"A bear (right), wearing Cossack trousers and an imperial crown surmounted by a double-headed eagle, runs off to the right. He carries a piece of mountainous country inscribed Greece on which kneels a tiny Greek in profile to the left, exclaiming Save me from my Friends. The bear (the Tsar) tramples on the neck of a turkey, with the bearded, turbaned, and terrified head of the Sultan, which lies on its back. The bear looks fiercely over his shoulder towards an angry English sailor who sits in an open boat with a cannon mounted in the bows. The sailor wears a top-hat with a ribbon inscribed Navar[ino, see BM Satires No. 15507, &c]; he has dropped an oar to lean back, extending his clenched fist towards the bear, and shouting: Halloo--master-drop that, or d--me I'll run along side of you, in no time. Cannon-balls are piled in the stern; above them flies a Union flag topped by oak leaves. On the farther side of the water (left) stands Charles X, a capering French fop in the dress of the ancien régime, with a cane under his arm. He says: By gar he is take away all de Greece. The scene is watched from a distance by the Emperor of Austria, who draws his sword, saying, I should like a bit of that."--British Museum online catalogue
Alternative Title:
Imperial bears grease or a peep into futurity
Description:
Title from caption below image; the letters "a" and "s" in the word "grease" are crossed out and the letters "e" and "c" etched above to form the word "Greece.", Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 223.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Charles X, King of France, 1757-1836
Subject (Topic):
Russo-Turkish War, 1828-1829, Bears, Crowns, Sailors, British, National emblems, Russian, and Turkeys
"Satire on Lord Bute and his political patronage. A view of a large garden with a tree at its centre at the top of which sits Bute holding two baskets of "golden pippins"; a devil with two serpentine legs sits on a low branch to right, excreting gold coins into the arms of a man with a fox's head (Henry Fox); to left, Princess Augusta climbs a ladder resting against the tree and reaches out to take an apple from the French ambassador, the duc de Nivernois, who sits beside the devil. Cumberland, wielding a large axe, is in the process of chopping down the tree saying "I'll cut you up root and branch". A group of Scots stand behind the tree waiting for fruits to fall, another stoops at the foot of the ladder to pick up an apple and glance up the princess's skirts; two prosperous gentlemen stand to the side holding baskets of fruit. A winged figure of Father Time flies towards the tree from the left while, on the right, a be-wigged devil (Mansfield) flies away squirting liquid from a clyster at a Charles Churchill who sits on the garden wall waving a stick; Temple and Newcastle climb over the wall into the garden and Pitt holding a flaming sword leaps down to attack a group of Scots. On the left of the scene, a cock standing on a dunghill is approached by a monkey (the Duke of Bedford, ambassador to Paris) carrying a paper lettered, "Articles of Agreement between John Bull & Lewis Gallus". Beyond, two further Scots carry off a bulging sack and the Union Flag. In the foreground, to left, is a barking British mastiff, and to right a sorrowful lion sits in shadow."--British Museum online catalogue
Alternative Title:
Scotch paradise and View of the Buteifull garden of Edenburg
Description:
Title from item., Title etched above image., The 'i' in Buteiful is an image of an 'eye', a rebus. "Eden" in Edenburg in all capitals., and Sheet trimmed within plate mark.
Publisher:
Sold at Sumpters political prints warehouse, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
"A complicated and fantastic design. The title implies the annual election of East India directors on the second Wednesday in April (11 Apr. in 1827). The Directors, twenty with portrait heads, with one or two shadowy heads behind, have wolves' paws, and wear, below their shoulders, sheeps' fleeces inscribed Golden Fleece or Fleece. In the middle sit the Chairman and Deputy Chairman, two profiles joined Janus-like. One (Lindsay, the Deputy), in profile to the left, says: Adsum qui feci in me convertite ferrum [sic]. The other (Sir G. Robinson, the Chairman), says: Nostrum sex sumus, discedentes lucemus et aucto splendore resurgemus [he is one of the six retiring Directors, to be re-elected after a year]. Before him are a book, Stamp Office Ledger. This could a tale unfold; a print of a man carrying a globe on his back (he was Chairman of the Globe Insurance Office), and papers: Joint Stock Companies and Morning Paper. In another presidential chair (right), at right angles to the Directors, sits a fierce-looking man with bull's horns holding a scourge inscribed The Board of Controul [showing he is Wynn, President of the Board]; he says: These wolves in sheeps cloathing must not take all the prey, give us John Bulls share. Facing him from the extreme left is a man at a slightly lower desk, who says: We care not a jot for the court of Proprietors. In the foreground are the Proprietors, grouped in three categories of animals. A pack of large dogs, 'the requisitionary pack', with human (portrait) heads, runs forward from the right, where there are circular tiers of benches (as used by the Proprietors on Court Days). The foremost is Cato, saying, Chairman you are all out of order, as to your lawyers I put them all at defiance. At his feet are papers: He gave him a Roland for his Oliver; A free Press, and Universal Knowledge. Next is Cæsar, saying, We are allowed in Parliament to ask questions Nemo nos impune lassessit [sic]. Argus [? Hume], with National reform in Church and State at his feet, asks: I am my own dog whose are you?. Cerberus answers: I am the House Dog but to your pack Adieu [perhaps James Rivett Carnac, Director-elect in place of Bosanquet]. Jason [? Capt. W. Maxfield], leaping over a paper inscribed The Bombay Marines Lamentations over their unmerited sufferings, says: I care not a fig for your majorities while truth, reason, and justice are on my side. Mad Tom says: One gymnastic leap would place me within the bar before you could say Jack Robinson. The last dog, P. Pry [see BM Satires 15138], its head obscured, barks at Wynn: Bow, Wow wow! Two other dogs with human heads are indicated, and there are also an obscure couple of normal dogs, saying, Pointers have good noses & capital eyes for fat bones. ..."--British Museum online catalogue
Alternative Title:
View of the beautiful garden of Edinburgh
Description:
Title etched below image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Reduced copy, without plate number, of no. 4006 ("Scotch paradice") in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 31 x 46 cm with Bowditch's manuscript annotations on the mount.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
Title etched above image., Three lines of text below image: In justice to Mr. Hogarth, the engraver of this plate declares to the public ..., Reduced and reversed copy of The Butifyer: a touch upon The Times Plate I by Paul Sandby. See British Museum catalogue., Plate numbered '16' in upper right corner., From British Museum catalogue: Published as the Act Directs sep 1762 Price 1s., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and On page 296 in volume 3. Sheet trimmed to: 10.5 x 8.1 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., Hogarth, William, 1697-1764, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, and St. James's Palace (London, England)
Title etched above image., Three lines of text below image: In justice to Mr. Hogarth, the engraver of this plate declares to the public ..., Reduced and reversed copy of The Butifyer: a touch upon The Times Plate I by Paul Sandby. See British Museum catalogue., Plate numbered '16' in upper right corner., From British Museum catalogue: Published as the Act Directs sep 1762 Price 1s., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and Mounted to 31 x 41 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., Hogarth, William, 1697-1764, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, and St. James's Palace (London, England)
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer and Coach overturned
Description:
Title etched above image., Publication date from that of the book in which this plate was published., Two columns of verse below image: With raptures, Britannia take notice at last, proud Sawney's turn'd over by driving too fast ..., Plate numbered '31' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and Mounted to 29 x 31 cm.
Publisher:
E. Sumpter
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
Title from caption etched below image., Publisher identified from address., Plate numbered '72' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Military uniforms -- Personifications: Holland -- Personifications: France -- Personifications: England., and Mounted to 16 x 17 cm.
Publisher:
To be had at the Acorn facing Hungerford, Strand
Subject (Topic):
Dueling, Military uniforms, National emblems, British, Dutch, and French
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
