Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female Costume: Fur wrap -- Male Costume, 1802., and Watermark: J Whatman 1794.
Publisher:
Pub. Janry. 20, 1802 by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Clothing & dress, Fur garments, Muffs, and Staffs (Sticks)
Title etched below image., Tentatively attributed to G.M. Woodward in unverified card catalog record., Sheet trimmed within plate mark., Companion print to: A woman and her husband!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples -- Female dress: Parasols -- Hand-muff., Mounted to 38 x 30 cm., and Mounted on verso of Lot 19. Part of the Townland of Coolcarta East. The estate of Mrs. Eliza Felicia West, situate in the County of Galway. Ordnance sheet 100, 101 made by order of the Commissioners for the Sale of Incumbered Estates in Ireland, by Hodges & Smith, 104 Grafton Street, Dublin [n.d.].
Title from text below image., Date of publication from unverified data in local card catalog record., Text below title: "It's of no use ma'am, large bodies are not allowed to walk about, so you must disperse yourself.", and "Price 6 d."
Title etched below image., Imprint statement was either partially burnished from plate or erased from sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 1817 by [S.]W. Fores, Piccadilly
Subject (Topic):
Military uniforms, British, Muffs, and Eating & drinking
Title from item., Sheet trimmed to plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: French term for pregnancy.
Publisher:
Pubd. Feby. 20th 1786 by J. Wicksteed, No. 30 Henrietta Strt. Covent Garden
Three strips arranged horizontally, intended to be cut and arranged as a border; a succession of little scenes, with the words of the speakers etched above, several of the figures grotesque, with large heads
Description:
Title etched below image; plate number "Plate 4" etched in upper left., Attributed to Rowlandson by Grego., Probably one of twenty-four sheets published by Ackermann in a series entitled "Borders for rooms and screens." See Grego., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. April 1, 1799, at Akermans [sic] Gallery, No. 101 Strand
"Portrait of Samuel Foote in character; whole length, standing, wearing the latest 'French' fashions, including large fur muff, wig with pointed sides, mis-matched tights, and coat with over-sized cuffs; his outfit is scrutinized by two English gentlemen to the right; two men in background, one preparing a hat, bending over a dressing table with mirror."--British Museum online catalogue and On the back wall are two large framed pictures, both with scenes from mythology. On the left, Apollo with bow and arrow pursues Daphne who has begun the turn into a laurel tree. On the right, Leda and the swan
Alternative Title:
Buck metamorphosed and Mr. Foote in the character of the Englishman return'd from Paris
Description:
Title engraved below image., Date of publication based on the first performance of The Englishman returned from Paris, which premiered at Covent Garden Theatre in 1756., Probably published no later than 1760, when Robert Withy began trading on his own from a Cornhill address. His partnership with John Ryall, at the Fleet Street address listed here, is documented by prints and trade cards in the British Museum from the 1750s. See British Museum online catalogue., Sheet trimmed to plate mark., For a probable reissue of this plate, published by C. Sheppard in the 1790s, see British Museum online catalogue, registration no.: K,60.14., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 231, no. 15., and Mounted to 37 x 27 cm.
Publisher:
Printed for John Ryall & Robt. Withy, at Hogarth's Head in Fleet Street
Subject (Name):
Foote, Samuel, 1720-1777. and Foote, Samuel, 1720-1777
"A phrenologist, De Ville, in his consulting room, feels the forehead of a loutish gaping youth who kneels on a cushion at his feet. Behind the boy stands his stupid-looking mother, grinning with delight at her son. De Ville, who wears plain old-fashioned dress, has a grotesquely shaped skull fringed with scanty hair; his left hand rests on an open book on his table on which is a skull, numbered phrenologically and resting on a paper: Thurtell [murderer] shown to be Craniologically an Excellent Character. Behind him stands an assistant with a porcine profile writing in a note-book: Very large Wit N° 32. A large book-case covers much of the wall (right). There are also portrait heads illustrating grotesque misshapen features, and a bust on a pedestal with a satyr-like profile."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of quoted text below title: "Pores o'er the cranial map with learned eyes, Each rising hill and bumpy knoll descries, Here secret fires, and there deep mines of sense, His touch detects beneath each prominence.", and For an earlier state before aquatint added, see no. 15157 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. Feby. 24th, 1826, by G. Humphrey, 24 St. James's Strt., London
Subject (Geographic):
England.
Subject (Name):
De Ville, J. and Thurtell, John, 1794-1824.
Subject (Topic):
Phrenology, Costume, Caricatures and cartoons, Bookcases, and Muffs
Leaf 56. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady (three-quarter length) in profile to the right. with the enormous coiffure of 1776-7 grotesquely exaggerated. Her hands are in a muff. Her inverted pyramid of hair supports three quasi-circular redoubts surrounded by cannon on which troops are fighting. On each is a flag large out of all proportion to the soldiers. There are also a train of artillery, and a number of tents. All the men in the redoubts are dressed as British soldiers but are firing point-blank at each other; their three flags are decorated respectively with an ape, with two women holding darts of lightning, and with a goose."--British Museum online catalogue and "A companion print to British Museum Satires No. 5335. Evidently intended to satirize the fighting at Bunker Hill, 17 June 1775. For similar satires on hair-dressing see British Museum Satires No. 5378, apparently a parody of this print."--Curator's comments, British Museum online catalogue
Alternative Title:
America's head dress and America's headdress
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., and Second of two plates on leaf 56.
Publisher:
Pubd. April 19 by MDarly, 39 Strand
Subject (Geographic):
United States and England
Subject (Topic):
Bunker Hill, Battle of, Boston, Mass., 1775, History > Revolution, 1775-1783, Hairstyles, Clothing & dress, Muffs, Soldiers, British, Flags, Apes, and Geese
A satire, divided into quarters, with four small scenes of different episodes of persons trying to collect their Christmas boxes. In the first square in the upper left, a plump supplicant in an apron holds out his hat to a scowling-faced man with a kerchief tied over his hat and a walking stick under his arm as they meet in a road outside a building with a lamp. Behind him on the wall is a sign posted "Miser'. In response to the request, the miser says "Give you a Christmass box. Curse you don't I pay you for your meat." On the top row, right, a thin man (a grave digger?) with a pipe in his mouth, bows to an obese clergyman, with a fat dog at his heel, as they stand in the graveyard of a church. The gravedigger asks, "Most worthy Parson give me a Christmass box." The Parson replies, "Give you a halter you rascal. What should I give you a Christmass box for." In the lower left, clergyman shakes his walking stick at a surprised man who is carrying a large box on his back and secured with a strap over his forehead. The clergyman says to the laborer, "If you ever ask me for a Christmass box again, I'll physic you to death." They are standing in front of building with a lantern and sign that reads "Gargle Apothycary." The fourth square, lower right, shows old, hag-faced woman with a hat and muff standing in a parlor as she slaps the face of an astonished footman. She tells him, "Take that you saucy rascal for a Xmass box!" He replies, "What's that for. I did not want a box on the ear, not I."
Alternative Title:
Christmas boxes
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 33 x 43 cm.
Publisher:
Pubd. by Wm. Holland, 50 Oxford St.
Subject (Geographic):
England. and England
Subject (Topic):
Charity, Christmas, Social life and customs, Begging (Pleading), Cemeteries, Clergy, Dogs, Milestones, Muffs, and Obesity
