"A domestic concert with a lady playing the piano, accompanied by male violinist, cellist and flautist, while a man sings behind; a man listening throws up his hands in horror."--British Museum online catalogue
Alternative Title:
Concert of vocal and instrumental music and Rising generation of Orpheus
Description:
Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Eleven lines of verse in three columns below title: Orpheus was music master of the woods ..., Plate numbered '84' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Mythology: allusion to Orpheus -- Musical scores -- Musical instruments: cello, with head carved at top -- Pianoforte -- Violin -- Flute or recorder -- Amateur musicians -- Songs: God Save the King.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
"Three fashionable dandies (see No. 13029) in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutenist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies."-- British Museum online catalogue
Alternative Title:
Dandy trio
Description:
Title from caption below image., Temporary local subject terms: Pictures amplify subject., and Watermark: J. Whatman.
Publisher:
Pub. July 15, 1819 by G. Humphrey 27 St. James's Street
Subject (Topic):
Dandies, British, Interiors, Musicial instruments, Musicians, and Parlors
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"First panel: John Bull on the point of paying to attend the Queen's concert; policeman and Duke of Wellington dressed like a soldier; second panel: the Queen, dressed like a poor German woman, singing and playing an instrument like a sausage with a groom."--British Museum online catalogue
Description:
Titles from item., Initials of printmaker Charles Jameson Grant in lower left corner of first panel of design., Date of publication from the British Museum online catalogue., Design consists of two panels side by side, each individually titled., Wood engraving with letterpress text., Text centered beneath the titles of the two panels: Don't talk of Madame Malibran after this., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "89" twice in brown ink, in top portion of each panel of design., and No. 89.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
John Bull (Symbolic character), Soldiers, British, Police, Singing, Musicial instruments, and Brooms & brushes
pubd. for the benifit [sic] of decayed musicians, [1790?]
Call Number:
790.00.00.68
Image Count:
1
Resource Type:
still image
Abstract:
A man in a tricorne hat sits playing an organ with a score open in front of him. On the ground leaning against the organ are two volumes one with a label 'Davis' and a walking stick
Alternative Title:
Bagnigge organgist
Description:
Title etched below image., Text following title: What passion cannot music raise & quell when C..... struck his corded shell the listning drunkards stood around and wondring on their facaes fell. Vide Dry. Ode to S. Cecillia night., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bagnigge Wells -- Ode to St. Cecillia's Night., and Unidentified pencil note identifying organist as Charles Griffiths.
Publisher:
publisher not identified
Subject (Topic):
Musicial instruments, Musicians, and Staffs (Sticks)
