"Two fighting-cocks, with the heads of Napoleon and Pitt, face each other across the English Channel. Napoleon (left) has a large ruff of tricolour feathers and enormously long spurs, but his wings and tail feathers are clipped. His cliff is the higher; he leans forward, saying, "Eh Master Billy, if I could but take a flight over this Brook I would soon stop your Crowing, I would Knock you off that Perch, I swear by Mahomet, the Pope and all the Idols I have ever Worshiped." Pitt stands on a large royal crown which brings his feet almost to a level with those of Bonaparte; he stands erect, thus towering above his rival; he has very short spurs but a fine tail and wings; he crows: "Tuck a roo - too that you never can do!!!" Below them lies the sea with a fleet of ships in full sail close to the English coast."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures lent out for the evening., and Mounted at the corners on a leaf: 29.5 x 42 cm.
Publisher:
Pubd. March 27th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Pitt, William, 1759-1806
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Game fowl, Cockfighting, Crowns, Cliffs, Bodies of water, and Ships
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight Napoleons arranged in two rows. [1] As' A Ragged Headed Corsican Peasant', he is a shock-headed boy registering tense determination, his hand plunged deep in the pockets of a tattered coat. [2] A youth in civilian dress sits at a small table intently studying the plan of a fort: 'Studying mischief at the royal Military Academy at Paris'. [3] Dressed in officer's uniform but without a sword, he bows, hat in hand:' An humble Ensign in a Republican Corps - requesting a situation in the British Army'. [4] He stands agressivelv hand on hip, r. arm extended, wearing a plumed bicorne and long sabre: 'A determined Atheistical Republican General - ordering his men to fire on the Parisians Vollies of grape shot'. [5] He stands in Turkish dress, bowing with a furtive sideways glance; he wears a plumed turban and fur-trimmed robe: 'A Turk at Grand Cairo'. [6] He runs hurriedly in profile to the left., wearing his cocked hat, but no sword: 'A Runaway from Egypt'. [7] As 'A Devout Catholic', he stands in uniform, without hat or sword, head bowed and hands crossed on his breast. [8] In the last scene he sits enthroned, with the inscription: 'An Emperor on a Throne of iniquities - O Tempora O Mores'. He wears a crown and long robe. The back of his throne is inscribed 'Murderer. Duke D'Enghem [sic], Prisoners at Jaffa, Palm, Captn Williams, Pichegreu, Calon, Toussaint &c &c, Robberies innumerable [commas have been inserted]'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Artist questionably identified as Woodward in the British Museum catalogue., Later state; former plate number "63" has been removed from upper left corner and a new number etched in upper right, and date has been removed from imprint statement leaving a gap between "Pubd." and "Thos. Tegg, N. 111 Cheapside.", Plate numbered "295" in upper right corner., Companion print to: The progress of the Empress Josephine., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 101-2., and Leaf 69 in volume 4.
Title from item., Attributed to Ansell or to Cruikshank in British Museum catalogue., Sheet trimmed to plate mark at top and bottom., Printseller's announcement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Quacks -- Zany -- Medicine: cannon balls as pills -- Medical instruments: forceps -- Money: mint seed -- Allusion to continental subsidies -- Military: Austrian officer -- Guns: blunderbuss.
Publisher:
Pubd July 01th [i.e., 10th] by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon is being drummed out of France. His right wrist is tied to the left wrist of Joseph Bonaparte; they are led forward, abjectly crouching, by Blücher, who holds the rope attached to the noose round Napoleon's neck. Napoleon has long ass's ears and wears a fool's cap inscribed 'Transported for Life'; his brother's cocked hat is inscribed 'Coward and Thief'. Both are assailed by serpentine monsters, barbed and scaly, which bite their legs, one inscribed 'Execration', the other 'Detestation'. Both wear uniform with the coats without epaulets and cut off at the waist. Blücher carries against his shoulder a long pole on which is a placard: 'Napolean, Late Emperor of the French, King of Italy Protecter of the Confederation of the Rhine, Grand Arbiter of the fate of Nations &c &c &c but now by the permission of the Allied Sovereigns, Exile in the Isle of Elba an Outcast from Society a fugitive a Vagabond. Yet this is the conceited Mortal who said, I have never been seduced by prosperity Adversity will not be able to overcome me--' Behind (left) the sovereigns of Europe gleefully dance in a ring, holding hands, round two flag-staffs from which float two large flags, the Bourbon flag dotted with fleur-de-lis and inscribed 'Rejoice O ye Kings Vive le Roi'; on the other is a flag with the double-headed eagle of Austria or Russia. The monarchs wear crowns; with them is the Pope, wearing his tiara. Next him is the corpulent Louis XVIII, one arm round the Pope's shoulder. Of the others only William of Holland can be identified with certainty; he wears bulky Dutch breeches with an ermine cloak. There are five others, three must be the Tsar, Emperor of Austria, King of Prussia. The others are probably Ferdinand of Spain and Ferdinand of Sicily. They sing: 'Now we are met a Jolly set in spite of Wind or Weather'. The three foreground figures are faced by a row of soldiers beating drums, with an officer raising his sword."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of verse below image, two on either side of title: From fickle fortune's gamesome lap, what various titles flow, the Emperor of Conj rors, Nap, the King of Beggars Joe!, Plate numbered "321" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 19 in volume 5.
Publisher:
Pubd. April 15, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Blücher, Gebhard Leberecht von, 1742-1819, Pius VII, Pope, 1742-1823, Louis XVIII, King of France, 1755-1824, William I, King of the Netherlands, 1772-1843, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Ferdinand VII, King of Spain, 1784-1833, and Ferdinand I, King of the Two Sicilies, 1751-1825
"French soldiers, puny simian creatures, are being destroyed or put to flight by the powers of the Second Coalition. In the foreground (right) the British Lion devours a heap of the little creatures; others flee. An ogre in Turkish costume (left), his profile set in a crescent, grips Bonaparte in his left hand, raising a blood-stained scimitar. Bonaparte attempts to strike with a dagger; he drops a paper: 'Organization of Egypt, & Triumph of Buonaparte'. The Russian bear sits grasping and crushing struggling French apes. On the right the Habsburg eagle, clasping a sheaf of thunderbolts, flies off to the right, tearing a bonnet-rouge in beak and claws. A French army is in flight with a tricolour flag inscribed 'Egalite'. Behind Turkey are Frenchmen impaled on spears."--British Museum online catalogue
Alternative Title:
Monkey-race in danger
Description:
Title etched below image. and Temporary local subject terms: Egyptian campaign, 1798-1801 -- Coalitions -- Frenchmen as monkeys -- Sansculottes -- Emblems: Russian bear -- Habsburg eagle -- British Lion -- Turks -- Male costume: Turkish dress -- Impalement.
Publisher:
Pubd. May 20th, 1799, by H. Humphrey, No. 27 St. James's Street
"Napoleon, advancing down a gently sloping causeway of rock which traverses water and flames, is halted by 'Leo Britannicus' who bounds savagely towards him. He drops a short chain attached to the nose of the 'Russian Bear', a huge white creature at his heels. He is beset on all sides by monsters, who emerge from a background of flame, smoke, and cloud, or from the water. Beside the British Lion is a little 'Sicilian Terrier', barking ferociously. Death, a skeleton-like corpse, rides a mule which dashes through the air towards Napoleon, snorting flame. He wears a Spanish hat and cloak, and holds up a flaming spear and an hour-glass whose sands have almost run out. The mule's trappings are inscribed 'True-Royal-Spanish-Breed'. Outstripping the mule, a savage 'Portuguese Wolf', with the end of a broken chain attached to his collar, leaps towards Napoleon. The heads and hulders of two melancholy French officers with their necks chained together emerge from clouds to address Napoleon; they say: "Remember Junot and Remember Dupont." Above these is the Pope's tiara, the apex of flames, emitting thunderbolts towards Napoleon, and inscribed 'Dreadful Descent of ye Roman Meteor' [cf. BMSat 10970]. Immediately above Napoleon is a crescent moon inscribed 'British-influence' enclosing the old (dark) moon, which is 'French Influence'. This forms the centre of a turban, and is surrounded with fiery clouds flanking the features of the Sultan, looking fiercely down at Napoleon. Blood drips from it. This is 'The Turkish New-Moon, Rising in Blood'. Beside it (right) the head and arms of a man raising an enormous sword above Napoleon emerge from swirling flames: The 'Spirit of Charles ye XII' [of Sweden 1682-1718]. On the r. a double-headed Habsburg eagle swoops towards Napoleon from clouds: "- The Imperial Eagle emerging from a Cloud." Its collar is inscribed 'German Eagle'. From the water beyond Napoleon's causeway, the 'Ditch of Styx', project the crown and hands of the drowning 'Rex Joseph'; he is immediately under the Spanish mule ridden by Death. The water on the nearer side of the causeway, in the foreground, is the 'Lethean Ditch'. From this (left) rats crawl towards Napoleon: "The Rhenish Confederation of Starved Rats, crawling out of the Mud [cf. British Museum Satires No. 10433]." Three frogs raise their heads from the ditch to spit: "Dutch-Frogs spitting out their spite." A rattle-snake spits venom, and shakes its tail: "- American Rattle-Snake shaking his Tail.-" On the right, standing on a rock, is a dilapidated eagle with clipped wings, and scanty feathers: "Prussian Scare-Crow attempting to Fly -.""--British Museum online catalogue
Description:
Title etched below image. and 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.5 x 39.0 cm, on sheet 28.8 x 41.4 cm.
Publisher:
Publish'd Septr. 24th, 1808, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Mustafa IV, Sultan of the Turks, 1779-1808, and Charles XII, King of Sweden, 1682-1718
Subject (Topic):
Peninsular War, 1807-1814, Monsters, Fire, Lions, Bears, and Eagles
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Marie Louise, a handsome and buxom young termagant, has seized the imperial crown and sceptre, and threatens Napoleon (left) who crouches behind the smaller of two Chairs of State on the seat of which is his tricorne hat. She looks towards him, one toe resting on the seat of the chair, the crown raised as if she was about to hurl it; she declaims: "By the Head of Jove, I hate him worse than Famine or Diseases, Perish his Family, let inveterate Hate Commence between our Houses from this Moment, And meeting never let them bloodless part." The sceptre she holds out above the head of Talleyrand (right) who has fallen on his back and raises his hands to protect his head, shouting, "Be gar she will give us all de finishing Stroke". He is unrecognizable except for his crutch and his lame leg with its surgical shoe. Across his breeches are the words 'I shall never rise again'. Napoleon exclaims distractedly: "Oh Tally Tally rise and rally". Behind is a tall ghost-like figure (? Louis XVI) clutching a sheet round his curiously drawn form, and shouting "Marblue--Vat a Crown Cracker she be". Behind the Empress is the 'Coronation Chair', surmounted by a battered crown from which flies off a cock inscribed 'Gallic Cock Roupee'. In the foreground lie heaped-up crowns, including two imperial crowns, a Papal tiara (cf. British Museum Satires no. 11360), the iron crown of Italy (as in British Museum Satires no. 10432), and a laurel wreath."--British Museum online catalogue
Alternative Title:
Great little emperor playing at bo-peep
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", and Leaf 16 in volume 1.
Publisher:
Pubd. May 15th, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Louis XVI, King of France, 1754-1793
"A satire on the peace negotiations and on Windham's Training Act. The scene is outside the 'Treasury', the lower part of its façade forming the background. Ministers and their supporters as 'Corporal and Conscripts' obey the orders of their 'Drill-Serjeant' Napoleon, who stands on the extreme left., his jack-boots firmly planted on cannon-balls him height. He extends his sword with an arrogant gesture, and fiercely orders: "Ground - Arms!" Next him, and in back view, but looking up at him, is Fox seated in an invalid's wheeled chair on the back of which are the coronet and feathers of the Prince of Wales. He is 'Grand Double Drums' and is vigorously beating a pair of kettle-drums, one inscribed 'GR' and crown, the other 'N' and crown. He wears a dressing-gown and bonnet rouge, and his enormously distended legs are straddled outside his drums. On Fox's r. is the 'Flugel Man', Grenville, going through the movement as a pattern to the other privates. He kneels on the left knee and grounds his musket, putting up his hand to shield his eyes; his bayonet is broken, as is its sheath. The 'Corporal & Conscripts' drawn up (r.) facing Napoleon attempt the movement with extreme awkwardness and obsequious haste, not excepting Windham the corporal, the end man (r.) of the front rank. Next him is Lord Holland, on both knees, with an amiable smile. Then Sheridan, very bulky and awkward, but unlike the others directing his musket towards Napoleon. Petty, on both knees, flings down his musket with an obsequious gesture. Next him Lord Temple grovels displaying spherical posteriors. Next, at the end of the line, and close to the gate of the Treasury, kneels Erskine, in wig and gown, raising his hat. In the second rank, behind Windham, is Howick, First Lord, deferentially raising a naval cocked hat; Sidmouth staggers back, throwing up his arms and dropping his musket which lands on his face. Next are Spencer, clumsily lifting his musket, and Ellenborough in wig and gown, with a blunderbuss which he seems about to dash violently on the ground. Behind him is Moira, stiff and tall, in uniform with cocked hat, holding up a musket exploding at lock and barrel. Behind and in shadow are (l. to r.) St. Vincent, Hanger, and the Duke of Clarence, all holding up the muskets which the next rank prevents them from grounding. Most of the 'conscripts' wear civilian dress with crossed bandoleers, and are in most unsoldierly confusion. By the Treasury gate and facing Erskine stands the 'Constable of the Corps', Talleyrand, holding a long constable's staff, crowned, his left. arm extended in a gesture of command; one twisted leg is supported by a stilt under the shoe. As ex-Bishop of Autun (see BMSat 8088) he wears a hat whose crown is a mitre, a long gown and bands over his coat, and a rosary. In his mouth is a pen. Above his head a bird with webbed wings and the head of Lauderdale flies towards Fox, clutching a paper: 'Terms of Peace'. In his mouth is a completely are olive branch. He wears a bonnet rouge, and his body is covered with tartan."--British Museum online catalogue
Description:
Title etched at top of image., Series of mocking military are etched below image and correspond with figures in the design: Drill-Serjeant [Napolean], Constable of the Corps [Talleyrand-Périgord], Grand Double-Drums [Fox], Flugel Man [Grenville], Corporal & Conscripts [remaining figures]., Figures identified by ms. annotations in modern hand throughout outer margin of print., and Mounted to 35 x 46 cm.
Publisher:
Pubd. Septr. 1st, 1806, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, St. Vincent, John Jervis, Viscount, 1735-1823, Hanger, George, 1751?-1824, William IV, King of Great Britain, 1765-1837, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Lauderdale, James Maitland, Earl of, 1759-1839
Satirical print showing Napoleon after the battle of Maloyaroslavets (24 October 1812) during his Russian campaign (‘The Patriotic War’ in Russian parlance). He is vomiting fragments of plans and charts as well as a shattered anchor. In his hand he holds a large medicine bottle of emetic labelled in Russian: ‘Emetic. Pour Mr Napoleon. Heartfelt thank you, if only to take it more often. By order of the Russian army, from the pharmacy near Maly Yaroslavets’.
Alternative Title:
ПРОЩАЙ БРАТ, КЛАНЯЙСЯ СВОИМ, ДА НЕ ЗАБЫВАЙ НАШИХ”. НАПОЛЕОН ПОСЛЕ СРАЖЕНИЯ ПОД МАЛОЯРОСЛАВЦЕМ
Description:
Title supplied by cataloger., Printmaker from dealer's description., and Date of publication inferred from subject of print; the Battle of Maloyaroslavets took place on 24 October 1812.
Publisher:
publisher not identified
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Vomiting, and Medicines
"In the upper part of the design the Recording Angel (or Truth) draws or engraves on an oval shield which she rests on a pedestal. On it are depicted French soldiers bayoneting defenceless Turks (apparently adapted from BMSat 10062). In the background are the head of a Sphinx, and clouds. Against the pedestal on which Truth stands rests a picture, filling the lower part of the design. Napoleon kneels on a rock, extending imploring arms towards Nilus, a nude and muscular figure seated on rock from which water gushes. Nilus veils and averts his head. In the background are pyramids and palm-trees."--British Museum online catalogue
Alternative Title:
Frontispiece, Britannicus to Buonaparte : an heroic epistle
Description:
Title devised by cataloger; varying form of title from British Museum catalogue. and Frontispiece to the second edition of Britannicus to Buonaparte, an heroic epistle, with notes / by Henry Tresham.
Publisher:
Publish'd Novr. 1st, 1803, for the author by I. Hatchard, No. 199 Piccadilly, London
