A celebration in front of City Hall in the Hague in honour of William III
Alternative Title:
Illuminations et autres marques d'honneur de la maison de ville
Description:
Title in Dutch above image; title in French below image., Printmaker: Romeyn de Hooghe., and Plate from: Bidloo, G. Komste van Zyne Majesteit Willem III in Holland. The Hague : Arnold Leers, 1691.
Title from item., Title translation in British Museum catalogue: Result of the wind trade., Publication place and date from book in which this print was published., Six columns of verse in Dutch below image: 1. Siet hier Mynheer de Directeur ..., Plate 27 from: Het groote tafereel der dwaasheid ... , v. 1., and Watermark in the right part of sheet.
Title engraved above image., Title translation in British Museum catalogue: True portrait of the renowned Mr. Quinquenpoix., Publication date from British Museum catalogue., Image on smaller plate set in center of a larger plate engraved with title and verse., Two columns of verse in Dutch on either side of image plate: Kom uit, kom uit, het regent nu dukaten ..., and Plate 63 from: Het groote tafereel der dwaasheid ... , v. 1.
Manuscript on parchment of The Venerable Bede, 1) De templo Salomonis; 2) In librum Regum quaestiones XXX; 3) Aliquot quaestionum liber; 4) In librum Tobiae allegorica expositio; 5) excerpts from Homeliae evangelii
Description:
Script: Copied by several hands in Pregothic script., Decoration: Art. 1 is undecorated. Elsewhere, red headings and incipit and explicit formulae (sometimes in Capitalis); on some pages, red stroking of majuscules; red versals and plain, generally 2-line, initials; some large Romanesque initials, or space for large initials, anywhere between 5 and 13 lines., Binding: 19th century light brown calfskin, silver-tooled with a large, diamond-shaped central motif and four smaller motifs in the corners. Each cover is framed in dark brown leather, blind-tooled with several rolls. The spine, with five raised bands, is partly gold-tooled and partly blind-tooled., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bede, the Venerable, Saint, 673-735. and Temple of Jerusalem (Jerusalem).
Subject (Topic):
Allegorical interpretations and Manuscripts, Medieval
"The Apollo Belvedere facing left seen from the front."--British Museum online catalogue
Description:
Title devised by curator., First three letters of the name "P.P. Doncker" in artist's signature form a monogram., Signed with the monogram of printmaker Jan de Bisschop. See British Museum online catalogue, registration no.: 1901,1022.2531.5., Place and date of publication from the volume in which the print was published., Plate from: Signorvm vetervm icones. [Amsterdam], [167-?]., Plate numbered "4" in upper right corner., and Mounted on page 140 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
"Plate 3: Charity. A female figure, whole-length to right, holding two children in her arms, in a niche."--British Museum online catalogue
Description:
Title supplied by cataloger., Printmaker and date from British Museum online catalogue., Publisher not identified; the set of plates was published on several occasions in the Netherlands, first by Goltzius in Haarlem, then by Claes Jansz Visscher (before 1652) in Amsterdam, and finally by Jochem Ottens. See British Museum online catalogue., One of a series of seven numbered plates showing whole length personifications of "The Virtues" placed in niches, after Hendrik Goltzius., Two lines of text engraved below image: Blanda Charis diuina ... constringit aheno. F.E. [Franco Estius]., Plate numbered "3" in lower right corner of image., Imperfect; sheet trimmed within plate mark with some loss of design. Description based on impression in the British Museum, registration no.: 1857,0613.505., Mounted on page 77 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving on wove paper ; 30.9 x 12.8 cm., Sheet trimmed within plate mark., and Based on the type of paper, this impression probably represents a mid- to late-18th century printing from an earlier plate.
Title supplied by cataloguer., Artist and printmaker from the Catalogue of engraved British portraits., Place of publication from printmaker's known place of activity., Date of publication from date of Charles II's ascendance to King and and death date of printmaker., and Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text.
"A companion print to BMSat 5720. The "rich young Dutchman", who is the subject of the print, appears in it in two different situations. He sits (right) on his open money-chest, which is supported on four low wooden wheels, and filled with money-bags, holding a paper in his hand and pointing contemptuously to the right, where another Dutchman stands by a booth of Dutch wares. He pays no attention to an Englishman (right), "Meester John altyd op en te kort" (Master John always short of cash), who takes one of his money-bags and points with his left hand towards a temple falling to ruin in the distance. The Dutchman carelessly allows the money-chest to be dragged to the left by Folly in cap and bells, by a Frenchman, and by two richly dressed women, one of meretricious appearance with loose hair, the other with a haughty expression and hair dressed in an enormous pyramid. A third man, wearing a high toupet-wig, turns his back on the money-chest as he drinks from a large bottle. On the left of this group the "rich young Dutchman" appears again standing passively with a pleased expression while he is decked out in French garments: a little boy wearing a bag-wig hands him a high toupet-wig with a long queue, a man helps him to put on a coat, and on the left a Frenchman bows low before him holding a feathered hat. Another Frenchman standing behind holds out a sword. Behind this group is a booth of English goods with a placard: "Engelsche kraam", in front of it is a draped platform on which stand the English salesman (left) and his assistant (right), the latter dressed like the zany who accompanied mountebanks and quack-doctors. The salesman holds out a roll of figured material and points to the right; he appears to be addressing the spectators. His assistant hands a pile of crockery to a man (right) who holds out his hands to receive it. The shelves of the booth are stacked with crockery, &c, while textiles hang from projecting poles. On the extreme left is a solid and lofty stone gateway or triumphal arch. Over the arch is carved a fool's head, with cap and bells; festoons of bells from the cap decorate the façade. Four men, partly visible, blow trumpets and horns from the summit of the arch. In the foreground (left) a stall or booth of French wares is partly visible in front of the arch. Its penthouse roof has a placard inscribed "Modes de Paris". Elaborately trimmed hats and ribbons hang from a cord. Beneath it, beside a chest, stands a man dressed in the French manner holding out his hands persuasively towards the "rich young Dutchman" as if to recommend his wares. He appears from the explanation to be Charles III of Spain (allied to France by the Family Compact). At his feet is a pile of feathered hats, &c, and a monkey who holds out a feathered hat towards the Dutchman. Through the archway is seen a formal garden with clipped hedges and a fountain in the distance. In alcoves in the hedges two couples are making love. Two men are fighting with swords. At two tables parties of men and women dressed in the French fashion are feasting. A couple advance towards the tables through the archway. These figures are on a minute scale. In the foreground on the extreme right, a pendant to the "Modes de Paris", is a Dutch booth with a placard inscribed "Hollandsche Waaren". By it stands the plainly dressed Dutch salesman at whom the "rich young Dutchman" with the money-chest is pointing disdainfully. His wares are all solid and plain: corded bales, rolls of textiles, a pile of plain round hats. Under the roof of the booth stands an enormous chest; stockings, gloves, and garments hang from a line. In the distance (right) is the sea, two ships in full sail are fighting. On the shore is a circular temple (the temple of the state), its roof supported by tottering pillars which a crowd of men on a minute scale are pulling down (? or shoring up)."--British Museum online catalogue
Alternative Title:
Eerste oeconomische plaat, VI De eerste oeconomische plaat, Jongen ryken hollander, First economic print, and Rich young Dutchman
Description:
Titles and publication date from British Museum catalogue., Sheet trimmed within plate mark., Number VI precedes title., and Second state, without letters on box.
