"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
In a fashionable parlor, two well-dressed couples entertain each other. On the right a gentleman plays the violin as his companion sings; she holds sheet music in her hand as she faces the fireplace, her back to the viewer. The violinist stands on a sheet of paper on which is written "The downfall of Paris." Above the fireplace, over a mantel with piles of books, including a volume with Code Napoleon written on its spine, is a portrait of "Napoleon le-Grand" and on either side, landscape views of Elba and St. Helena. On the left an effeminate soldier with a medal that reads "Jena" (a reference to the 1806 victory?) offers a young lady plates of fruit and cookies. The side table beside them is laiddened with fruit, flowers, liquor, and cookies. A fluffy, white dog barks at her feet. Pairs of Cupids with arrows and with laurel wreaths decorate the wallpaper
Alternative Title:
French fireside
Description:
Title engraved below image., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Manuscript "8" in upper center of plate.
Publisher:
Publish'd by J. Le Petit, 20 Capel St., Dublin
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Couples, Dogs, Fireplaces, Floor coverings, Mantels, Parlors, Singing, and Violins
"A crowded design: the room of a quack doctor or astrologer; Larevellière-Lépeaux sits at his table in a gothic chair; five generals approach him from the right, two others are seated (left) behind his chair. The doctor wears his official (Director's) dress (see BMSat 9199) with feathered hat; a bonnet-rouge crowns the back of his chair, against which leans a book: 'Hortus Siccus' (Larevellière was a botanist). He is hunchbacked, with deformed legs ('The holy Hunchback . . .', cf. BMSat 9240). He holds up a retort in which a liquid explodes, so that tiny decollated heads fly upwards. On his table are jars, bottles, and an open book: 'Mal de Naples sive Morbus Gallicus'. (The blockade of Naples by the British fleet was followed by its evacuation by the French (8 May) and risings against the republicans.) A mortar is inscribed 'Arch-Duke Boluses' (the Arch-duke Charles had beaten the French decisively at Stockach, 25 Mar.). A jar is 'Preparation of Lead', a box is 'Lake's Pills' (a pun on Leake's quack remedy; Lake had defeated the Irish rising in 1798). A large jar of 'Esprit de Robespierre' contains a guillotine; a smaller one, a dagger. The five generals are in advanced stages of disease or decay. The foremost holds his hat; from his pocket issues a paper: 'Case of Diabetes'. The next hobbles, contorted with pain, his shambling puny legs swollen below the knee, his boot slashed; he has a paper: 'l'ennemi inquietait mes derrieres'. A lean man has one eye and holds an ear-trumpet to his ear. On the left a general, his face distorted, sits painfully on a close-stool decorated with a bonnet-rouge and motto: 'Vive la grande Nation'. He clutches a paper: 'Ordres, les Ordres'. Beside him is a torn paper, 'Plans de Campagne'. Jourdan, facing him, vomits into a chamber-pot punningly inscribed 'Jourdan' (cf. BMSat 7908, &c). On the ground are clyster-pipe and syringe, books, and papers: 'French Conquêtes' (torn); 'Regime de Terreur' with 'alo Septembre' (BMSat 8122), 'Russian Regimen' (see BMSat 9408, &c), 'Hosologie [sic] Francoise', and 'Catalogue of new French Diseases'. A large crocodile, emblem of the quack and of Egypt (see BMSat 9250), is suspended (as in BMSat 7735) from the roof by tricolour bands. Against the wall are many emblematical objects: on the extreme left an ape (Liberty) seated on a bracket holds a bonnet-rouge on a staff. Above is a terrestrial globe suspended upside down. Next are two mummies swathed with tricolour bandages; the larger is 'Buonaparte', the smaller 'Kleber' (both confined to Egypt by the British fleet). Glass jars containing specimens of abortion are ranged on a long shelf inscribed 'Projets Avortès' [sic]. Some of the labels are illegible, others are: 'Ireland, Commune de Pekin, Venise, Department du Mont Caucase, Directoire d'Abissinie [see BMSat 9352], Armée du Gauge'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Medical: quacks -- Male costume: French Director's habit -- Furniture: Gothic chairs -- Hunchbacks -- Medicine: pun on Leak's pills -- Preparation of lead -- Globes -- Emblems: bonnet rouge -- Medicine: Esprit de Robespierre -- Diseases: diabetes -- Furnishings: close-stool -- Chamberpots -- Medical implemets: Clyster pipe -- Syringe -- Emblems: crocodile as quack's emblem -- Crocodile as emblem of the Egyptian campaign -- Mummies: Napoleon I as a mummy -- Medical specimens -- Military uniforms: French officers's uniforms -- Ape with bonnet rouge as an emblem of liberty -- Napoleonic wars, 2nd Coalition: French defeat 1799 -- Allusion to Gerard Lake (1744-1808).
Publisher:
Pubd. June 20th, 1799, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, La Revellière-Lépeaux, Louis-Marie de, 1753-1824, Jourdan, Jean-Baptiste, 1762-1833, and Kléber, Jean-Baptiste, 1753-1800
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"General Frost towers above Napoleon who stands in the snow, his arms folded, while Frost, standing behind him, holds his victim's nose, and flourishes a large razor of 'Russian Steel'. Frost is a grotesque monster, nude to the waist and with the legs of a bear; his great feet are planted upon two groups of little French soldiers, crushing them into the snow. He is emaciated and old, with glaring eyeballs, wide mouth fringed with fang-like teeth, and huge moustache; a blast issues from each nostril; one inscribed 'North' slants down upon Napoleon's head, the other, slanting to the right, is inscribed 'North East--Snow and Sleet'; these are white against a dark sky. He has icicles for eyebrows and on his head are jagged pinnacles inscribed 'Mountain of Ice'. This is irradiated by a disk above his head inscribed 'Polar--Star'. His fingers are talons. From his mouth float the words: "Invade My Country indeed--I'll Shave--Freeze--and Bury you in Snow--You little Monkey." Tears fall from Napoleon's eyes, and he says: "Pray--Brother--General--have Mercy, dont overwhelm me with your hoary element, You have so niped me, that my very Teeth chatter Oh--dear--I am quite Chop fallen." A telescope is thrust under his arm. He wears the wide plumed bicorne of earlier caricatures. In the background on the left is 'Moscow' in flames; on the right the buildings of 'Petersbourg', and, nearer the foreground, 'Riga'. Above the horizon rise icebergs in fantastic shapes."--British Museum online catalogue
Alternative Title:
General Frost shaving Little Boney
Description:
Title etched below image., Printmaker's signature followed by a symbol: A circle with a cross inside and an arrow projecting from the top., Date precedes publisher's statement in imprint., Plate numbered "181" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Watermark: Basted Mill 1812., and Leaf 94 in volume 3.
"Count Starhemberg (left), Austrian Envoy Extraordinary and Minister Plenipotentiary to England, drives in a post-chaise drawn by two galloping horses past the gate of the Tuileries (right), where Napoleon stands, with straddling legs and outstretched arms, small, angry, and impotent, shouting, "Ha, diable! - va't 'en! Impertinent! - va't 'en! - is dere von Man on Earth who not Worship little Boney? - Soldats! aux Armes! revenge! - ah sacre dieu! - je suis tous Tremblans [sic]." Grenadiers are drawn up on both sides of Napoleon, their heads receding in perspective under the arch of the palace. They have huge moustaches, and wear bearskins, high stocks, and Hessian boots. They glare fiercely at the Austrian, with their hands on the hilts of their sabres. Starhemberg looks wards Napoleon with raised eyebrow, taking snuff with nonchalant contempt. A large coronetted 'S' and the Austrian eagle on the post-chaise show his identity. Baggage is piled on the roof of the chaise."--British Museum online catalogue
Alternative Title:
German nonchalance and Vexation of little Boney
Description:
Title etched below image., Text following title: Vide, the diplomatique's late journey through Paris., Sheet trimmed within plate mark., Temporary local subject terms: Count Starhemberg., and Mounted to 28 x 38 cm.
Publisher:
Publishd. Jany. 1st, 1803, by Js. Gillray, 27 St. Jamess [sic] Str
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Atlas (right), bearded and muscular, nude except for swirling drapery, kneels on one knee, supporting with both hands a terrestrial globe which he pushes towards Napoleon on whom it is about to fall. The Emperor staggers back, dropping his sword, his left arm and right leg are raised high, to ward off the impact. He looks up, terrified, and says: "France be mine! Holland be mine! Italy be mine! Spain & Poland be mine! Russ, Prussia Turky, de whole World vil be mine!!! Monsr Atlas hold up dont let it fall on me." Atlas, with a menacing frown, answers: "When the Friends of Freedom and Peace have stop'd your shakeing it on my shoulders [and] got their own again, I'll bear it, till then you may carry it yourself Master Boney!" Close behind Napoleon (left) two French marshals or generals flee to the left, looking back at the globe One (left) says: "By Gar tis true tis fall on your Head! votre Serviteur! we no stop to be crush vid you"; the other: "Votre Serviteur Monsr Boney." Napoleon's head is scarcely caricatured, the generals are grotesques in the manner of Gillray, e.g. in British Museum Satires No. 9403, 'French Generals retiring, on account of their Health . . .' The globe is patterned with continents and islands regardless of geography."--British Museum online catalogue
Alternative Title:
Grasp all, lose all, Atlas enraged, and Punishment of unqualified ambition
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text, from Spenser's The faerie queene, following title: "Most wretched wight, whom nothing might suffice, "whose greedy lust, did lack in greatest store ..., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling cold."--Following imprint., Watermark: 1817., and Leaf 35 in volume 4.
Publisher:
Pubd. Decr. 1st, 1813, by Thos. Tegg, 111 Cheapside
"A colossal but life-like bust of Napoleon is placed on a mound of decollated human heads. He gazes fixedly upwards in profile to the left; round his neck and bare breast is twisted a noose of rope. Round this idol dance demons with human heads, holding hands. They are naked except for head-coverings, and have horns, hairy legs, tail, with one leg terminating in a cloven hoof, the other in the claw of a bird of prey. These 'Hell Hounds' have labels hanging from a collar of rope, showing that they are 'Caulincourt', 'Fouché', 'Savory', with a pen in his hat (he succeeded Fouché as Minister of Police in 1810), 'Vandamme', 'Davoust', 'Ney', 'Lefebre'. Two demons fly towards the emperor, holding a large wreath which is on fire, with the inscription 'He Deserves A Crown of Pitch.' This they are about to place on the idol's head, towards which gallops through the air a small demon (right) on a goat, blowing a horn. In the foreground lie dead and dying soldiers, one is decapitated, another (right) is naked and has lost an arm which he holds out with an agonized expression towards the idol. In the background (left) soldiers are feeding a bonfire with 'English Goods'. On the right is a blazing town."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Unidentified collector's stamp on verso.
Publisher:
Pubd. April 8, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Idols, Nooses, Demons, Heads (Anatomy), Decapitations, War casualties, Soldiers, and Dismemberment
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Three Bonapartes leap from one to another grass-topped rock set in the sea. There are six, from Corsica, the smallest to Dover, the broadest. The first makes a 'Hop' from 'Corsica' to 'France'. The second stands arms akimbo, head turned in profile to the right., the 1. foot on 'Ambition', the r. planted on a higher rock: 'Power'. This is 'Step'. The third has made a 'Jump' into the air from 'Calais', and descends on to the sword-point of John Bull, who is firmly planted on 'Dover'. Napoleon wears an enormous cocked hat (which flies off in his final leap) with tricolour cockade and plume, tricolour sash over his military coat, tight breeches, and boots. Below the three stages of his progress: '[1] From indigence in Corsica To Affluence in France. [2] From aspiring Ambition To the summit of Power. [3] From Calais to Dover Where little John Bull does the Corsican over'."--British Museum online catalogue
Description:
Title etched below image., Probably a second reissue of a plate first published ca. July 1803 by Piercy Roberts. Original imprint statement, "Pubd. by Roberts 28 Middle Row," is still visible beneath title. Plate was first reissued by Thomas Tegg in 1807; the year "1807" is seemingly present at the end of Tegg's imprint statement but has been obscured by etched lines. See British Museum catalogue., Date of publication from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed within plate mark on top and bottom edges; probable loss of plate numbering from top right corner., Watermark: 1817., and Leaf 55 in volume 1.
"The comet has the profile head of Napoleon wearng a plumed bicorne; it rushes up from the left. towards the sun, the profile head of George III, much irradiated. John Bull, a carbuncled 'cit', stoops low to look through a telescope on a tripod pointing towards the comet. Napoleon looks up at the King, who gazes fixedly above his head. He has ascended from a small piece of land rising from the narrow Channel separating it from John's wider fragment. Up this a frog clambers. On the open sea ships are strung out along the horizon. John says: "Aye - Aye - Master Comet - you may attempt your Periheliums - or your Devil heliums for what I care but take the word of an Old Man you'll never reach the Sun depend upon it"."--British Museum online catalogue, description of variant state
Alternative Title:
John Bull making observations on the comet
Description:
Title from item., Plate numbered '274' in upper right corner., and Variant state. Cf. no. 10769, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of the plate with different series number.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
Subject (Topic):
John Bull (Symbolic character), Coastlines, Comets, Ships, Sun, and Telescopes
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The comet has the profile head of Napoleon wearing a plumed bicorne; it rushes up from the left towards the sun, the profile head of George III, much irradiated. John Bull, a carbuncled 'cit', stoops low to look through a telescope on a tripod pointing towards the comet. Napoleon looks up at the King, who gazes fixedly above his head. He has ascended from a small piece of land rising from the narrow Channel separating it from John's wider fragment. Up this a frog clambers. On the open sea ships are strung out along the horizon. John says: "Aye - Aye - Master Comet - you may attempt your Periheliums - or your Devil heliums for what I care but take the word of an Old Man you'll never reach the Sun depend upon it"."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull making observations on the comet
Description:
Title etched below image., Later state; former plate number "29" has been replaced with a new number, and date has been removed from end of imprint statement., Date of publication based on complete imprint on earlier state: London, Printed for Thos. Tegg, 111 Cheapside, 10th Novr. 1807. Cf. No. 10769 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "274" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "Price one shilling coloured.", 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 52 in volume 4.
Publisher:
Printed for Thos. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
