, Saint., Zacharias (Father of John the Baptist)., and Elizabeth (Mother of John the Baptist), Saint.
Subject (Topic):
Childbirth, Medicine in the Bible, Postnatal care, Mothers, Saints, Infants, Midwifes, Bathing, Writing, and Cooking
Title from item., Date supplied by curator., Place of publication derived from artist's place of residence., Second of three leaflets against profiteering., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Germany, Politics and government, Profiteering, Malnutrition, Hunger, Mothers, Sick children, and Waiting rooms
Several designs, many with captions including a black coach driver; a fashionably dressed young black woman; a mother and child; a child with a doll; a scene in which whites hoe the ground under the watch of a black overseer, etc. In the center, the largest design shows three women playing cards with an Indian man who is smoking a hookah
Description:
Title from caption below central image., Probably from Cruikshank's self-published series: My sketch book., Plate numbered in upper right corner: Pl. 4 No. 5., and Sheet trimmed within plate mark.
Publisher:
George Cruikshank
Subject (Topic):
Black people, Card games, Cats, Coach drivers, Infants, Mothers, and Water pipes (Smoking)
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. The words round the circle are the same as in BMSat 6903. Beneath the circle is inscribed 'Prudence produceth esteem'."--British Museum catalogue., The first three words of the title at the top and "Prudence produceth Esteem" below, followed by four lines of verse. The whole title appears around the circumference of the circle., Four verses of four lines begins: Instead of cards my fair-one look, (I beg you'll take it kind) Into some learned author's book, And cultivate your mind. ..., Companion print to: Keep within Compass and you shall be sure, to avoid many troubles which others endure., and Reissue of No. 6907 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Lacks series numbering.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. ..."--British Museum online catalogue, description of a larger version of the same design
Alternative Title:
Prudence produceth esteem and Keep within compass and you shall be sure, to avoid many troubles which others endure
Description:
Title from text above and below circular image at center of design., Alternative title from text etched within circular border of center image: Keep within compass and you shall be sure, to avoid many troubles which others endure., After a watercolor drawing by Robert Dighton; see British Museum online catalogue, registration no.: 1859,0709.57., Reissue, with new imprint and date removed, of a print published by Carington Bowles in 1785; see no. 6908 in the Catalogue of prints and drawings in the British Museum, v. 6. For a larger mezzotint version of the same design with more extensive verses below, see no. 6907 in the Catalogue of prints and drawings in the British Museum, v. 6., Date based on the partnership of Bowles and Carver from 1793 until 1832., Sheet trimmed to plate mark., Four lines of verse in two columns at bottom of plate: Attend unto this simple fact, as thro' this life you rove, that virtuous and prudent ways, will gain esteem and love., and Plate numbered "347" in lower left corner.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard, London
Two women stand before a knife grinder and his cart equipped with a grinding wheel, on the sidewalk before an open door and under a street lamp. The woman closest to the viewer hands him a pair of scissors while the other looks on. In the background on the right, a woman carrying a baby on her back walks away from the scene
Alternative Title:
Knives, scissors and razors to grind and Couteaux, ciseaux, rasoirs a repasser
Description:
Titles in English and French below image, engraved on either side of series title. and Engraved after Francis Wheatley, who first exhibited his series of oil paintings depicting London street-sellers at the Royal Academy between 1792 and 1795.
Publisher:
Pubd. as the act directs Jan. 1, 1795, by Colnaghi & Co., No. 132 Pall Mall
Subject (Topic):
Grinding wheels, Infants, Mothers, Scissors, and Street vendors
Same image as the one that appears as Plate 6 of Wheatley's Cries of London. This plate shows two women standing before a knife grinder and his cart equiped with a grinding wheel, on the sidewalk before an open door and under a street lamp. In the background on the right, a woman carrying a baby on her back walks away from the scene
Description:
Title from item. and Engraved after Francis Wheatley, who first exhibited his series of oil paintings depicting London street-sellers at the Royal Academy between 1792 and 1795.
Subject (Topic):
Copperplates, Grinding wheels, Infants, Mothers, Scissors, and Street vendors
Title from item., Place of publication derived from language of text., From: Galerie De Son Altesse Royale Madame La Duchesse De Berry École Française. Peintres Modernes, 1824., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Bonnemaison, dirext and Lith. de Villain
Subject (Topic):
Care of the sick, Pediatrics, Mothers, Worry, Prayer, Family members, and Sick persons
