Title etched below image., Sheet trimmed to plate mark., Ms. note in Steevens's hand on mount beneath print: Concert at St. Mary's Chapel. See Nichols's book, 3d. edit. p. 445. Sold at Gulston's auction, for £3.4.0., and On page 48 in volume 1. Mounted to sheet: 14.7 x 15.8 cm.
From a sign on the back wall, a scene in the 'Grand Imperial Lodge of Odd Fellows" in which Burke, Norfolk, Sheridan, and Fox smoke and dance amongst the other club members some of whom wear swords. One man plays the fiddle. A chandelier hangs from the ceiling. In the corner is a dais under a canopy. A dog sits on his hind legs in the foreground
Description:
Title engraved below image., Sheet trimmed within plate mark., Frontispiece to: Attic miscellany, v. 1., and Mounted to 28 x 35 cm.
Publisher:
Publish'd as the act directs by Bentley and Co.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Sheridan, Richard Brinsley, 1751-1816
Title engraved below image., Sheet trimmed to plate mark at top edge., Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., v. 1 (1769), page 473., Numbered 'No. XXVII' in upper left corner., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 431., and Temporary local subject terms: Theatres: Stratford upon Avon -- Female dress, 1769 -- Male dress, 1769 -- William Shakespeare's statue, 1769.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Monuments & memorials, Music, Musical instruments, Musicians, Performances, and Theaters
Leaf 103. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Three-quarter length portrait slightly caricatured, of 'Cervetto', or Giacomo Bassevi the 'cellist (1680-1783), noted for his large nose, playing the 'cello. He sits looking downwards and to the right. An open book of music, from which he is not reading, is on a stand behind his left arm."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., and First of three plates on leaf 103.
A tall thin violinist stands under a tree on the left serenading a motley group of grotesque-looking individuals, one having a pegleg, as 2 dogs bark accompaniment. In the background is a high stone wall
Description:
Title from item., Sheet trimmed within plate mark with partial loss of imprint., and Sheet extended to 29 x 38 cm.
Publisher:
Pubd. as y act directs, Augst. 27, 1782 by Turner, Sno[w Hill]
"Satire: scene in a ball-room with four couples dancing to the music supplied by a French violinist."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Tovil Mill.
Publisher:
Pub. April 2nd, 1817 by J. Sidebotham
Subject (Topic):
Interiors, Ballroom dancing, Couples, Musicians, French, and Violins
"Groups of dancers practise figures of a cotillion in a ballroom with a small musician's gallery supported on pillars, in which are an oboist, two violinists, and a harpist, playing intently and paying no attention to a man who stands below, with outstretched arms, shouting directions. The room is lit by candles in wall brackets. In the centre of the balcony is an oval medallion: a man plays a lyre and three nude nymphs dance. Several of the dancers hold papers of directions headed 'Cotilion', with a description of figures '1' to '8'. The scene is one of confusion. On the left persons stand inspecting the dancers. One man only is dressed as a blood of the period with cropped hair, high-collared waistcoat, 'hanging collar', and long breeches (see British Museum Satires No. 8040, &c). He stands (left) superciliously inspecting the dancers through an eye-glass."--British Museum online catalogue and The pictures in the image amplify the subject: Nymphs dancing to music of lyre
Alternative Title:
Rehearsing a cotillion
Description:
Title from text below image., Imperfect; sheet trimmed within plate mark and mutilated on lower edge with partial loss of imprint statement. Missing text supplied from impression in the British Museum., Mounted on modern secondary support., Watermark., and Figures identified by ms. notes in pencil at bottom of sheet.
Three half-length sketches of men in two rows, two on the top row are shown bust-length facing left, while the one below is shown half-length playing a bassoon. Only the portrait on the top right is identified by the artist
Description:
Title written below drawing in upper right., Attributed to John Nixon in dealer's description., Date based on artist's death date., and Sheet numbered "114" in ink at top.
Subject (Geographic):
England.
Subject (Topic):
Clergy, Musicians, Musical instruments, and Bassoons
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Title and date from item., Published: The Illustrated London News, 4 September 1886., Illustration for "The World Went Very Well Then" by Walter Besant., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
publisher not identified
Subject (Name):
Quacks and quackery.
Subject (Topic):
Medicine shows, Spectators, Patent medicines, Clowns, Stages (Platforms)., Horses, Mortars & pestles, and Musicians
