A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title engraved below image., State from Paulson., "Price 3 shillings"--Following imprint., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
Title from item., Temporary local subject terms: Street scenes -- London: Grosvenor Square -- Music: private performances -- Violin -- Cello -- Newsboys -- Trades: milkmaids -- Fish-wives -- Bills: bill to supress Sunday newspapers -- Sunday Observance Act., Plate slip on top and in lower right corner resulting in poor quality of impression in these areas., and Watermark.
Publisher:
Pub. June 25, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
Westminster, Robert Grosvenor, Marquis of, 1767-1845
Title from item., Temporary local subject terms: Street scenes -- London: Grosvenor Square -- Music: private performances -- Violin -- Cello -- Newsboys -- Trades: milkmaids -- Fish-wives -- Bills: bill to supress Sunday newspapers -- Sunday Observance Act., Printmaker's and subject's name printed on mat below image., 1 print : etching ; sheet 26 x 39 cm., Laid paper, hand-colored. Sheet trimmed within plate mark, matted to 47 x 62 cm., and Watermark.
Publisher:
Pub. June 25, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
Westminster, Robert Grosvenor, Marquis of, 1767-1845
Sunday reformer, Enraget politician, and Enraged politician
Description:
Title from item., Reduced copy of a print with the same title by Isaac Cruikshank., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1799, v. 4., Numbered 'No. XIX' in upper right corner., Temporary local subject terms: Street scenes -- London: Grosvenor Square -- Music: private performances -- Violin -- Cello -- Newsboys -- Trades: milkmaids -- Fish-wives -- Bills: bill to supress Sunday newspapers -- Sunday Observance Act., and Mounted to 27 x 32 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Westminster, Robert Grosvenor, Marquis of, 1767-1845
Title from item., Publication date from that of the book in which this plate was published., Plate numbered '8' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sumpter's, [1763]., Temporary local subject terms: Emblems: jack boot (Lord Bute) -- British Lion -- Dancing -- Viola --Drum -- Flags: royal standard of Scotland -- Literature: reference to Gisbal, an hyperborean tale -- Royal arms -- Mottoes: nemo me lacessit., and Mounted to 32 x 31 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, and Bute, John Stuart, Earl of, 1713-1792
Title engraved below image., Sheet trimmed within plate mark., Below title: Engraved after an original picture painted by Mr. John Collet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside, & Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Covent Garden Theatre.
Subject (Topic):
Social life and customs, City & town life, Dogs, Fishmongers, Musical instruments, Playbills, Sedan chairs, Street children, Street musicians, Street vendors, and Violins
Title from item., Later state, with additions to title, as described in British Museum catalogue., Temporary local subject terms: Music: 'Ballanamonioro' by Charles Morris, 1745-1838 -- Music: 'God save great George, our king' by Henry Carey, 1690?-1743 -- Opposition to Irish Propositions -- Music: concertos -- Coalition., and Mounted to 37 x 56 cm.
Publisher:
Published 25th April 1785 by Thomas Cornell, [Bruton] Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, and Auckland, William Eden, Baron, 1744-1814
"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Oxford chambers -- Oxford scholars -- Furniture: armchairs -- Screen -- Books -- Literature: Ovid's Art of Love -- Viola -- University education -- Slang: rook & gull., and Watermark: E & P.
Publisher:
Pubd. Octr. 1, 1799, by Hixon, engraver, printer & printseller, No. 355, near Exeter-change, Strand
Subject (Topic):
Bottles, Fireplaces, Glassware, Interiors, Musical instruments, and Wine
