"Napoleon, advancing down a gently sloping causeway of rock which traverses water and flames, is halted by 'Leo Britannicus' who bounds savagely towards him. He drops a short chain attached to the nose of the 'Russian Bear', a huge white creature at his heels. He is beset on all sides by monsters, who emerge from a background of flame, smoke, and cloud, or from the water. Beside the British Lion is a little 'Sicilian Terrier', barking ferociously. Death, a skeleton-like corpse, rides a mule which dashes through the air towards Napoleon, snorting flame. He wears a Spanish hat and cloak, and holds up a flaming spear and an hour-glass whose sands have almost run out. The mule's trappings are inscribed 'True-Royal-Spanish-Breed'. Outstripping the mule, a savage 'Portuguese Wolf', with the end of a broken chain attached to his collar, leaps towards Napoleon. The heads and hulders of two melancholy French officers with their necks chained together emerge from clouds to address Napoleon; they say: "Remember Junot and Remember Dupont." Above these is the Pope's tiara, the apex of flames, emitting thunderbolts towards Napoleon, and inscribed 'Dreadful Descent of ye Roman Meteor' [cf. BMSat 10970]. Immediately above Napoleon is a crescent moon inscribed 'British-influence' enclosing the old (dark) moon, which is 'French Influence'. This forms the centre of a turban, and is surrounded with fiery clouds flanking the features of the Sultan, looking fiercely down at Napoleon. Blood drips from it. This is 'The Turkish New-Moon, Rising in Blood'. Beside it (right) the head and arms of a man raising an enormous sword above Napoleon emerge from swirling flames: The 'Spirit of Charles ye XII' [of Sweden 1682-1718]. On the r. a double-headed Habsburg eagle swoops towards Napoleon from clouds: "- The Imperial Eagle emerging from a Cloud." Its collar is inscribed 'German Eagle'. From the water beyond Napoleon's causeway, the 'Ditch of Styx', project the crown and hands of the drowning 'Rex Joseph'; he is immediately under the Spanish mule ridden by Death. The water on the nearer side of the causeway, in the foreground, is the 'Lethean Ditch'. From this (left) rats crawl towards Napoleon: "The Rhenish Confederation of Starved Rats, crawling out of the Mud [cf. British Museum Satires No. 10433]." Three frogs raise their heads from the ditch to spit: "Dutch-Frogs spitting out their spite." A rattle-snake spits venom, and shakes its tail: "- American Rattle-Snake shaking his Tail.-" On the right, standing on a rock, is a dilapidated eagle with clipped wings, and scanty feathers: "Prussian Scare-Crow attempting to Fly -.""--British Museum online catalogue
Description:
Title etched below image. and 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.5 x 39.0 cm, on sheet 28.8 x 41.4 cm.
Publisher:
Publish'd Septr. 24th, 1808, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Mustafa IV, Sultan of the Turks, 1779-1808, and Charles XII, King of Sweden, 1682-1718
Subject (Topic):
Peninsular War, 1807-1814, Monsters, Fire, Lions, Bears, and Eagles
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Marie Louise, a handsome and buxom young termagant, has seized the imperial crown and sceptre, and threatens Napoleon (left) who crouches behind the smaller of two Chairs of State on the seat of which is his tricorne hat. She looks towards him, one toe resting on the seat of the chair, the crown raised as if she was about to hurl it; she declaims: "By the Head of Jove, I hate him worse than Famine or Diseases, Perish his Family, let inveterate Hate Commence between our Houses from this Moment, And meeting never let them bloodless part." The sceptre she holds out above the head of Talleyrand (right) who has fallen on his back and raises his hands to protect his head, shouting, "Be gar she will give us all de finishing Stroke". He is unrecognizable except for his crutch and his lame leg with its surgical shoe. Across his breeches are the words 'I shall never rise again'. Napoleon exclaims distractedly: "Oh Tally Tally rise and rally". Behind is a tall ghost-like figure (? Louis XVI) clutching a sheet round his curiously drawn form, and shouting "Marblue--Vat a Crown Cracker she be". Behind the Empress is the 'Coronation Chair', surmounted by a battered crown from which flies off a cock inscribed 'Gallic Cock Roupee'. In the foreground lie heaped-up crowns, including two imperial crowns, a Papal tiara (cf. British Museum Satires no. 11360), the iron crown of Italy (as in British Museum Satires no. 10432), and a laurel wreath."--British Museum online catalogue
Alternative Title:
Great little emperor playing at bo-peep
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", and Leaf 16 in volume 1.
Publisher:
Pubd. May 15th, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Louis XVI, King of France, 1754-1793
Ferdinand VII, seated on a throne on a low platform inscribed "TIRANIA", is flanked by two advisers, the Devil on the left and a friar on the right. At the friar's feet, in the foreground, a demon burns newspapers with a firebrand. Tortures of the Inquisition are seen in the background
Description:
Title from text in image., A close copy, with same imprint but with other inscriptions translated into Spanish, of a print by George Cruikshank entitled "The curse of Spain". Cf. No. 13009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Six lines of text below image: En tanto que los bravos españoles, Derramaban su sangre por Fernando, El á Napoleon felicitaba, Por las victorias que en el suelo hispano, Sus sanguinárias huestes conseguian-- Ved las hazañas de este Monstruo infando. La Ferdinanda. Lib. 1. v. 129., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1303., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 868., and Watermark: J. Whatman 1818.
Publisher:
Washington
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Napoleon I, Emperor of the French, 1769-1821.
English Woman (Author of To the women of England), author
Published / Created:
[1803]
Call Number:
File 63 803 En58++
Image Count:
1
Resource Type:
text
Alternative Title:
At a time when every man who is a Briton acknowledges the blessing by pressing forward to offer ...
Description:
Signed: An English Woman., "Extract from the British Neptune of Sunday, August 7.", "What has been thus feebly urged and attempted by an obscure individual, the affections which live in the breasts of the mother, the wife, the sister, will enforce and accomplish. Poor in everything but love to Britain, my native land, the citadel of my comforts, I throw my mite into the British Treasury.", With contemporary manuscript annotation "James L. Mifflin English Paper" in ink on verso., and For further information, consult library staff.
Publisher:
Printed for John Ginger, no. 169, Piccadilly; where all the patriotic papers may be had, sorted and W. Flint, printer, Old Bailey
Subject (Geographic):
England.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Proposed invasion of England, 1793-1805, Women in war, and Napoleonic Wars, 1800-1815
"A satire on the peace negotiations and on Windham's Training Act. The scene is outside the 'Treasury', the lower part of its façade forming the background. Ministers and their supporters as 'Corporal and Conscripts' obey the orders of their 'Drill-Serjeant' Napoleon, who stands on the extreme left., his jack-boots firmly planted on cannon-balls him height. He extends his sword with an arrogant gesture, and fiercely orders: "Ground - Arms!" Next him, and in back view, but looking up at him, is Fox seated in an invalid's wheeled chair on the back of which are the coronet and feathers of the Prince of Wales. He is 'Grand Double Drums' and is vigorously beating a pair of kettle-drums, one inscribed 'GR' and crown, the other 'N' and crown. He wears a dressing-gown and bonnet rouge, and his enormously distended legs are straddled outside his drums. On Fox's r. is the 'Flugel Man', Grenville, going through the movement as a pattern to the other privates. He kneels on the left knee and grounds his musket, putting up his hand to shield his eyes; his bayonet is broken, as is its sheath. The 'Corporal & Conscripts' drawn up (r.) facing Napoleon attempt the movement with extreme awkwardness and obsequious haste, not excepting Windham the corporal, the end man (r.) of the front rank. Next him is Lord Holland, on both knees, with an amiable smile. Then Sheridan, very bulky and awkward, but unlike the others directing his musket towards Napoleon. Petty, on both knees, flings down his musket with an obsequious gesture. Next him Lord Temple grovels displaying spherical posteriors. Next, at the end of the line, and close to the gate of the Treasury, kneels Erskine, in wig and gown, raising his hat. In the second rank, behind Windham, is Howick, First Lord, deferentially raising a naval cocked hat; Sidmouth staggers back, throwing up his arms and dropping his musket which lands on his face. Next are Spencer, clumsily lifting his musket, and Ellenborough in wig and gown, with a blunderbuss which he seems about to dash violently on the ground. Behind him is Moira, stiff and tall, in uniform with cocked hat, holding up a musket exploding at lock and barrel. Behind and in shadow are (l. to r.) St. Vincent, Hanger, and the Duke of Clarence, all holding up the muskets which the next rank prevents them from grounding. Most of the 'conscripts' wear civilian dress with crossed bandoleers, and are in most unsoldierly confusion. By the Treasury gate and facing Erskine stands the 'Constable of the Corps', Talleyrand, holding a long constable's staff, crowned, his left. arm extended in a gesture of command; one twisted leg is supported by a stilt under the shoe. As ex-Bishop of Autun (see BMSat 8088) he wears a hat whose crown is a mitre, a long gown and bands over his coat, and a rosary. In his mouth is a pen. Above his head a bird with webbed wings and the head of Lauderdale flies towards Fox, clutching a paper: 'Terms of Peace'. In his mouth is a completely are olive branch. He wears a bonnet rouge, and his body is covered with tartan."--British Museum online catalogue
Description:
Title etched at top of image., Series of mocking military are etched below image and correspond with figures in the design: Drill-Serjeant [Napolean], Constable of the Corps [Talleyrand-Périgord], Grand Double-Drums [Fox], Flugel Man [Grenville], Corporal & Conscripts [remaining figures]., Figures identified by ms. annotations in modern hand throughout outer margin of print., and Mounted to 35 x 46 cm.
Publisher:
Pubd. Septr. 1st, 1806, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, St. Vincent, John Jervis, Viscount, 1735-1823, Hanger, George, 1751?-1824, William IV, King of Great Britain, 1765-1837, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Lauderdale, James Maitland, Earl of, 1759-1839
A bound volume of 32 Napoleonic broadsides, all good impressions, suggesting they were ordered directly from a publisher, possibly from James Asperne who is well represented in the collection and who perhaps made a trade in offering collections of the broadsides to contemporary collectors. Also well presented are broadsides by John Ginger
Alternative Title:
Patriotic handbills
Description:
In English., Title from cataloger., Bound in 19th-century calf and marbled boards, spine ruled in gilt, red morocco label with "Patriotic Handbills" and green morocco label with the number "II"; a sheet of writing paper bound in before the broadsides has a watermark "G. Langley 1856". With a manuscript note on the blank verso of the final broadside that states "Patriotic Handbills Packet II / I have duplicates of each bill.", With two copies of: Plain answers to plain questions, in a dialogue between John Bull and Bonaparte., With two copies of: Britons triumph, or, Bonaparte's knell., and For further information, consult library staff.
Publisher:
multiple publishers
Subject (Geographic):
France and Great Britain
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, and History
Satirical print showing Napoleon after the battle of Maloyaroslavets (24 October 1812) during his Russian campaign (‘The Patriotic War’ in Russian parlance). He is vomiting fragments of plans and charts as well as a shattered anchor. In his hand he holds a large medicine bottle of emetic labelled in Russian: ‘Emetic. Pour Mr Napoleon. Heartfelt thank you, if only to take it more often. By order of the Russian army, from the pharmacy near Maly Yaroslavets’.
Alternative Title:
ПРОЩАЙ БРАТ, КЛАНЯЙСЯ СВОИМ, ДА НЕ ЗАБЫВАЙ НАШИХ”. НАПОЛЕОН ПОСЛЕ СРАЖЕНИЯ ПОД МАЛОЯРОСЛАВЦЕМ
Description:
Title supplied by cataloger., Printmaker from dealer's description., and Date of publication inferred from subject of print; the Battle of Maloyaroslavets took place on 24 October 1812.
Publisher:
publisher not identified
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Vomiting, and Medicines
"In the upper part of the design the Recording Angel (or Truth) draws or engraves on an oval shield which she rests on a pedestal. On it are depicted French soldiers bayoneting defenceless Turks (apparently adapted from BMSat 10062). In the background are the head of a Sphinx, and clouds. Against the pedestal on which Truth stands rests a picture, filling the lower part of the design. Napoleon kneels on a rock, extending imploring arms towards Nilus, a nude and muscular figure seated on rock from which water gushes. Nilus veils and averts his head. In the background are pyramids and palm-trees."--British Museum online catalogue
Alternative Title:
Frontispiece, Britannicus to Buonaparte : an heroic epistle
Description:
Title devised by cataloger; varying form of title from British Museum catalogue. and Frontispiece to the second edition of Britannicus to Buonaparte, an heroic epistle, with notes / by Henry Tresham.
Publisher:
Publish'd Novr. 1st, 1803, for the author by I. Hatchard, No. 199 Piccadilly, London