V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded fair-ground, with many seen combining realism with a fantastic survey of the international situation. The are spectators and attractions in the foreground, on the ground-level backed by adjacent and competing platforms, all with performers, placards, and flags On the ground on the extreme left. in front of a notice: 'German Sour Crout with French Sauce', a waiter hurries with a steaming dish towards Germans at a table who are hideously guzzling sauer kraut as in British Museum Satires No. 10170. Behind are the backs of spectators gazing up at a platform, on the extreme left., on which a Russian displays a bear on its hind-legs, padlocked to a post inscribed 'French Influence'. The Russian, holding out a sheaf of papers, blows a trumpet with an attached banner decorated with the Russian eagle. Behind is a back-cloth inscribed: 'Russian Booth - . This day will be presented the Comedy of The Double Dealer [by Congreve] to which will be added a new Burletta called The Bear in Leading Strings - The Music principally French' [see British Museum Satires No. 10750, &c.]. Next are three narrow platforms close together: a zany wearing a conical cap, shouts to the audience below. His placard announces: "Danish Booth - The English Fleet [comic opera by T. Dibdin, 1805] and The Devil to Pay" [opera by Coffey, 1730]. Below the script a naval engagement in depicted. Next, a pierrot, wearing a fool's cap, beats a drum, before a placard: 'Sweedish Booth - Blind Bargain [comedy by Frederick Reynolds, 1805] and Hob in the Well' ['Flora; or, Hob in the Well' by Hippisley, 1730]. A Punch-like man stands in front of the 'Westphalia Booth - Wife and no Wife [unacted farce by Coffey, 1732] with Jerry Sneak [in Foote's 'Mayor of Garratt', 1763] in his Glory'. All three booths fly their national flag, except the last, on which there is a ham inscribed 'Venison', see BMSat 10759. The booths recede in perspective and from left. to r., a pendant to similar booths on the opposite side. Between them, facing the spectator, is the central and largest: 'The Best - Booth in the Fair Iohn Bull and Company - The Englishman's Fire Side, and The Wooden Warn of Old England, Principal Characters by Joh Bull, Paddy Bull, Ben Block &c.' This is surmounted by the Royal Arms and British flag. On the little stage Britannia stands, holding her spear and pointing to a group seated round a punch-bowl: John Bull, a fat 'cit' smoking a long pipe, Erin with her harp, a fat Welshman with a leek in his hat, and a lank Scot in Highland dress; the last three are drinking. The toast is on a paper below the punch-bowl: 'Old England for ever the land Boys we live in'. Beside Britannia is her lion, rampantly supporting her shield. The space under the platform (boarded upat the other booths) is an eating-place: men (in shadow) guzzling hard, while a cook triumphantly brings in a huge sirloin. Above: 'Roast Beef gratis this Booth.' (A plea for national unity as in British Museum Satires No. 10009, &c.) ..."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state, with altered plate number. For earlier state numbered "27" in upper right, see no. 10763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Companion print to: St. Stephens fair., Plate numbered "279" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. colord"--Within lower left portion of design., and Leaf 56 in volume 4.
Publisher:
Pubd. Octor. 1st, 1807, by Thos. Tegg, 111 Cheapside
Subject (Name):
Frederick William III, King of Prussia, 1770-1840, Louis Bonaparte, King of Holland, 1778-1846., and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Donkeys -- Sailors -- Bird-cages -- Walking-stick -- Menageries., and Manuscript "147" in upper center of plate.
Publisher:
Pubd. July 28th, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852., and Blücher, Gebhard Leberecht von, 1742-1819.
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, scarcely caricatured, stands in the centre of the design, pointing with left forefinger to a pile of cannon-balls in the right foreground inscribed 'Forse, meat Balls for the Lads of Paris'. Just behind him, and emerging from clouds, stand the Devil (left) and Death (right), directing his actions. Napoleon is flanked by two much taller supporters: an Italian brigand holding up a pole inscribed 'Plunder' to which a limp purse is tied, and with a pistol in his left hand. On the right is a savage dishevelled butcher, holding up a knife, with a noose in the right hand. Both wear belted tunics. These three are identified by an inscription below the design: 'Capt of Starved Banditty from the Alps, Ad Camp,, The Aghast Emperor & his two Friends & Pillars of the State,, Butcher from Elba. Generalissimo'. All are dominated by a larger figure, emerging from clouds above Napoleon's head, which has a scaly body and streaming hair, styled 'Deamon of War Presideing over the Tyrant'. His extended right hand points to the words 'Boundless Ambition' in large letters on a background of fire and lightning of which he is the centre. In his left hand is the shaft of a pennant inscribed: 'We, Come, to Redres:s Grievances'. Dark clouds and lightning extend left and right over ranks of soldiers in the middle distance who watch Napoleon. Those on the right are a ragged, dilapidated, and motley crew, some with pitchforks; they shout "Vive la Empre . . . [sic]" and "Vive la Boun. . . ." Those on the left are perhaps intended for National Guards (cf. British Museum Satires No. 12531)."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "351" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 64 in volume 5.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joachim Murat, King of Naples, 1767-1815
Subject (Topic):
Butchers, Devil, Skeletons ., Death, Soldiers, Italian, and French
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bestraddles the globe, seated at the Pole, about half of it being between his legs; countries are marked, but without regard to geography. A little figure looks from behind the globe (right) below the conqueror's left toe; his left hand is placed on 'Old England', and he raises a sabre menacingly. Napoleon, a fine figure, wearing an enormous cocked hat, a sabre in his right hand, looks down at the little man, his left arm extended; he says: "Ah, who is it dares interupt me in my Progress." The little fellow answers: "Why 'tis I little Johnny Bull Protecting a little spot I clap my hand on, and d-n. me if you come any Farther that's all." He is a 'cit' with an ill-fitting wig. 'France' lies between 'Switzerland', on which Napoleon's right foot rests, and 'Itali' [north of 'England'], on which is his left leg."--British Museum online catalogue
Description:
Title etched below image; lowercase letter "a" preceding "stride" is etched backwards., Printmaker from British Museum catalogue., Second reissue of a plate first published by Piercy Roberts in 1803 and then reissued by Blacklock in May 1806; Blacklock's imprint statement is scored through but still visible in lower right corner of design. See British Museum catalogue., Plate numbered "252" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: Basted Mill 1817., and Leaf 82 in volume 4.
"The daughter of Count Platoff stands full face, erect, dashing, and alluring, on a snowy mound. Her right hand supports a spear from which floats a banner inscribed: 'I General Count Platoff. promise to give my Daughter in Marriage and 2000 Rubles - to any Cossack, Russian, Prusian, German, Sweede, Turk, John Bull, Sauny Bull Paddy Bull or any other Bull, who shall bring Me the Head of Little Bony dead or a live.' She wears fur-trimmed cap with a long hussar-bag, long high-waisted fur-bordered pelisse, with a cape, fur-trimmed boots, and large ear-rings. The words 'Hih "ho" for a Husband' issue from closed and smiling lips. With her left hand she points behind her to the right and to the little figure of Napoleon on skates, wearing a large plumed bicorne, and brandishing his sabre; he deserts his snow-bound army, saying, "O" ho" bygare I had best be Off." He strides past the heads of soldiers emerging from snow, together with bayonets, and a French flag; behind him the French army marches in close ranks, with one eagle and one flag. On the left is another column of tiny soldiers indicated by heads, bayonets, an eagle, and flags. In the clouds, airborne as in No. 11992 (British Museum catalogue), are two bands of galloping Cossacks, one (right) seems about to swoop down on Napoleon. Heavy clouds frame slanting rays which make a background for Platoff's daughter. At her feet are two money--bags both inscribed '1,000 Rubles', which disgorge coins. Behind them a kneeling Cupid aims his bow towards the 'cloud of Cossacks' on the left."--British Museum catalogue
Alternative Title:
Tit-bit for a Cossack and Platoff prize, for the head of Buonaparte
Description:
Title etched below image., Plate of publication etched following date., Plate numbered in upper right corner: 184., and A satire on Napoleon in Russia.
Publisher:
Pubd. by Thos Tegg, 111 Cheapside
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Platov, Matveĭ Ivanovich, graf, 1751-1818.
Subject (Topic):
Caricatures and cartoons, Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Cupid, Armies, British, Russian, and Women
Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837
Call Number:
Folio 75 B935 805 folder 53 Box 5
Collection Title:
[Scrapbook of drawings].
Image Count:
1
Resource Type:
unspecified
Abstract:
Manuscript poem, in an unidentified hand, consisiting of four numbered stanzas of four lines each. Possibly composed by Queen Hortense of Holland and addressed to Napoleon Bonaparte
Description:
In French., Title from manuscript note in English at bottom of sheet., Possibly from 1806, the year that Hortense became Queen of Holland and the year of death for Richard Bull, who owned and likely assembled the album in which this poem was found., Formerly laid in at page 196 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
"Bonaparte (much caricatured), standing precariously on a 'Dutch Cheese', is attacked by the allies. Austria and Russia pull from his thin leg a large clumsy boot, consisting of a map of 'Italy'; coins (French plunder) pour from the boot, on which 'Naples', 'Rome', 'Florence', and other geographical divisions are indicated. Austria is a fierce hussar, smoking a pipe, on his cap is the Habsburg eagle; he tugs at the boot, the Russian bear (on the extreme left) assists him, its paws clasping his waist. A ferocious Turk holds Bonaparte by the nose and raises a scimitar whose blade, inscribed 'St Jean d'Acre', drips blood; across his shoulders are strung bleeding ears and noses to which Bonaparte's is to be added. A sailor (right), representing the British Navy, seizes Bonaparte from behind; in his hat are ribbons inscribed 'Nelson', 'Duncan', 'Bridport'. A fat Dutchman on the extreme right, with the blunt profile of the Prince of Orange, tugs at the cheese in order to dislodge Bonaparte; he kneels on a paper, 'Secret Expedition'. Bonaparte's uniform is ragged, his left foot is bare, but in each hand is a blood-stained dagger. In the background (right) tiny figures (probably Dutch) dance hand-in-hand round a bonfire in which burns a 'Tree of Liberty', a bonnet-rouge on a pole, cf. BMSat 9214."--British Museum online catalogue
Alternative Title:
Allied powers unbooting Egalitè
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Alliances -- Expedition to Holland, August 1799 -- Military: Austrian Hussar -- Emblems: Russian bear -- Turks -- Reference to the siege of Acre, 1799 -- Reference to Napoleon's defeat in Italy, 1799 -- British Navy -- Dutchmen -- Reference to Admiral Horatio Nelson -- Reference to Admiral Adam Duncan.
Publisher:
Pubd. Sepr. 1st, 1799, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and William V, Prince of Orange, 1748-1806
