"Sir William Hamilton, old and bent, inspects his antiques. He stands in profile to left, looking through spectacles held in his right hand and reversed. He wears a round hat, a spencer over his coat and spurred top-boots, a stick in his (gloved) left hand; an expressive glove issues from his coat pocket. The objects at which he gazes are on a cloth-covered table. In the centre is a bust of 'Lais', the head that of Lady Hamilton, with fashionably dressed hair, but with nose, mouth, and chin broken away. Next it is a nude and headless Bacchante holding up a bunch of grapes (this was one of his wife's famous attitudes). Behind is a term with the head of a bull inscribed 'APIS'. Other objects are a weeping Cupid with a broken arrow, a grotesque goblet, a cracked chamber-pot on which nude figures dance. Against the wall (right) stands a mummy-like figure of 'MIDAS', with ass's ears. Other grotesque and broken objects stand on the carpet. On the wall are four pictures (left to right): 'Cleopatra', Lady Hamilton, three-quarter length, indecently décolletée and holding a bottle of 'Gin'; 'Mark Antony', Nelson, three-quarter length, a sea-fight in the background; a volcano in eruption; 'Claudius', a profile half length of Hamilton turning his back on the other pictures, the frame decorated with a stag's head."--British Museum online catalogue
Alternative Title:
Cognocenti contemplating the beauties of the antique and Cognoscenti contemplating the beauties of the antique
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Antiques -- Literature reference: Hamilton, Sir William, 1730-1803: Observations on Mount Vesuvius., 1 print : etching on wove paper, hand-colored ; plate mark 36.0 x 25.1 cm, on sheet 40.3 x 29.2 cm., and Mounted on leaf 47 of volume 10 of 12.
Publisher:
Pubd. Feby. 11th, 1801, by H. Humphrey, 27 St. James's Street
"Sir William Hamilton, old and bent, inspects his antiques. He stands in profile to left, looking through spectacles held in his right hand and reversed. He wears a round hat, a spencer over his coat and spurred top-boots, a stick in his (gloved) left hand; an expressive glove issues from his coat pocket. The objects at which he gazes are on a cloth-covered table. In the centre is a bust of 'Lais', the head that of Lady Hamilton, with fashionably dressed hair, but with nose, mouth, and chin broken away. Next it is a nude and headless Bacchante holding up a bunch of grapes (this was one of his wife's famous attitudes). Behind is a term with the head of a bull inscribed 'APIS'. Other objects are a weeping Cupid with a broken arrow, a grotesque goblet, a cracked chamber-pot on which nude figures dance. Against the wall (right) stands a mummy-like figure of 'MIDAS', with ass's ears. Other grotesque and broken objects stand on the carpet. On the wall are four pictures (left to right): 'Cleopatra', Lady Hamilton, three-quarter length, indecently décolletée and holding a bottle of 'Gin'; 'Mark Antony', Nelson, three-quarter length, a sea-fight in the background; a volcano in eruption; 'Claudius', a profile half length of Hamilton turning his back on the other pictures, the frame decorated with a stag's head."--British Museum online catalogue
Alternative Title:
Cognocenti contemplating the beauties of the antique and Cognoscenti contemplating the beauties of the antique
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Antiques -- Literature reference: Hamilton, Sir William, 1730-1803: Observations on Mount Vesuvius., and Matted to 62 x 49 cm.
Publisher:
Pubd. Feby. 11th, 1801, by H. Humphrey, 27 St. James's Street
Title from item., Plate numbered '83' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Bowles and Carver, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
Barrels, Drinking vessels, Intoxication, and Toasting
"An imaginary scene on the deck of the 'Vanguard'. The sailors are crowded round an improvised table, drinking and huzza-ing. Nelson and his officers sit abovet hem in the stern; a wounded officer is wrapped in a blanket. An officer takes a glass held up to him by a sailor. One man plays a fiddle. A Turk sits on the deck (left) smoking a long pipe ..."--British Museum online catalogue
Description:
Title etched below image., Variant state, with two additional stanzas of the song added on each side of the chorus lines. Cf. No. 9256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Three stanzas of a song etched below title in three columns: Verse 1st. Dammy Jack, what a gig, what a true British whim, let the fiddles strike up on the Main. What seaman wou'd care for an eye or a limb to fight o'er the battle again., Temporary local subject terms: Invasions: Ships decks -- Celebrations -- Sailors -- Turks -- Smoking: pipes -- Dishes: tankards -- Punch bowl -- Drinking glasses -- Musical instruments: fiddle -- Singing., 1 print : etching on wove paper, hand-colored ; sheet 29.5 x 34.7 cm., Sheet trimmed within plate mark., and Mounted on leaf 78 of volume 4 of 14 volumes.
Publisher:
Pub. Octr. 20, 1798, at Ackermann's Gallery, No. 101 Strand
"An imaginary scene on the deck of the 'Vanguard'. The sailors are crowded round an improvised table, drinking and huzza-ing. Nelson and his officers sit abovet hem in the stern; a wounded officer is wrapped in a blanket. An officer takes a glass held up to him by a sailor. One man plays a fiddle. A Turk sits on the deck (left) smoking a long pipe ..."--British Museum online catalogue
Description:
Title etched below image., Variant state, with two additional stanzas of the song added on each side of the chorus lines. Cf. No. 9256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Three stanzas of a song etched below title in three columns: Verse 1st. Dammy Jack, what a gig, what a true British whim, let the fiddles strike up on the Main. What seaman wou'd care for an eye or a limb to fight o'er the battle again., Temporary local subject terms: Invasions: Ships decks -- Celebrations -- Sailors -- Turks -- Smoking: pipes -- Dishes: tankards -- Punch bowl -- Drinking glasses -- Musical instruments: fiddle -- Singing., and Mounted to 49 x 62 cm.
Publisher:
Pub. Octr. 20, 1798, at Ackermann's Gallery, No. 101 Strand
A political cartoon with 42 bust caricatures of members of a conspiracy discovered by no. 1 "La Vigilance du Gouvernement Français", a rooster or the Gallic cock, depicted at top center, holding "Correspondance de Mr. Draque - Ambassadeur de la Cour Britannique &c. &c." Those accused of participating in the conspiracy are: no. 2 "Le Prince de Galles" (possibly the Prince of Wales), no. 3 "Parti de l'Opposition", no. 4 "Le Comte d'Artois" (Charles X), no. 5 "Lord Windham", no. 6 "Lord Moira", no. 7 "Lord King", no. 8 "Mr. Vic-Kam", no. 9 "Lord With Wurth", no. 10 "Mr. Pitt", no. 11 "Mr. Drake", no. 12 "Mr. Adington", no. 13 "Le Général Limcol", no. 14 "Mr. Francis", no. 15 "Milord Cathcart", no. 16 "Monsieur, Frère du Roi de France" (Louis XVIII), no. 17 "Spencer Smith", no. 18 "Lord How Kersbury", no. 19 "Le Duc de Cambridge", no. 20 "Charlotte Reine d'Angleterre", no. 21 "Géorges III Roi d'Angleterre", no. 22 "Le Duc d'York" (Prince Frederick Augustus), no. 23 "Lord Windham", no. 24 "Le Comte de Darmouth", no. 25 "Le Duc de Portland", no. 26 "Sidney Smith", no. 27 "Sir Lucas Pepys", no. 28 "Mr. Canning", no. 29 "Fitz Williams", no. 30 "Lord Walsingham", no. 31 "Lord Nelson Admiral", no. 32 "L'amiral Duc Woeth", no. 33 "Mr. Tierney", no. 34 "Le Prince de Conde", no. 35 "Lord Malmesbury", no. 36 "Milord Harrowby", no. 37 "Mr. F. Millman", no. 38 "Heberden", no. 39 "Lord Grandville", no. 40 "Mr. Carnawon", no. 41 "Mr. Carlole", and no. 42 "Sir Robert Taulay."
Description:
Title from item. and Includes key with corresponding numbers identifying the persons depicted.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Charles X, King of France, 1757-1836., Pitt, William, 1759-1806., Louis XVIII, King of France, 1755-1824., Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818., George III, King of Great Britain, 1738-1820., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
History, National emblems, French, Roosters, Conspiracy, Enemies, and Faces
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807)., 1 print : etching with engraving and stipple engraving on wove paper, hand-colored ; plate mark 25.2 x 36.0 cm, on sheet 28.7 x 40.2 cm., Watermark, partially trimmed: Ruse & Turners., and Mounted on leaf 46 of volume 10 of 12.
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., and BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807).
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
Title from item., Twenty lines of patriotic verse surround the upper portion of design: Hear me my gallant friends, and whilst I tell how your combining foes by thousands fell..., Plate numbered '414' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th December, 1805 by Laurie & Whittle, No. 53 Fleet Street, London
"Nelson, in naval uniform, stands knee-deep in water, among a swarm of crocodiles which he is dispatching with a club of 'British Oak', raised in his left hand. In the hook which replaces his right hand are cords attached to barbed hooks which transfix the jaws of nine (tricolour) crocodiles. In the foreground crocodiles are contorted in death-agony, one emits tiny crocodiles in a gush of water from its jaws. Two swim off (left). One disappears with tail erect. Behind (right) the jaws of a monster larger than the others gape from the water, emitting a fiery explosion. The crocodiles are tricolour, most shed tears. In the background the Nile winds inland, tiny crocodiles are indicated swimming in its mouth. Behind are pyramids, and on the shore the buildings and columns of Alexandria."--British Museum online catalogue
Alternative Title:
British hero cleansing [the] mouth of [the] Nile
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Victories: Nelson's victory in the battle of the Nile, 1 August 1798 -- Explosions -- Weapons: clubs -- Egypt: pyramids -- Alexandria -- Amputees -- Military uniforms: admiral's uniform., 1 print : etching on wove paper, hand-colored ; plate mark 26.2 x 36.6 cm, on sheet 29.3 x 40.8 cm., and Mounted on leaf 68 of volume 4 of 12.
Publisher:
Pubd. Octr. 6th, 1798, by H. Humphrey, 27 St. Jamess [sic] Street
