"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, and Manuscript "254" in upper center of plate.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, Mounted on page 35 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; plate mark 38.3 x 23 cm, on sheet 38.8 x 23.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
Published May 4, 1818, by G. Humphrey, 27 St. James's St., nephew & successor to the late Mrs. H. Humphrey
Subject (Name):
Elizabeth, Princess of England, 1770-1840, Frederick VI, Landgrave of Hesse-Homburg, Caricatures and cartoons., George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William Frederick, Duke of Gloucester, 1776-1834, Mary, Duchess of Gloucester, 1776-1857, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Edward Augustus, Prince, Duke of Kent, 1767-1820, Ernest Augustus, King of Hanover, 1771-1851, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Ethnic stereotypes, Dance, Obesity, Military uniforms, Drinking vessels, Musical instruments, Dogs, and Pipes (Smoking)
Title from item., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 3(1768), p. 65., Temporary local subject terms: Altars: Baal's altar -- Reference to the liberty of the press -- Reference to the Constitution -- Reference to Habeas corpus -- Discharged sailor -- Scourge -- Bags of money -- Allusion to the East India Company -- Allusion to the Bank of England -- Allusion to the American colonies -- Emblems: an earl's coronet -- Pensions: allusion to Lord Chatham's pension., and Mounted to 32 x 41 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Pitt, William, Earl of Chatham, 1708-1778, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Warburton, William, 1698-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Mansfield, William Murray, Earl of, 1705-1793, Northington, Robert Henley, Earl of, 1708?-1772, Norton, Fletcher, 1716-1789, Granby, John Manners, Marquis of, 1721-1770, Rigby, Richard, 1722-1788, Rochford, William Henry Nassau de Zuylestein, Earl of, 1717-1781, and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Gout, Beggars, Peg legs, and Musical instruments
A satire on Madame Mara: She sits in an armchair decorated with Masonic symbols which is in the center of a concert room, with a boarded floor and low platform along the back for the performers. She sings the lines "Oh, Oh, de roasta beef-a de charmante pudding O"; in her hands is an open music book titled "Oh the road beed of Old England, Fieldings popular song. The plebeian audience sit or stand along the right and left foreground. On the left a lady asks her neioghbor, "Did she sing this sogn at the Abbey?" He responds, "She never sung so well as the Abbey in her life." In the center foreground sits a dog who watches the vocalist. The wall is decorated with candle-sconces and a placard with the "Rules to be observed in this meeting" which jabs at the plebeian audience. One man performs on a salt-box, another with marrow-bone and cleaver while yet another puts a Jew's harp in his mouth; a fourth plays a bladder bridge. See British Museum catalogue for further discussion
Description:
Title etched below image., Seven lines of descriptive prose inscribed below title., Possibly engraved by Henry Wigstead (d. 1793). See attribution in British Museum catalogue to Mr. Hawkins., and Watermark in center of sheet: J Whatman.
Publisher:
Publish'd Feby. 28th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3, Piccadilly
Subject (Geographic):
Wapping (London, England)
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833
Subject (Topic):
Social life and customs, Masons, Audiences, Concerts, Dogs, Etiquette, Harps, Musical instruments, and Musicians
"Scene outside a posting inn. A man (right) riding right to left clutches his horse round the neck, he has lost his stirrups and his hat flies off. The horse is rearing, startled by the drum and fifes of a recruiting party in Guards' uniform led by an officer with a drawn sword, and followed by three recruits wearing ribbon favours in their hats. The rider is fashionably dressed in riding clothes, a pair of curling tongs falls from his pocket, a box which he was carrying has fallen to the ground, where various articles of the barber's trade have fallen from it: tresses of hair, a packet of "Powder", a comb, razor, &c. In the background is a three-storied inn, with bay-windows on all floors. Spectators watch from the windows. The sign is hung from a standard (right); behind (left) are outhouses inscribed "Licensed to [hire] post horses"; a coach stands in front of them."--British Museum online catalogue
Description:
Title from item. and Plate numbered '474' in lower left corner.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
Margate (England)
Subject (Topic):
Barbers, Carriages & coaches, Taverns (Inns), Military uniforms, British, Musical instruments, Outbuildings, Signs (Notices), and Spectators
A hairdresser stands working on the coiffeur of a girl seated in a chair. On the table beside the girl rests a guitar and sheets of music
Alternative Title:
Boarding school hairdresser
Description:
Title from item., Number '144' appears in lower left corner of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, No. 53 Fleet Street, as the act directs
Subject (Topic):
Capes (Clothing), Hairdressing, Hats, Guitars, Musical instruments, and Wallpapers
pub. according to act of Parliamt., March 21st 1754.
Call Number:
754.03.21.01+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Eight lines of verse below image, in two columns on either side of title: The figure's odd - yet who wou'd think? (WIthin this tunn of meat & drink) ..., Temporary local subject terms: Hand mirrors -- Mythology: satyr -- Bills of fare -- Drink -- Sheet music., and Watermark: Strasburg bend.
Publisher:
publisher not identified
Subject (Name):
Handel, George Frideric, 1685-1759
Subject (Topic):
Musicians, Musical instruments, Organs, Mirrors, Supernatural beings, Food, and Beverages
